Nosaj Entertainment v. Tristate and Beyond, LLC

District Court, S.D. New York·Decided September 24, 2024·No. 1:22-cv-10110·Unknown

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK 9/24/2024 NOSAJ ENTERTAINMENT, et al., 22 Civ. 10110 (VM) Plaintiff, DECISION AND ORDER - against - TRISTATE & BEYOND, LLC, et al., Defendants. VICTOR MARRERO, United States District Judge. Plaintiffs NOSAJ Entertainment (“Nosaj”), HP Entertainment (“HP”), Pinoy Dream Productions, LLC (“Pinoy Dream”), and Team Guidotts Production (“Team Guidotts”) brought this action against Defendants Tristate and Beyond, LLC (“Tristate”), Romulo Aromin Jr. (“Aromin”), and Flordeliza Lantin (“Lantin,” together with Aromin, the “Individual Defendants” and collectively with Tristate, “Defendants”). Plaintiffs seek a total of $472,000 in damages arising from Defendants’ alleged cancellation of a concert series featuring Filipino artists Defendants organized with Plaintiffs. With respect to Tristate, Plaintiffs bring claims for breach of contract (Count One), unjust enrichment (Count Two), conversion (Count Three), and fraud (Count Four). With respect to Lantin, Plaintiffs bring claims asserting fraud (Count Four) and breach of fiduciary duty (Count Seven). With respect to Aromin, Plaintiffs bring claims alleging fraud (Count Four), unjust enrichment (Count Five), and conversion (Count Six). Now before the Court is Defendants’ Motion for Summary

Judgment (see Dkt. No. 60) on all of Plaintiffs’ claims pursuant to Federal Rule of Civil Procedure 56 (“Rule 56”). For the reasons stated herein, Defendants’ motion is granted in part and denied in part. I. BACKGROUND A. FACTUAL BACKGROUND1 Tristate and Beyond, LLC is an event producer wholly owned by LLC members Lantin and Aromin. Tristate specializes in organizing events that showcase Filipino or Filipino- American performers. In June 2021, NOSAJ, HP, Pinoy Dream,

1 The factual recitation is confined only to the facts in Defendants’ Local Rule 56.1 Statement of Undisputed Material Facts (see Dkt. No. 63 [herein “Defendant’s Rule 56.1 Statement” or “Def. SUMF”]), which is supported by affidavits and exhibits. Unless specifically quoted or otherwise cited as necessary, no other citation to the record will be made.

Plaintiffs have not filed a Rule 56.1 counterstatement. Instead, Plaintiffs include a statement of fact section in their Memorandum of Law in Opposition to Defendant’s Motion for Summary Judgment (see Dkt. No. 64 [herein “Plaintiff’s Opposition” or “Pl.’s Opp.”) but have not otherwise filed a “correspondingly numbered paragraph responding to each numbered paragraph in the statement of the moving party.” S.D.N.Y. Local Rule 56.1(a). If the party opposing summary judgment fails to “specifically convert[]” the moving party’s statement of material facts by [e]ach numbered paragraph,” then the moving party’s facts “will be deemed admitted for purposes of the motion.” Id.; See also T.Y. v. New York City. Dept. of Educ., 584 F.3d 412, 418 (2d Cir. 2009) (“A nonmoving party’s failure to respond to a Rule 56.1 statement permits the court to conclude that the facts asserted in the statement are uncontested and admissible.”). The Court thus deems the properly supported facts set forth in Defendant’s Rule 56.1 Statement as admitted. While the facts Defendants assert are deemed undisputed, this Court must still be satisfied that the evidence in the record supports those assertions. Vermont Teddy Bear Co., Inc. v. 1-800 Beargram Co., 373 F.3d 241, 244 (2d Cir. 2004). and Team Guidotts (collectively, “Plaintiffs”) reached out to Tristate to explore the idea of organizing a concert series in the United States featuring prominent Filipino performers

(the “Concert Series”). On October 27, 2021, the parties entered into three separate Booking Agreements (“Booking Agreements”) for each planned concert location of the series. (See Dkt. No. 63-2, [herein “Booking Agreements”].) The Concert Series was titled “Mad About Love” and was set to showcase two prominent Filipino performers: Morisette Anon (“Anon”) and Sam Concepcion (“Concepcion,” and together with Anon, the “Performers”). Under the Booking Agreements, Tristate was responsible for booking the Performers by entering into contracts with their agents and for arranging travel to the United States for the Performers and their respective staffs. Tristate’s

responsibilities included working with United States Citizenship and Immigration Services (“U.S.C.I.S.”) to acquire visas for the Performers. Meanwhile, Plaintiffs were responsible for securing the venue in the United States for the concert series as well as the accommodations and transportation for the Performers and their teams. All three Booking Agreements contained substantially identical terms, with differences only in location and specific accommodations. Aromin signed each agreement on behalf of Tristate while Lance Rayela — a representative from Team Guidott — signed on behalf of Plaintiffs. Under the terms of each agreement, Plaintiffs were to pay Tristate $34,000

for each performance, totaling $102,000, in accordance with the following payment schedule: (1) an initial non-refundable deposit (“Initial Deposit”) of $11,900 within three days of executing the contract, (2) an additional payment of $11,900 within three days of the visas being issued, and (3) a final payment of $10,200 to be paid upon the Performers’ arrival at the concert location. The concerts were to be held on January 14, 15, and 16, 2022, in Houston, Texas; Dallas, Texas; and Washington, D.C., respectively. (See generally Booking Agreements.) The terms of the agreement outlined when Plaintiffs would be owed a refund of their deposits, along with

additional expenses, if the Performers failed to appear for their scheduled concerts. Specifically, Section 4.1.3 of the Booking Agreements provided that if an artist failed to appear and perform for causes other than (1) force majeure or fortuitous events, and (2) denial of visa, Tristate was obligated to refund all deposits paid by Plaintiffs and to reimburse Plaintiffs for all expenses and losses they incurred in promoting and arranging the event. (See Booking Agreements at 8.) Conversely, Section 4.1.2 of the Booking Agreements provided that if a concert was cancelled because of COVID-related events or a Performer failing to obtain a visa to travel to the United States, and the cause is not

attributable to Tristate, the concert would be postponed to a mutually agreed upon date within one year from the original date. Tristate was obligated to apply any payments made by Plaintiffs to the rescheduled event. (See Booking Agreements at 7-8.) Similarly, the Agreement contained a force majeure provision which stated that if the concert series was postponed due to force majeure, “including a pandemic or COVID-related events,” beyond the control of both parties, the event was to be rescheduled and Tristate was required to apply any payments made by Plaintiffs to the rescheduled event. (See Id.) Plaintiffs paid the three Initial Deposits of $11,900, totaling $35,700, on November 15, November 18,

and November 22, 2021. Several weeks after executing the Booking Agreements, Tristate entered into an agreement with the agent for the Performers, RankOne Productions, Inc. (“RankOne”), in which Tristate agreed to pay RankOne $38,500 for the booking of the Performers. (See Dkt. No. 63-7 [herein “RankOne Agreement”].) In January 2022, representatives of Anon informed Tristate that he had contracted COVID-19 and provided a positive test. Under applicable regulations at the time, if Anon traveled to the United States, he would be forced to quarantine in the United States for a ten-day period.

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