National Artists Management Co., Inc. v. Weaving

769 F. Supp. 1224, 20 U.S.P.Q. 2d (BNA) 1113, 1991 U.S. Dist. LEXIS 6280, 1991 WL 133142
CourtDistrict Court, S.D. New York
DecidedMay 9, 1991
Docket91 Civ. 1501 (KC)
StatusPublished
Cited by73 cases

This text of 769 F. Supp. 1224 (National Artists Management Co., Inc. v. Weaving) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
National Artists Management Co., Inc. v. Weaving, 769 F. Supp. 1224, 20 U.S.P.Q. 2d (BNA) 1113, 1991 U.S. Dist. LEXIS 6280, 1991 WL 133142 (S.D.N.Y. 1991).

Opinion

*1226 MEMORANDUM AND ORDER

CONBOY, District Judge:

Through its unincorporated division known as NAMCO Booking, plaintiff National Artists Management Company, Inc. (“NAMCO”) is engaged in the business of representing and booking in-house talent and productions and independent theatrical productions throughout the United States. In the last five years, under the direction of its former president, defendant Susan Weaving, NAMCO Booking has become one of the premiere booking agencies in the United States. NAMCO’s roster of theatrical Broadway and Broadway-bound productions has included “Phantom of the Opera”, “The Piano Lesson”, “The Magic of David Copperfield”, “South Pacific”, “A Chorus Line”, Penn & Teller, the Moscow Circus, “The Flying Karamazov Brothers”, and “Fiddler on the Roof”.

On January 30, 1991, with eleven months remaining on the term of her employment contract with NAMCO, Weaving terminated her employment with NAMCO and refused to return to work. Since Weaving’s departure, NAMCO has lost several of its customers and clients, including “A Chorus Line”, Penn & Teller, “The Flying Karamazov Brothers”, the Moscow Circus, and “The Piano Lesson,” accounting for a substantial portion of NAMCO’s booking revenues. NAMCO fears further losses and damage to its reputation and goodwill. According to NAMCO, Weaving’s departure followed upon the heels of disputes between Weaving and NAMCO’s principals, including Barry and Fran Weissler, the sole shareholders of NAMCO, and Brad Krassner and Joe Marsh, about plans for future expansions and operating procedures at NAMCO. Affidavit of Barry Weissler, sworn to on March 1, 1991 (“Weissler Aff.”), ¶¶ 46-50. Weaving, on the other hand, has advised NAMCO and others that she was forced to terminate her relationship with NAMCO because of certain illegal and improper business practices engaged in by certain of NAMCO’s principals. Affidavit of Susan Weaving, sworn to on March 6, 1991 (“SW Aff.”), ¶[ 2.

In February 1991, Weaving’s husband, Richard Martini, one of three producers of “A Chorus Line”, terminated his show’s booking arrangement with NAMCO. He has told presenters and promoters in the theatre industry that he and his fellow producers of “A Chorus Line” terminated their use of NAMCO because “we didn’t think we were going to be adequately represented.” Deposition of Richard Martini, taken on March 6,1991 (“RM Dep.”), at 80-81. In addition, he has told NAMCO customers that there “were certain improprieties by the [NAMCO] partners.” Id. at 42.

In this action, NAMCO seeks to enjoin Weaving from establishing and engaging in any business competing with NAMCO during the unexpired term of her exclusive employment agreement with NAMCO Booking, which she has allegedly wrongfully repudiated. NAMCO also seeks enforcement of certain specific restrictive covenants and noncompete provisions in Weaving’s employment agreement. In addition, NAMCO seeks to enforce restrictive covenants and noncompete provisions in an asset acquisition agreement signed by Martini when NAMCO acquired Kolmar-Luth Entertainment, Inc., a theatre booking company of which Martini was formerly president and major shareholder. Finally, NAMCO seeks to enjoin Weaving and Martini both from making false and disparaging statements about plaintiffs concerning the alleged improprieties that assertedly forced Weaving to leave NAMCO, and from soliciting plaintiffs’ clients.

This action was filed on March 1, 1991. That same day, plaintiffs moved for a temporary restraining order and preliminary injunction. At a conference held that day, defendant Weaving agreed voluntarily to “not, directly or indirectly, solicit any business from, deal with or have any contact with any customers or clients of plaintiff as of January 30, 1991, until the conclusion of the preliminary injunction proceedings.” Order dated March 1, 1991. Because these restrictions, according to Weaving, were unduly broad in that they prevented her from having social contact with friends who are also customers or clients of NAM-CO, Weaving asked that the restrictions be modified. Accordingly, at the conclusion of the March 11, 1991, hearing, the voluntary *1227 restrictions on Weaving’s conduct were limited, upon consent of the parties, to prevent Weaving only from “talking] about NAM-CO” and “talk[ing] about setting up her own business” until the conclusion of the preliminary injunction proceedings. Tr. 167. 1

The Court’s sole concern at this stage of the litigation is subject matter jurisdiction. Plaintiffs initially pleaded only diversity jurisdiction, stating claims for, inter alia, breach of contract, breach of fiduciary duty, tortious interference with contract, and conversion of trade secrets. Plaintiffs alleged that plaintiff NAMCO is a New Jersey corporation with its principal place of business in New York, and that plaintiff Kolmar Luth Booking Company, Inc. (“KL”) is a wholly owned subsidiary of NAM-CO, organized and existing under the laws of New York, with its principal place of business in New York. Complaint M 1-2. As to defendants Weaving and Martini, plaintiffs alleged that they are citizens of the State of Connecticut who maintain a separate residence in New York City.

After defendants challenged diversity jurisdiction, contending that defendants are citizens of the State of New York, plaintiffs filed an amended complaint on March 8, 1991, adding a claim for unfair competition under Section 43(a) of the Lanham Act, 15 U.S.C. § 1125(a). Amended Complaint UU 39-48. Plaintiffs thus allege that federal question jurisdiction exists pursuant to 15 U.S.C. § 1121 and 28 U.S.C. § 1338. Defendants have challenged this basis of jurisdiction as well, arguing that plaintiffs have failed to state a claim for unfair competition under the Lanham Act.

On March 11, 1991, the Court held a hearing on the diversity jurisdiction issue. The Court also received further briefing, and held oral argument on March 22, 1991, on the question of Lanham Act jurisdiction.

I. Diversity Jurisdiction

Defendants allege that, although they maintain a secondary residence in Connecticut, they are citizens of New York, and that therefore diversity jurisdiction does not exist. For purposes of diversity jurisdiction, a natural person’s citizenship is determined by domicile. Although a person may have more than one residence, she may only have one domicile at any one time. Williamson v. Osenton, 232 U.S. 619, 34 S.Ct. 442, 58 L.Ed. 758 (1914). Domicile requires (1) the party’s physical presence in the state; (2) the intent to remain in that state indefinitely. See, e.g., Mississippi Band of Choctaw Indians v. Holyfield, 490 U.S. 30, 109 S.Ct. 1597, 1608, 104 L.Ed.2d 29 (1989).

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769 F. Supp. 1224, 20 U.S.P.Q. 2d (BNA) 1113, 1991 U.S. Dist. LEXIS 6280, 1991 WL 133142, Counsel Stack Legal Research, https://law.counselstack.com/opinion/national-artists-management-co-inc-v-weaving-nysd-1991.