Oxnard Theatres, Inc. v. Paramount Pictures, Inc.

24 F. Supp. 44, 1938 U.S. Dist. LEXIS 1847
CourtDistrict Court, S.D. California
DecidedJuly 11, 1938
DocketNo. 8189
StatusPublished
Cited by2 cases

This text of 24 F. Supp. 44 (Oxnard Theatres, Inc. v. Paramount Pictures, Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. California primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Oxnard Theatres, Inc. v. Paramount Pictures, Inc., 24 F. Supp. 44, 1938 U.S. Dist. LEXIS 1847 (S.D. Cal. 1938).

Opinion

YANKWICH, District Judge.

This is one of a series of actions, the original complaint in which was the subject of a prior opinion. Blake v. Paramount Pictures, Inc., D.C.Cal.1938, 22 F. Supp. 249. To a first amended complaint the plaintiff confessed a demurrer. By agreement of counsel, the second amended complaint was filed in this cause only with the understanding that a ruling on it would be determinative of all. The cause of action grounded upon the California Anti-Trust Law, known as the Cartwright Act (Stats.Calif.1907, p. 984, amended Stats. 1909, p. 593), has been abandoned. The only cause of action the complaint now states is one in fraud.

The plaintiff is the owner of a theater at Oxnard, .California. We shall refer to him as “the exhibitor”. The defendants are producers and distributors of motion pictures. We shall refer to them as “the distributor.” The fraud charged consists, in substance, as did the first cause of action in the original complaint, of an allegation that in inducing the plaintiff to enter into a yearly licensing agreement for the season of 1936-1937 the defendants represented that certain designated pictures, (“Souls at Sea, with Gary Cooper, George Raft; “Artists and Models” with Jack Benny, Ida Lupino; Richard Arlen, Gail Patrick; “High, Wide and Handsome” with Irene Dunne and Randolph Scott; “Angel”, with Marlene Dietrich, directed by Ernst Lubitsch; “Spawn of the North,” with Carole Lombard, Cary Grant, Randolph Scott — Directed by Henry Hathaway, who did “Lives of a Bengal Lancer” and “Trail of the Lonesome Pine”; “The Count of Luxembourg” with Irene Dunne, John Boles, W. C. Fields, and Frank Forrest. Frank Lehar’s world-famous operetta with the original glorious Lehar music; “The Barrier” with Jimmy Ellison, Jean Parker, Randolph Scott, Frances Drake, Bob Burns, George Bancroft; one additional motion picture starring Marlene [46]*46Dietrich; one additional motion picture starring Claudette Colbert; one motion picture starring Harold Lloyd; one additional motion picture starring Gary Cooper) would be produced and released during the season. Plaintiff claims that it -relied upon this promise in executing the contract and would not have done so had it not believed it. However, it charges that the defendants and their agents made the promise without intention to perform (Calif. Civil Code, Sec. 1710, subdiv. 4). Instead, they withheld these pictures. The patrons of the theater had been led through advertisements to expect them, and through the failure of the defendants to release them, the exhibitor was unable to exhibit them. The reputation and good-will of the plaintiff’s theater among its patrons suffered thereby and it was compelled to obtain and exhibit in its theater motion pictures which were of less interest to its patrons and from which it derived no profit. Damage in the sum of five thousand dollars is asked. .

The defendants have challenged the sufficiency of the complaint. The contract is made a part of the complaint. The challenge turns upon the meaning of what I called in the prior opinion “the substitution clauses.” The first two paragraphs of the clause (the first of which only was set forth in the prior opinion) read (page 252):

“Description of Pictures — Twentieth: (a) The Distributor shall have and hereby reserves the right in the sole discretion of the Distributor to change the title of any of said motion pictures, to make changes in, alterations and adaptation of any story, book or play and to substitute for any thereof any other story, book or play. The Distributor also shall have and hereby reserves the right to change the director, the cast or any member thereof of any of said motion pictures.”
“(b) The Exhibitor shall not be required to accept for any feature motion picture described in the Schedule as that of a named star or stars, director or named well-known author, book or play, any motion picture of any other star or stars, director, author, book or play nor to accept any other feature motion picture in place of any thereof which in the Schedule is designated ‘no substitute’. The right of rejection conferred on the Exhibitor by this Clause is in addition to the right of exclusion provided in Clause Fourteenth hereof.”

These clauses relate to the very matter of the fraudulent promises alleged to have been made. The two cannot coexist. The contract as written provides specifically that while the agreement is made with relation to certain motion pictures, contingencies might arise which might cause the distributor to substitute other motion pictures for the motion pictures promised. So the distributor reserves the right to make substitution.

These substitutions the exhibitor must accept. When the right to substitution is not reserved, the motion pictures are designated “no substitute”. It is as clear as can be that by their agreement the parties divided the motion pictures which were the subject of the contract, into two groups. As to one group, the producer-distributor retained the right of substitution. Once the right is exercised, the exhibitor had to accept the substituted motion picture. The other group was one as to which the right of substitution was not reserved. As to these, the exhibitor was not bound to accept the substituted pictures, but had the right to reject them.

One can readily surmise the motive behind such an agreement. The period of the contract is one year. The difficulties attending motion picture production, the personal elements which can enter it, the availability of a particular star, or of a particular director at a particular time, the proper atmospheric conditions, the availability of suitable locations, the contingencies arising out of possible disagreement between star and director, or star or director and producer and the like, would call upon the distributor even if he were not, as is evident here, a subsidiary of the producer, to exercise caution, and to protect himself against contingencies which might make it impossible for the producer to produce a particular picture. After a picture is produced, marketing problems might arise. One can see why a producer might hesitate to release a certain picture at a particular time because a specially outstanding production might be occupying the public attention and might warrant withholding release for general distribution of a special feature. But even if we assume, as charged, that the object was mercenary, that the distributor sought to reserve to himself the right to defer public exhibition of cer[47]*47tain designated motion pictures in order to obtain higher prices for the same, whatever might be said of the ethics of such procedure, no legal principle stands in the way of exacting such a condition, unless, as plaintiff thinks, it is fraudulent in law.

The inquiry is thus limited to this single proposition: Do the allegations of the Complaint amount to actionable fraud?

The rights of the parties, being a matter of substantive law, the question propounded must be determined by the law of California as interpreted by its highest courts. 28 U.S.C.A. § 725; Erie R. Co. v. Tompkins, 1938, 58 S.Ct 817, 82 L.Ed. 1188, 114 A.L.R. 1487; Ruhlin v. New York Life Ins. Co., 1938, 58 S.Ct. 860, 82 L.Ed. 1290.

The cases cited in the previous opinion show that in California promises relating to matters as to which the contract is silent may amount to actionable fraud if made without intention to perform. This was the situation in the cases upon which the plaintiff relies in support of the present complaint. Illustrative of them is Ferguson v. Koch, 1928, 204 Cal. 342, 268 P.

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Cite This Page — Counsel Stack

Bluebook (online)
24 F. Supp. 44, 1938 U.S. Dist. LEXIS 1847, Counsel Stack Legal Research, https://law.counselstack.com/opinion/oxnard-theatres-inc-v-paramount-pictures-inc-casd-1938.