Nicholson v. W. L. York, Inc.

Supreme Court of the United States·Decided June 2, 2025·No. 23-7490·Relating-to

Opinion

JACKSON, J., dissenting

SUPREME COURT OF THE UNITED STATES CHANEL E. M. NICHOLSON v. W.L. YORK, INC., DBA COVER GIRLS, ET AL. ON PETITION FOR WRIT OF CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE FIFTH CIRCUIT No. 23–7490. Decided June 2, 2025

The petition for a writ of certiorari is denied. JUSTICE JACKSON, with whom JUSTICE SOTOMAYOR joins, dissenting from the denial of certiorari. Chanel Nicholson claims that, on numerous occasions be- tween 2013 and 2021, she was barred from entering her workplace because of her race. Nicholson filed this lawsuit in 2021, alleging intentional race discrimination in viola- tion of 42 U. S. C. §1981. According to Nicholson’s com- plaint, the most recent instances of race discrimination oc- curred within the four-year statute of limitations. But the Court of Appeals nonetheless concluded that these claims were time barred. In the panel’s view, the more recent acts were merely the “continued effects” of prior instances of race-based exclusion and thus were not independently ac- tionable. That holding flouts this Court’s clear precedents. We have long held that “[e]ach discrete discriminatory act starts a new clock for filing charges alleging that act,” re- gardless of whether similar instances of discrimination have occurred in the past. National Railroad Passenger Corporation v. Morgan, 536 U. S. 101, 113 (2002). Because the Fifth Circuit’s contrary ruling was patently erroneous, this Court should have granted Nicholson’s petition and summarily reversed the judgment. I respectfully dissent from the Court’s decision to do otherwise. 2 NICHOLSON v. W.L. YORK, INC.

I A Chanel Nicholson is an adult entertainer who performed at a pair of clubs in Houston, Texas, called Splendor and Cover Girls, during the mid-2010s. Both clubs were owned and operated by the same individuals. Each club required dancers like Nicholson to sign a “License and Access Agree- ment” that guaranteed the performer the right to “se[t] her own schedule of when and what hours she works” and “ar- rive and leave the premises at any time without penalty.” App. B to Third Amended Complaint (TAC) in No. 4:21–cv– 2624 (SD Tex., June 24, 2022), ECF Doc. 47–2, p. 6, ¶3; App. C to TAC, ECF Doc. 47–3, p. 7, ¶3. Nicholson signed the agreement with Splendor in 2014 and performed at the es- tablishment through 2016. She signed the Cover Girls agreement in 2016 and performed there through 2017. According to Nicholson, who is African American, race discrimination pervaded the environments of both clubs. Splendor and Cover Girls were “well-known” to “severely limi[t] the total number of Black Dancers on their respec- tive premises,” TAC, ECF Doc. 47, p. 10, ¶40, because “up- per management did not want too many Black Dancers” present on any given night, id., at 7, ¶29. One former Cover Girls manager confirmed that it was “widely known and well-accepted that black (African American) girls generally are not given positions as dancers in these” establishments. App. D to TAC, ECF Doc. 47–4, p. 1, ¶5 (Decl. of A. Skwera). This policy was apparently so well established that, when the clubs’ director of operations discovered that the man- ager had hired African American dancers at Cover Girls, he revoked the manager’s hiring privileges. Id., at 2, ¶8. As relevant here, Nicholson alleges that management- level employees at Splendor and Cover Girls would bar Black dancers from entering those establishments if too many other Black performers were already present. “[O]n Cite as: 605 U. S. ____ (2025) 3

a number of occasions,” she alleges, “the door girl or an act- ing manager would send [Nicholson] home after [she] ar- rived for her shift because there were already ‘too many black girls’ working.” ECF Doc. 47, at 7, ¶28. Nicholson estimates that, of the six to seven days per week that she would try to work at each club, she was turned away on ap- proximately three of the days due to her race. Nicholson Deposition Tr. in No. 4:21–cv–2624 (SD Tex., Dec. 5, 2022), ECF Doc. 61–1, pp. 14, 20–21. In particular, Nicholson al- leges that, while working at Cover Girls in November 2017, she was once again “told by a manager that she could not perform because there were already ‘too many black girls’ ” in the club. ECF Doc. 47, at 8, ¶34. Nicholson eventually got “tired of being treated like that” and stopped performing at Cover Girls entirely. ECF Doc. 61–1, at 13. Nicholson took a hiatus from dancing between 2018 and 2021, during which time her License and Access Agree- ments remained valid. She attempted to return to perform- ing at Splendor in August 2021. But a manager again re- fused her entry, telling her they were “not taking any more black girls.” Id., at 21; see also ECF Doc. 47, at 9, ¶37. Dur- ing this conversation, Nicholson saw a White dancer enter the club, seemingly preparing to start her shift. Ibid., ¶38. B In August 2021, Nicholson filed a lawsuit against Splen- dor and Cover Girls. Invoking 42 U. S. C. §1981, she claimed that the clubs had engaged in intentional race dis- crimination by barring her entrance and that of other women of color. Nicholson’s complaint alleged that these acts had “deprive[d]” her “of the same right to make and enforce contracts as Caucasian female entertainers.” ECF Doc. 47, at 16, ¶54. As relevant to this dispute, two of Nicholson’s §1981 claims survived a motion to dismiss: one against Splendor for being denied access to the club in August 2021, and one 4 NICHOLSON v. W.L. YORK, INC.

against Cover Girls for being denied access in November 2017. Both events allegedly occurred within the four-year period before Nicholson’s August 2021 filing. The District Court nevertheless granted summary judgment in favor of the clubs and against Nicholson, on the ground that her claims regarding these allegedly discriminatory acts were untimely. App. C to Pet. for Cert. 10, 14. The Fifth Circuit affirmed. In its view, Nicholson “was first denied access to Splendor’s premises as early as a week after signing her [License and Access Agreement] in Sep- tember 2014,” and that same discriminatory treatment had merely “continued.” App. A to Pet. for Cert. 8–9. The court thus concluded that Nicholson’s “claims of unlawful dis- crimination began to accrue in 2014,” id., at 9, because she “was first turned away by Splendor for a discriminatory reason in 2014 and, when she checked back in with Splen- dor in 2021, nothing had changed,” id., at 8; see also ibid. (“Splendor’s position [had] remained the same: Nicholson was refused access to the premises because she was Black”). According to the Fifth Circuit, “her denial of access to the club . . . on account of her race” in 2021 was “merely a con- tinued effect of the first alleged discriminatory act that took place in 2014.” Id., at 9; see also id., at 7. The panel reached the same conclusion with respect to Nicholson’s §1981 claim against Cover Girls. “[A]s early as her first week after signing the [License and Access Agree- ment] with Cover Girls in November 2016, she was denied access to the club on account of her race.” Id., at 10. And “nothing [had] changed when she returned to Cover Girls in November 2017—she was again denied access on account of her race.” Ibid. Thus, Nicholson’s claim against Cover Girls “began to accrue when she signed the [agreement] with the club in November 2016,” and this “first act of dis- crimination . . . merely remained ongoing when she re- turned in 2017.” Ibid. Cite as: 605 U. S. ____ (2025) 5

II The Fifth Circuit’s analysis of the statute of limitations is patently erroneous under our longstanding precedents.

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