Omar Antonio Lopez v. 47 Brand, LLC, et al.

District Court, N.D. Alabama·Decided August 14, 2026·No. 5:26-cv-01115·Unknown

Opinion

UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF ALABAMA NORTHEASTERN DIVISION

OMAR ANTONIO LOPEZ, Plaintiff, v. Case No. 5:26-cv-1115-HDM 47 BRAND, LLC, et al., Defendants.

MEMORANDUM OPINION AND ORDER Plaintiff Omar Antonio Lopez, proceeding pro se, sues Defendants 47 Brand, LLC (“47 Brand”), New Era Cap Company, Inc. (“New Era”), and Club Forty7 for

(1) “Bad-Faith Cultural Appropriation and Unfair Competition” under the Lanham Act (15 U.S.C. § 1125(a)); (2) “Targeted Economic Neutralization and Civil Rights Deprivation” under 42 U.S.C. § 1983; and (3) “Enterprise-Level Obstruction and Digital Spoliation” under the federal wire-fraud statute (18 U.S.C. § 1343) and the

Racketeer Influenced and Corrupt Organizations Act (“RICO”) (18 U.S.C. § 1961 et seq.). (Doc. 7). The court previously granted Lopez in forma pauperis status, screened and dismissed his complaint without prejudice under 28 U.S.C. §

1915(e)(2)(B)(ii) and Federal Rule of Civil Procedure 12(b)(6), and allowed him one opportunity to file an amended pleading. (Doc. 4). Lopez subsequently filed an Amended Complaint, (doc. 7), which the court once again screens under § 1915(e)(2)(B)(ii) because Lopez proceeds in forma pauperis. The court finds that Lopez’s Amended Complaint, like his original Complaint, fails to state a claim upon

which relief can be granted and accordingly DISMISSES his Amended Complaint. BACKGROUND

From Lopez’s incomprehensible and conspiracy-laden Amended Complaint, the court gleans the following facts, accepted here as true: Lopez “established” a “baseline framework” (of what, he does not specify) in

the early 2000s, “leaving zero authentic cultural value or independent origin to any opposing entity.” (Doc. 7 at 2). The “underlying digital record” of these events was “manipulated and distorted” by “enterprise-level interference.” Id. at 3. Lopez repeatedly references this “enterprise” but does not explain what it consists of. See,

e.g., id. Furthermore, the “corrupted digital timeline has been artificially truncated and forced to shut off abruptly at August 2010, confirming an active, bad-faith attempt by the enterprise to erase [Lopez’s] pre-existing digital footprint.” Id.

Once Lopez established this “baseline framework,” it was subject to “industry-wide adoption . . . ranging from historical hip-hop nomenclature developments to modern stylistic and lyrical parallels.” Id. Indeed, “contemporary artists and commercial entities continually draw upon and echo [Lopez’s]

foundational output without independent historical genesis.” Id. Lopez takes issue with “the industry’s” use of his “framework” because he “originated, pushed, and breathed living culture into the nomenclature continuously from 2000 to the present day, creating the living momentum and universal market equity that opposing

corporate entities later sought to capture.” Id. at 4. This is evidenced by Lopez’s “permanent personal tattoo, public video documentation on platforms like YouTube, and the distinct physical hand sign created and thrown by [Lopez] (holding four

fingers up with the left hand, turning the index finger down, and extending the thumb to the left to form the symbol).” Id. Defendant Club Forty7 was known for years as The Green Room. Id. Following the passing of Lopez’s sister in 2012, Lopez and his associates wore

“custom memorial and movement t-shirts” inside The Green Room. Id. “Observing the powerful cultural resonance and public impact generated by [Lopez], Defendants and local venue actors abruptly stripped away the historical ‘Green Room’ identity

and appropriated the nomenclature through late rebranding efforts to capture the equity built entirely by [Lopez].” Id. The undefined “Enterprise” then “engaged in digital spoliation and record manipulation—artificially altering database markers, injecting the 1969 anomaly, and hard-stopping archives at August 2010—in a bad-

faith attempt to manufacture a false corporate priority over Plaintiff’s pre-existing cultural output.” Id. Lopez requests $10,274,358.97 in damages from each Defendant, though he,

confusingly, makes a “global master demand of $400,700,000.00.” Id. at 6. LEGAL STANDARD Under 28 U.S.C. § 1915(e)(2)(B)(ii), when a party is proceeding in forma

pauperis, the court shall dismiss the case if it determines that the action fails to state a claim on which relief may be granted. To avoid dismissal, “a complaint must contain sufficient factual matter, accepted as true, to state a claim to relief that is

plausible on its face.” Ashcroft v. Iqbal, 556 U.S. 662, 678 (2009) (internal quotation marks omitted). “Conclusory allegations, unwarranted deductions of facts or legal conclusions masquerading as facts will not prevent dismissal.” Wiersum v. U.S. Bank, N.A., 785 F.3d 483, 485 (11th Cir. 2015) (citation modified). Similarly, a

formulaic recitation of the elements of a cause of action is inadequate. Bell Atl. Corp. v. Twombly, 550 U.S. 544, 555 (2007). In considering the facts, courts view the allegations in the complaint in the light most favorable to the party facing dismissal

of its claims. Watts v. Fla. Int’l Univ., 495 F.3d 1289, 1295 (11th Cir. 2007). The plaintiff must merely allege enough facts to “raise a reasonable expectation that discovery will reveal evidence” of the necessary elements. Miyahira v. Vitacost.com, Inc., 715 F.3d 1257, 1265 (11th Cir. 2013) (quoting Twombly, 550 U.S. at 556). The

pleading standard “requires only a plausible short and plain statement of the plaintiff’s claim, not an exposition of his legal argument.” Skinner v. Switzer, 562 U.S. 521, 530 (2011) (internal quotation marks omitted). At this stage, the issue is

“not whether [the plaintiff] will ultimately prevail . . . but whether his complaint was sufficient to cross the federal court’s threshold.” Id. (internal quotation marks and citations omitted).

DISCUSSION Lopez’s Amended Complaint must be dismissed in its entirety.

I. 47 Brand, LLC and New Era Cap Company, Inc. In the court’s previous order dismissing Lopez’s complaint, the court

specified that if he chooses to file an amended pleading, he “SHALL identify each claim he asserts, the legal basis for each claim, and the specific facts supporting each claim such that Defendants can fashion an appropriate response.” (Doc. 4 at 5)

(emphasis added). While Lopez has identified the federal statutes under which he sues and has provided some minimal facts relating to Club Forty7, he provides no factual allegations relating to Defendants 47 Brand or New Era.1 Accordingly,

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Omar Antonio Lopez v. 47 Brand, LLC, et al., (N.D. Ala. 2026).

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