Palmieri v. Estefan

793 F. Supp. 1182, 1992 U.S. Dist. LEXIS 7309, 1992 WL 108569
CourtDistrict Court, S.D. New York
DecidedMay 18, 1992
Docket91 Civ. 3098 (LBS)
StatusPublished
Cited by21 cases

This text of 793 F. Supp. 1182 (Palmieri v. Estefan) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Palmieri v. Estefan, 793 F. Supp. 1182, 1992 U.S. Dist. LEXIS 7309, 1992 WL 108569 (S.D.N.Y. 1992).

Opinion

OPINION

SAND, District Judge.

In this action for copyright infringement, the plaintiff, Eddie Palmieri, alleges that in 1981 he wrote and recorded a song “Pagi-nas De Mujer,” to which he holds the copyright, and which was released in the United States by Barbaro Records the same year. Defendants Estefan, Casa and Ostawald claim that they composed the song “Oye Mi Canto,” in 1989. Plaintiff alleges that “Oye Mi Canto” infringes on his copyright to “Paginas De Mujer,” and that “Oye Mi Canto” was commercially exploited by *1184 Sony Music Entertainment Inc. (hereinafter “Sony Music”) in the United States and by its affiliates abroad. On May 7, 1991, plaintiff filed this action, and in August of 1991, this Court granted the parties the opportunity to conduct jurisdictional discovery. Thirty-three foreign affiliates of Sony Corporation of Japan (hereinafter “Sony Corp.”) that have been named as defendants in this action (hereinafter “the moving defendants”) have now moved to dismiss the amended complaint for lack of personal jurisdiction pursuant to Fed. R.Civ.P. 12(b)(2). 1

JURISDICTIONAL FACTS

Sony Music, the successor in interest to CBS Records Inc. (hereinafter “CBS Records”), 2 is a record company which produces, manufactures and distributes recordings. See Transcript of Deposition of Stuart Bonded, Vice President of Business Affairs of Sony Music at 23, attached as Exhibit B to Affidavit of Brian Caplan, attorney for plaintiff (hereinafter “Bonded Dep.”). Sony Corp. owns Sony Music and other entities, which in turn own the moving defendants. 3

The moving defendants argue that they are not subject to jurisdiction in the Southern District of New York. Each moving defendant alleges that it is incorporated under the laws of a country other than the United States and operates under the laws of the country in which it is located. See Affiliate Affs. at II2. 4 Each moving defendant alleges that it maintains an office only within its own territory and that it produces, manufactures and distributes musical recordings only within this territory. See Affidavit of Stuart Bonded, Vice President of Business Affairs of Sony Music, 11 3 (hereinafter “Bonded Aff.”); Affiliate Affs. II3. 5 No moving defendant maintains .an office or telephone number in New *1185 York, and only one affiliate has a bank account here. 6 See Affiliate Affs. HU 4-5.

The moving defendants state that they sign contracts with local recording artists and release their recordings only in their respective countries. See Bondell Aff. 114; Affiliate Affs. 11 6. 7 They state that they are financially independent. See Bondell Aff. If 3; Affiliate Affs. HU 7-8. Bondell concedes that as “the designee of the owner,” he gives advice and assistance to the moving defendants in a small percentage of their contracts with recording artists. See Bondell Aff. U 4. Bondell has assisted the affiliates in their negotiations with artists, as well as in the formulation of various business policies. See Bondell Dep. at 13-14. Some of the moving defendants’ artists record in New York, and employees of the moving defendants occasionally accompany them on these trips. Sony Music’s administration department has assisted the foreign affiliates with booking studio time in New York on some of these occasions. See Bondell Dep. at 60-61.

Each moving defendant made a “matrix” agreement with CBS Records, the predecessor of Sony Music. A matrix agreement grants each moving defendant the exclusive right to manufacture and distribute within its territory any recording in the repertoire of Sony Music and any other party to a matrix agreement with Sony Music. See Bondell Aff. U 5; Affiliate Affs. U 6. Each moving defendant in turn grants to Sony Music and any other party to a matrix agreement the exclusive right to manufacture and distribute within their respective territories any selection from that moving defendant’s repertoire.

Each moving defendant has the power to decide whether to release a selection from Sony Music or another moving defendant’s repertoire, and the matrix agreement does not obligate a moving defendant to do so. If the moving defendant does decide to release a selection, it pays a fee to the moving defendant from whose repertoire the selection comes. See Bondell Aff. U 6. According to defendants, any sales made by a moving defendant which derive from the rights acquired under a matrix agreement are made for that affiliate’s own account and not on behalf of Sony Music or the affiliate from whose repertoire the selection originated. See Bondell Aff. U 7. When both requesting and originating moving defendants are located in Europe, the fee is paid directly to the originating affiliate from the requesting affiliate. Otherwise, the requesting moving defendant pays the fee to Sony Music, which then pays the originating affiliate. In these cases, Sony Music provides the moving defendants with an accounting of the money owed to the affiliates. See Bondell Aff. U 6.

The parties agree that the moving defendants earn profits from the sale of musical recordings obtained through the matrix agreements. Plaintiff claims that in the fiscal year ending January 31, 1991, a substantial percent of the moving defendants’ profits were derived from rights granted in matrix agreements. 8 See Plaintiff’s Mem. of Law at 5-6; Caplan Aff. ¶ 11. A significant percent of their profits were derived from recordings of artists signed directly to Sony Music in New York. According to plaintiff, this represents many millions of dollars of sales. Plaintiff also claims that the fees paid to moving defendants for sales by Sony Music in New York of recordings from their own territories “substantially contributed” to the moving defendants’ royalty income of several million dollars in the fiscal year ending January 31,1991. See Plaintiff’s’ Mem. of Law at 6. However, the moving defendants dispute these figures. See Affidavit of Roger Romano, Controller of the International Divi *1186 sion of Sony Music ¶¶ 2-8 (hereinafter “Romano Aff.”).

Each affiliate maintains its own offices, bank accounts, and financial records. See Affiliate Affs. ¶ 7. Defendants state that each affiliate makes independent business decisions about the recordings it will produce and the manufacture of those recordings, as well as most personnel decisions. Id.

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Cite This Page — Counsel Stack

Bluebook (online)
793 F. Supp. 1182, 1992 U.S. Dist. LEXIS 7309, 1992 WL 108569, Counsel Stack Legal Research, https://law.counselstack.com/opinion/palmieri-v-estefan-nysd-1992.