Penton v. Healy

863 So. 2d 684, 2003 La.App. 4 Cir. 0614, 2003 La. App. LEXIS 3630, 2003 WL 22999497
CourtLouisiana Court of Appeal
DecidedDecember 17, 2003
DocketNo. 2003-CA-0614
StatusPublished
Cited by1 cases

This text of 863 So. 2d 684 (Penton v. Healy) is published on Counsel Stack Legal Research, covering Louisiana Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Penton v. Healy, 863 So. 2d 684, 2003 La.App. 4 Cir. 0614, 2003 La. App. LEXIS 3630, 2003 WL 22999497 (La. Ct. App. 2003).

Opinions

JjEDWIN A. LOMBARD, Judge.

The plaintiff, Norman Penton, D/B/A Penton Studio, seeks review of the trial court’s judgment in his favor in the amount of $1,500.00 in his open account suit against the defendant, attorney George W. Healy, IV. After review of the record, the briefs of the parties, and the pertinent caselaw and statutory authority, we reverse the judgment and remand the matter to the trial court for further proceedings.

Pertinent Facts and Procedural History

This case arises out of the production of twenty-three large photographic exhibits by the plaintiff in less than fifteen hours for use as a demonstrative aid by the defendant’s expert witness in an ongoing trial (the “Seither case”)1 in the Civil District Court for the Parish of Orleans. The plaintiff billed the defendant $6,796.37 for its services. On November 2, 2001, the defendant contested the amount, offering to pay only $1000.00. On November 7, 2001, the plaintiff refused the offer with the following detailed explanation of the charges:

Your offer of $1,000.00 for the courtroom exhibit photographs ordered by Susan Langoni on October 16, 2001 is unacceptable. Here is why:
|21) $250 is the price of a 20x24 mounted photograph. $180 is the price of a 16x20 mounted photograph. These are the regular prices that we see to all of our clients. It is common practice to discount any additional copies made from the same image, however you have 23 originals.
2) Part of the $500 lab rush fee covers the costs to mix the necessary chemicals to run the film and make the prints. Our regular production schedule is to mix new chemistry every other week. Your job came in at a time in the middle of this cycle. New chemistry had to be mixed with just hours to complete the printing. During a normal production cycle, chemistry is always left overnight before use. This gives us more consistent negative density[,] which makes the printing of the photographs more predictable. We did not have that time making the printing stage of the job that much more difficult. Also the lab rush fee includes the overnight labor and the interruption of work in progress that had to be can-celled and started over with a delay in delivery as promised to clients.
3) We will waive the $500 shooting fee as the difficult and expensive work was in the production of the prints.
Mr. Healy, please note that there is a big difference between a 4x6 proof size print and a 20x24 and 16x20 display size print. We are all familiar with the concept of one hour photos available at nearly every grocery store (done at an added cost), but the idea of 23 display [686]*686size prints shot and ready for use in under 15 hours simply does not exist. If we did not have our own lab with the capability to process film and paper you would not have had these photographs at your trial. Even if we had shot the job digitally, large format ink jet photographs take at least an hour to print each one after a proper color balance has been achieved though test proofing.
During the conversation between Marlin Penton (my photographer) and Susan Langoni on October 16, the discussion was in the nature of whether or not we could do the job with such short notice. We did not discuss cost. The day after the shot I did discuss the job with several other area photographers to ensure that the invoice was not over nor under inflated. I found several who charge more than I do for display photos. Every conversation was ended with amazement that we were actually able to complete such an undertaking within the time frame.
There are very few photographers in the metro area who have their own lab and I can not think of even one that does his own C-41 film processing.
$6296.37 is your new total due. I am hoping that this particular job does not jeopardize a further working relationship between Penton Studio and O’Bryon & Schnabeo [sic].

|3On November 15, 2001, at the conclusion of the Seither trial, the defendant filed a rule to tax $173,427.02 in costs, including the plaintiffs bill, in the trial court. In his memorandum in support of the rule to tax costs, the defendant stated:

We received a bill from Penton Photography in the amount of $6,796.00 [sic]. This was the bill submitted to us in connection with the photographs taken of John Stilson’s demonstrative aid. The undersigned disputed this bill as he feels it is outrageous. The undersigned respectfully suggests that this court set a reasonable bill for photographing and “blowing up” the photographs of the “exemplar buck.” The undersigned did not approve this bill. The undersigned’s secretary called and asked that some pictures be taken and we received the bill as a consequence although we never approved the bill and never authorized this type of expense.

On November 16, 2001, the defendant filed a separate motion in the Seither case to determine photographic costs and a memorandum in support of the motion, requesting that the court set a reasonable amount for the photographs. On November 30, 2001, the plaintiff filed an opposition, pointing out that a determination of the dispute over the costs of the photographs within the context of the Seither case would be an unauthorized use of a summary proceeding. The plaintiff also filed a motion for sanctions against the defendant, claiming that he brought the motion in the Seither case to determine photographic costs solely to harass the plaintiff into accepting less than the invoiced amount.

On November 30, 2001, the trial court heard the motions and took the matter under advisement. On February 25, 2002, the trial court ruled as follows:

The [Seither] plaintiffs have filed a Motion to Set Costs in the above captioned case. Included in the [Seither] Plaintiffs costs and expenses was an invoice from Penton Studio in the amount of $6,296.37 for 24 photographs and enlargements produced for trial. This Court finds Penton Studios prices to be exorbitant by any standard. This Court does not think that photographs taken by Andy Warhol while being directed by Cecile B. Demil [sic] would approach such unreasonable costs.
[687]*687Considering the Motion to Set Costs filed on behalf of the [Seither] Plaintiffs: LIT IS HEREBY ORDERED that the cost for Penton Studios taking of 24 photographs is set at $1,500.00.
IT IS FURTHER ORDERED that all other motions pending on the issue of the photographs taken by Penton Studios are hereby dismissed.

On April 2, 2002, the plaintiff filed a devolutive appeal of the trial court’s denial of its motion for sanctions in the Seither case2 and filed the instant petition on open account, attorney’s fees, and damages for abuse of process, in Orleans Parish First City Court. In its petition, the plaintiff alleged that the defendant owed $6,796.37, the invoiced amount, despite the Seither trial court’s order because the plaintiff was not a party in the Seither lawsuit. The plaintiff also sought damages for abuse of process, alleging that the subpoena was issued to him by the defendant in conjunction with the Seither rule to tax costs to harass him into accepting a lesser amount for his services and to convince him that the amount due could be determined in the summary proceeding to tax costs in the Seither matter.

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Related

Penton v. Healy
894 So. 2d 537 (Louisiana Court of Appeal, 2005)

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Bluebook (online)
863 So. 2d 684, 2003 La.App. 4 Cir. 0614, 2003 La. App. LEXIS 3630, 2003 WL 22999497, Counsel Stack Legal Research, https://law.counselstack.com/opinion/penton-v-healy-lactapp-2003.