Blake v. Paramount Pictures, Inc.

22 F. Supp. 249, 1938 U.S. Dist. LEXIS 2399
CourtDistrict Court, S.D. California
DecidedJanuary 31, 1938
Docket8173—Y
StatusPublished
Cited by7 cases

This text of 22 F. Supp. 249 (Blake v. Paramount Pictures, Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. California primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Blake v. Paramount Pictures, Inc., 22 F. Supp. 249, 1938 U.S. Dist. LEXIS 2399 (S.D. Cal. 1938).

Opinion

YANKWICH, District Judge.

This is one of a group of twenty cases originally begun in the superior court of California by different plaintiffs against the same defendants and removed to this court. Our jurisdiction depends entirely upon diversity of citizenship. 28 U.S.C.A. § 41(1). Except for the difference in plaintiffs, the complaints are the same. They are complaints for damages and have two counts.

The facts pleaded in the first count are these: '

The plaintiff is an exhibitor of motion pictures. We shall refer to him as “the exhibitor.” The defendants Paramount Pictures, Inc., Paramount Pictures Distributing Company, Inc., and numerous fictitious defendants are engaged in the business of producing and distributing motion pictures in Los Angeles county, Cal. We shall refer to them as “the distributor.” The named defendants and seven other companies, together known as the “Big Eight,” produce more than 75 per cent, of all feature motion pictures exhibited in the United States and enjoy a practical monopoly in the matter in California and in the United States. Because of this monopolistic control, exhibitors of motion pictures, such as plaintiff, cannot stay in business unless they purchase motion pictures upon terms dictated by the defendants. The defendants and others through affiliation in an association known as the “Motion Pictures Producers and Distributors of America” co-operate to reduce and eliminate competition in the motion picture industry. To that end, they conspire to harass, embarrass, and damage independent theater owners, sucbi as plaintiff, in order to eliminate competition with theaters owned and controlled by the organization. The monopoly is made more complete by extensive ownership of theaters in California, which are engaged in exhibiting motion pictures in competition with the plaintiff. To these motion picture theaters they give more favorable terms than to the independents, such as plaintiff. A uniform business policy relating to exhibition of pictures 'is maintained, exemplified by a uniform form of contract into which independent exhibitors must enter. The motion picture season is made to begin on August 1 of each year and to end on July 31 of the following year. Each company produces forty to sixty-five leading feature pictures during each season. No exhibitor is permitted to purchase by selecting one or more titles from the product bf any of the companies. Instead, at the beginning of each motion picture season, the companies send out their salesmen to solicit the exhibitors. Each exhibitor is given the option of contracting “for a block of certain titles¡’ under terms and conditions thereafter set forth. Defendants are all a trust and combination of capital dominated by identical persons and financial interests. The plaintiff is the operator of a motion picture theater. In order to conduct his business, he had to secure pictures for the season of 1936-1937 from the defendants. In order to do so, he was required to enter into a standard contract for block booking. Prior to the execution of the contract, it was represented by the defendants, directly and through agents, and advertisements, that during the season they would deliver the following special group of motion pictures : “Souls At Sea” (with Gary Cooper and George Raft); “Artists and Models” (with Jack Benny, Ida Lupino, Richard Arlen, Gail Patrick); “Angel” (with Marlene Dietrich, directed by Ernst Lubitsch); “High, Wide and Handsome” (with Irene Dunne and Randolph Scott) ; “Spawn of the North” (with Carole Lombard, Cary Grant, Randolph Scott- — directed by Henry Hat-haway, who did “Lives of a Bengal Lancer” and “Trail of the Lonesome Pine”) ; “The Count of Luxembourg” (with Irene Dunne, John Boles, W. C. Fields, and Frank Forrest; Frank Lehar’s world-famous operetta with the original glorious Lehar music); “The Barrier” (with Jimmy Ellison, Jean Parker, Randolph Scott, Frances Drake, Bob Burns, George Bancroft) ; one additional motion picture starring Marlene Dietrich; one additional motion picture starring Claudette *251 Colbert; one motion picture starring Harold Lloyd; and one additional motion picture starring Gary Cooper. The representations as to these productions were false and untrue, were known as such by the defendants; and were made for the fraudulent purpose of deceiving and misleading the plaintiff and without any intention on the part of the defendants to perform them. The plaintiff relied on them and was induced thereby to enter into the contract. He would not have done so had the representations not been made. This was part of a fraudulent scheme to defraud and damage plaintiff. Pursuant to it, the defendants, without just cause or reason, refused to produce and release for exhibition any of the particular motion pictures mentioned. On the contrary, they withheld production and distribution fraudulently and, at the end of the season, sought to sell them for the following season at an increased rental. This fraud was practiced on all independent motion picture owners and exhibitors as well as the plaintiff who, by reason of the act, has been damaged in the sum of $3500.

A general and special demurrer challenges the sufficiency of this count.

One of the grounds of challenge is that, because the contract, which is denominated a “standard license agreement,” contains the usual clause that no other representation had been made other than those expressed in it, no cause of action for damages for fraud and deceit lies. We are asked to apply to the facts here the principle declared by the Supreme Court of California in a group of recent cases that, when a contract is entered into through agents and distinctly excludes terms and representations not specified, no action for damages against the principal lies, but only an action for rescission. See Speck v. Wylie, 1934, 1 Cal.2d 625, 36 P.2d 618, 95 A.L.R. 760; Lozier v. Janss Investment Co., 1934, 1 Cal.2d 666, 36 P.2d 620; Haruischfeger Sales Co. v. Coats, 1935, 4 Cal.2d 319, 48 P.2d 662. But we cannot so apply it. For, whatever may be the proof at the trial, the complaint alleges that the representations were made “either directly or through authorized agents.” The cases cited do not deny relief through an action in deceit for the fraud of the principal himself, or that of the “managing officers where the seller is a corporation.” See Wedge v. Security First National Bank, 1933, 219 Cal. 113, 25 P.2d 411, 412; Speck v. Wylie, supra; Lozier v. Janss Investment Co., supra.

But the first count is vulnerable for other reasons. It is clearly a count in fraud and deceit. Counsel for the plaintiff disclaim, in their brief, any intention to consider it otherwise. The kind of fraud it charges is that denounced by subdivision 4 of section 1710 of the California Civil Code. The section, after referring to the actionable deceit, declared by section 1709 of the Civil Code, defines it (in subdivision 4) as “A promise, made without any intention of performing it.” This form of deceit has been a part of the law of California since the beginning of its legislative history. And courts have had repeated occasions to interpret its meaning. While a mere unperformed promise does not constitute fraud (Brison v. Brison, 1888, 75 Cal. 525, 17 P. 689, 7 Am.St.Rep. 189; O’Brien v. O’Brien, 1925, 197 Cal. 577, 241 P. 861; Jacobson v. Mead, 1936, 12 Cal.App.

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Bluebook (online)
22 F. Supp. 249, 1938 U.S. Dist. LEXIS 2399, Counsel Stack Legal Research, https://law.counselstack.com/opinion/blake-v-paramount-pictures-inc-casd-1938.