Orville Hall and Phillip Price v. Protoons Inc.

CourtDistrict Court, S.D. New York
DecidedMarch 2, 2026
Docket1:21-cv-02043
StatusUnknown

This text of Orville Hall and Phillip Price v. Protoons Inc. (Orville Hall and Phillip Price v. Protoons Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Orville Hall and Phillip Price v. Protoons Inc., (S.D.N.Y. 2026).

Opinion

USDC SDNY DOCUMENT UNITED STATES DISTRICT COURT ELECTRONICALLY FILED SOUTHERN DISTRICT OF NEW YORK DOC #: DATE FILED:__ 3/2/2026 ORVILLE HALL and PHILLIP PRICE, collectively professionally known as

Plaintiffs REPORT AND RECOMMENDATION ON , MOTION FOR LEAVE TO FILE AMEDNED

PROTOONS INC., Defendant. TO: THE HONORABLE ANALISA TORRES, UNITED STATES DISTRICT JUDGE FROM: THE HONORABLE KATHARINE H. PARKER, UNITED STATES MAGISTRATE JUDGE Plaintiffs, Orville Hall (“Hall”) and Phillip Price (“Price”) (collectively “Plaintiffs” or the “Showboys”) originally brought this breach of contract action in 2019 against Defendant, Protoons Inc. (“Protoons”) for royalties owed in connection with a recording and publishing contract. Before the undersigned for a Report and Recommendation is Defendant’s motion for leave to amend its counterclaims. For the reasons set forth below, | respectfully recommend that the motion be DENIED. BACKGROUND The Court presumes familiarity with the case and recounts only those facts necessary to provide context for the present dispute. Plaintiffs entered into an exclusive recording and publishing agreement in 1985 with Profile Records and Defendant, pursuant to which they assigned to Defendant all rights in certain musical compositions in exchange for royalties and semi-annual accountings. Under the agreement, Plaintiffs were entitled to fifty percent of sums received from the use of the compositions, which included four works recorded and released

between 1985 and 1987, most notably a musical piece entitled “Drag Rap.” Although the agreement was terminated in 1988, Defendant retained its rights in the compositions and its obligation to pay royalties. Defendant has continued to license and commercially exploit the

works – including heavily sampled uses of “Drag Rap” – but has neither paid royalties nor provided accounting of such use to Plaintiffs since March 2015. Defendant contended it was entitled to withhold payment based on alleged breaches of contractual warranties, asserting that “Drag Rap” incorporates a nine-note sequence from the television show “Dragnet” without authorization, thereby exposing Defendant to potential third-party claims, though no such

claims have ever been asserted for over 40 years and the compositions have been exploited without interruption for decades. Plaintiffs asserted a single breach of contract action against Defendant because of the foregoing, and Defendant answered with four counterclaims. Importantly, on June 7, 2021, the Court entered a scheduling Order pursuant to Federal Rule of Civil Procedure (“Rule”) 16 which provides that “[a]ny motion to amend…shall be filed within 30 days from the date of this Order.” (ECF No. 20)

Following an Order granting summary judgment in favor of Plaintiffs on all claims and counterclaims (ECF No. 117), all then-extant issues had been adjudicated, and the matter appeared ripe for entry of final judgment. On September 19, 2024, however, Defendant filed a motion for reconsideration of the Court’s Order with respect to dismissal of its counterclaims. (ECF No. 122) The parties thereafter submitted complete briefing on the motion. On April 9 and May 12, 2025, Defendant filed letters with the Court representing that settlement efforts

were underway, but not complete, and requesting extensions of time on both occasions as a result. (ECF Nos. 144, 146) On September 10, 2025, Defendant submitted a letter requesting that the Court defer ruling on the motion for reconsideration and instead grant leave to assert additional counterclaims that it contends arose during the course of this litigation. (ECF No. 149) The Court denied Defendant’s request to refrain from issuing a decision on Defendant’s

motion for reconsideration, but granted its request to file a motion for leave to amend its counterclaims. (ECF No. 152) The Court ultimately denied Defendant’s motion for reconsideration on February 26, 2026. (ECF No. 169) The only remaining issue in this case is whether Defendant can add what it styles as new counterclaims against Plaintiff for breach of contract based on a purported settlement agreement reached by the parties in February 2025,

conversion, tortious interference with prospective economic advantage, and imposition of a constructive trust. Other “new” facts supporting the proposed new counterclaims are that a prospective purchaser, Seeker Music, declined to enter into an agreement to acquire Plaintiffs’ catalog due to Plaintiffs’ failure and refusal to clear “Drag Rap,” and that another prospective purchaser, Universal Music Group (“UMG”), offered a purchase price for the Showboys catalog that was substantially below its true value, likewise as a result of the unresolved status of “Drag

Rap.” Notably, Plaintiff’s motion for reconsideration also was based on Seeker Music’s decision not to acquire Plaintiff’s catalogue, and the Court found that these facts did not warrant a change to the Court’s decision on summary judgment that Defendant’s original counterclaims premised on the failure to clear “Drag Rap” and/or that “Drag Rap” violated a third-party’s rights in the nine note sequence were without merit and should be dismissed. LEGAL STANDARD

Under Rule 15(a), “a party may amend its pleading once as a matter of course within . . . 21 days after serving it, or . . . if the pleading is one to which a responsive pleading is required, 21 days after service of a responsive pleading or 21 days after service of a motion under Rule 12(b), (e), or (f), whichever is earlier.” Fed. R. Civ. P. 15(a)(1). “In all other cases, a party may amend its pleading only with the opposing party’s written consent or the court’s leave. The

court should freely give leave when justice so requires.” Fed. R. Civ. P. 15(a)(2). The Second Circuit has stated that “[t]his permissive standard is consistent with our strong preference for resolving disputes on the merits.” Williams v. Citigroup Inc., 659 F.3d 208, 212-13 (2d Cir. 2011) (internal quotation marks and citation omitted). A court should freely grant leave to amend, but may deny such leave for “good reason,” which normally involves an analysis of four factors articulated in Foman v. Davis, 371 U.S. 178, 182 (1962): (1) undue delay, (2) bad faith, (3) futility

of amendment, or (4) undue prejudice to the opposing party. See McCarthy v. Dun & Bradstreet Corp., 482 F.3d 184, 200 (2d Cir. 2007) (citing Foman, 371 U.S. at 178); Monahan v. New York City Dep’t of Corrs., 214 F.3d 275, 283 (2d Cir. 2000). The “non-movant bears the burden of showing prejudice, bad faith[,] and futility of [ ] amendment.” United States ex rel. Raffington v. Bon Secours Health Sys., Inc., 567 F. Supp. 3d 429, 438 (S.D.N.Y. 2021) (citing Grant

v. Citibank (S.D.), N.A., No. 10 Civ. 2955 (KNF), 2010 WL 5187754, at *6 (S.D.N.Y. Dec. 6, 2010)). Where, as here, there is a scheduling order in place that establishes a deadline for seeking leave to amend, “the lenient standard under Rule 15(a), which provides leave to amend shall be freely given, must be balanced against the requirement under Rule 16(b) that the Court’s scheduling order shall not be modified except upon a showing of good cause.” Holmes v.

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