Overrated Productions, Inc. v. UMG Recordings, Inc.

Court of Appeals for the Ninth Circuit·Decided July 20, 2021·No. 19-56504·Unpublished

Opinion

NOT FOR PUBLICATION FILED UNITED STATES COURT OF APPEALS JUL 20 2021 MOLLY C. DWYER, CLERK

U.S. COURT OF APPEALS

FOR THE NINTH CIRCUIT

OVERRATED PRODUCTIONS, INC., a No. 19-56504 California corporation, D.C. No.

Plaintiff-Appellant, 2:19-cv-02899-RSWL-RAO

v.

MEMORANDUM*

UMG RECORDINGS, INC., a Delaware corporation; et al.,

Defendants-Appellees.

OVERRATED PRODUCTIONS, INC., a No. 20-55428 California corporation, D.C. No.

Plaintiff-Appellant, 2:19-cv-02899-RSWL-RAO

DENNIS LAMBERT, judgment Debtor, Appellant,

v.

UMG RECORDINGS, INC., a Delaware corporation; et al.,

Defendants-Appellees.

Appeal from the United States District Court

*

This disposition is not appropriate for publication and is not precedent except as provided by Ninth Circuit Rule 36-3.

for the Central District of California Ronald S.W. Lew, District Judge, Presiding

Argued and Submitted May 12, 2021 Pasadena, California

Before: BYBEE and BRESS, Circuit Judges, and CARDONE,** District Judge.

Overrated Productions, Inc. appeals several aspects of the district court’s order granting summary judgment for Universal International Music B.V. (UIMBV) on Overrated’s breach of contract claims as well as the district court’s award of attorney’s fees under the parties’ 1977 contract. Because the parties are familiar with the facts of the case, we do not recite them here except as necessary to give context to our ruling. “We review de novo a district court’s decision to grant summary judgment.” KST Data, Inc. v. DXC Tech. Co., 980 F.3d 709, 713 (9th Cir. 2020). We also review de novo a district court’s interpretation of a contract. L.K. Comstock & Co. v. United Eng’rs & Constructors Inc., 880 F.2d 219, 221 (9th Cir. 1989). 1. The district court correctly granted summary judgment on Overrated’s breach of contract claims. Under California law, which the parties agree applies here, we interpret contract terms “to give effect to the mutual intention of the parties as it existed at the time of contracting.” Revitch v. DIRECTV, LLC, 977 F.3d 713, 717

**

The Honorable Kathleen Cardone, United States District Judge for the Western District of Texas, sitting by designation.

(9th Cir. 2020) (quoting Cal. Civ. Code § 1636). Because the parties agree that the Contract is unambiguous, we rely solely on its terms to discern the parties’ mutual intent. See id.

The Contract provides that, for “Masters licensed . . . on a flat-fee or royalty basis,” UIMBV shall pay Overrated “an amount equal to nineteen percent (19%) of the amount received by us in respect of each use.” There is no basis in the Contract to support Overrated’s claim that “us” refers to any entity other than UIMBV or that the royalty should be calculated to include the amount received by UIMBV’s affiliates. Although other provisions specify that the royalty rate for other types of payments will be calculated according to the “net royalty” amount received by UIMBV, terms like “us,” “we,” and “our,” are used consistently throughout the Contract to refer only to UIMBV’s predecessor-in-interest, not any other affiliate or related entities.

UIMBV therefore did not breach the Contract based upon its affiliate business relationships. The Contract allows UIMBV to “transfer of any of [its] rights . . . in whole or in part” to affiliates. The Contract does not distinguish between affiliated and unaffiliated licensees of UIMBV. Nor does the assignment provision contain any geographic limitation. Because the royalty is calculated on the amount “received by us,” the Contract explicitly allows the arrangement that Overrated challenges. See Revitch, 977 F.3d at 717. The unambiguous language

allows UIMBV to calculate royalties only on the amount it receives from its affiliates and allows the affiliates to retain a portion of the licensing proceeds for themselves.1 Nor did UIMBV breach the contract by accounting for digital downloads as “records sold,” which carried a four percent royalty rate instead of a nineteen percent rate. Under the Contract, a “record” is “any device, whether now known or unknown, on or by which sound may be recorded for later transmission to listeners.” This broad definition most naturally read includes digital downloads—a technology that was then “unknown” at the Contract’s origination. Our opinion in F.B.T. Productions, LLC v. Aftermath Records, 621 F.3d 958 (9th Cir. 2010), is distinguishable as it involved a materially different contract. What is determinative here is whether digital downloads are “records,” and we conclude that, under this Contract, they are.

Further, the district court did not abuse its discretion by striking the only evidence supporting Overrated’s digital-downloads claim. See Yeager v. Bowlin, 693 F.3d 1076, 1079 (9th Cir. 2012) (reviewing summary judgment evidentiary decisions for abuse of discretion). The stricken attorney declaration was “based on

1 To the extent Overrated was concerned that UIMBV’s affiliates were taking a commercially unreasonable percentage of receipts, Overrated had the option to exercise its audit rights, but did not do so.

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Overrated Productions, Inc. v. UMG Recordings, Inc., (9th Cir. 2021).

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