Pat Gross v. British Broadcasting Corporation, Twenty Twenty Television, Ltd.

386 F.3d 224, 2004 U.S. App. LEXIS 20986, 2004 WL 2255349
CourtCourt of Appeals for the Second Circuit
DecidedOctober 8, 2004
Docket03-7306
StatusPublished
Cited by79 cases

This text of 386 F.3d 224 (Pat Gross v. British Broadcasting Corporation, Twenty Twenty Television, Ltd.) is published on Counsel Stack Legal Research, covering Court of Appeals for the Second Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Pat Gross v. British Broadcasting Corporation, Twenty Twenty Television, Ltd., 386 F.3d 224, 2004 U.S. App. LEXIS 20986, 2004 WL 2255349 (2d Cir. 2004).

Opinion

CARDAMONE, Circuit Judge.

Plaintiff Pat Gross (plaintiff or appellant) filed suit against the defendant British Broadcasting Corporation (BBC) in which she alleges that without her permission the BBC used her idea for a documentary film about militant animal rights activists. Her complaint raises a number of legal theories, but at its core it alleges unjust enrichment and misappropriation of ideas. The BBC is a corporation existing under English law and established by Royal Charter with its principal office in London, England. The documentary about which Gross complains aired only in the United Kingdom (U.K.). She lives in New York City and chose to file the suit in her home forum, the United States District Court for the Southern District of New York where the case came before Judge Alvin Hellerstein. The BBC has a presence in New York, and is unquestionably subject to personal jurisdiction in the Southern District. The district court nevertheless decided that courts in Great Britain were a more appropriate forum for the trial of this action. Accordingly, in a judgment entered February 26, 2003 it granted the BBC’s motion to dismiss plaintiffs complaint on the ground of forum non conveniens. Plaintiff timely appeals the dismissal of her suit.

It is not uncommon for more than one forum to have jurisdiction to hear a case. Under our legal system, plaintiffs make the initial selection of their preferred venue by filing the suit in a particular forum. We have consistently held that when the plaintiff is a U.S. citizen and she selects her home forum, that choice is ordinarily *227 entitled to substantial deference from the courts, especially when there is no challenge regarding the legitimacy of the plaintiffs motives for choosing her home forum.

The common law doctrine of forum non conveniens permits a court to decline to exercise jurisdiction when the convenience of the parties and the interests of justice indicate a foreign forum would be the more appropriate forum. But, because of the substantial deference to. a U.S. citizen’s choice of her home forum, the balance of interests must strongly favor the defendant to justify dismissal of plaintiffs complaint on such grounds. District courts have discretion to determine whether the interests of justice favor dismissal for forum non conveniens, yet that discretion is not unfettered. In this case, we think the district court’s dismissal of plaintiffs suit was manifestly unreasonable and thus an abuse of discretion. We therefore vacate the order dismissing plaintiffs suit and remand to the district court for further proceedings.

BACKGROUND

A. Facts Alleged in the Complaint

When we review a case dismissed at the pleading stage, we accept as true the factual allegations set forth in the plaintiffs complaint. Pat Gross is an American citizen who has lived and worked in New York City for 22 years. She has 15 years experience in the U.S. television industry as a documentary filmmaker and has researched and produced numerous documentaries that have been broadcast by, among others, CBS, Court TV, and the Public Broadcasting System. She has worked in the industry as a producer, director, researcher and screenwriter. In 1998 she conceived the idea for a documentary-style TV series on the history of the modern animal rights movement and the extremist activities of some of its members in America and Europe. In November of that year she approached the BBC with her research and ideas, having already produced several documentaries for defendant earlier. According to her affidavit, plaintiff entitled the series “Beastly Business.” Plaintiff planned to focus on exposing extremist activities and demonstrating how powerful international organizations have exploited animal welfare for profit.

The BBC is a major television broadcaster based in London and is a non-profit corporation organized under English law. The BBC broadcasts a broad array of programming to the British public and its services are publicly funded by the British government. Thus Gross traveled to London in November 1998 to 'present her proposal to the BBC. She spoke to several executives there who expressed interest in her project.

While in London, Gross was referred to an executive producer at defendant Twenty Twenty Television, Ltd. (Twenty Twenty), an independent production company, organized under English law, and with its principal place of business in England. Twenty Twenty produces documentaries that have been broadcast in both England and the United States. Plaintiff discussed her proposal with that’ company’s executives, and they jointly agreed that Twenty Twenty would co-produce the documentary, although Gross would continue to be responsible for selling the proposal to the BBC. Her agreement with Twenty Twenty provided that she would retain proprietary rights in the series, receive producer credits, produce and direct at least one episode, and participate at least as an assistant director on others. If the series were accepted by the BBC, Twenty Twenty would pay 40 percent of the up-front production costs, and receive production credit and compensation in return.

*228 Together, plaintiff and Twenty Twenty developed a “Treatment” — essentially a summary and written pitch for the series — to present to the BBC. The Treatment referred to some of the research Gross had already completed on the project. She thought her proposal contained newsworthy information, and that some of the information she submitted was “time-sensitive and volatile.” Because of this Gross was anxious for the BBC to make a decision quickly.

In December 1998 plaintiff expressed some dissatisfaction over Twenty Twenty’s work related to the Treatment and the BBC commission. She thought the work lacked professionalism and that there were defects in the presentation. Nevertheless, the BBC once more expressed interest in the project, and in January 1999, plaintiff again traveled from New York to London to meet with BBC executives.

During the first half of 1999, Gross unsuccessfully sought a commitment from the BBC. In March 1999 she was informed that one of the BBC’s channels had declined to commission the series, and that plaintiff and Twenty Twenty should revise the Treatment and resubmit it. They revised the Treatment, and Twenty Twenty then resubmitted it in April 1999, though Gross asserts she did not give permission for the resubmission. Further delays arose, due in part to funding constraints at the BBC. By June 1999 plaintiff was concerned that the series was becoming untimely.

On June 14, 1999 she states she formally withdrew the Treatment from both the BBC and from Twenty Twenty. She did this by sending several emails and faxes to executives of both defendants declaring that she was withdrawing the series “effective immediately.” Twenty Twenty responded that it could not force the BBC to make a quick decision, and that it would not accept her withdrawal. Plaintiff began shopping the series to U.S. broadcasters.

On July 14, 1999 a Twenty Twenty executive informed her that a BBC channel had commissioned the series. She reminded both Twenty Twenty and the BBC that she had withdrawn the series, but was told that the BBC was going ahead with the production.

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386 F.3d 224, 2004 U.S. App. LEXIS 20986, 2004 WL 2255349, Counsel Stack Legal Research, https://law.counselstack.com/opinion/pat-gross-v-british-broadcasting-corporation-twenty-twenty-television-ca2-2004.