Music Hall Theatre v. Moving Picture MacHine Operators Local No. 165

61 S.W.2d 283, 249 Ky. 639, 1933 Ky. LEXIS 573
Court of Appeals of Kentucky (pre-1976)·Decided June 6, 1933·Published·Cited by 13 cases

Opinion

Opinion of the Cóuet by

Stanley, Commissionee

Reversing’.

This suit was brought by the appellant, Music Hall Theatre, that is, John Burkart, doing business and .operating a moving picture theater in Newport under that style, against the appellees, “Moving Picture Machine-Operators, Local No.. 165, International Alliance Theatrical State Employees of United States and Canada, ’ ’ an unincorporated association, which is a labor union, together with its officers and several individuals, to enjoin them and their agents from picketing and interfering with plaintiff’s business. Their action was charged to be maliciously and unlawfully done and their representations to the public to be false and misleading, all of which had resulted in intimidation and coercion of *641 prospective patrons. For several years members of this Union bad been.employed in operating plaintiff’s machines. It appears that the theater had closed in the summer because its expenses were exceeding1 its income. As authorized by the contract which plaintiff had with the union, notice was given of its termination on August 31st. Negotiations to make a new contract were futile.

Before this time, an individual had been conducting a trade school in Cincinnati, in which the operation of moving picture projection machines was taught. He had incorporated an organization known as “Moving Projectionists’ Operators of America.” Upon completing the prescribed course, the students in this school were given a card of membership in it. The organization was in no way affiliated with the American Federation of Labor or any other union. It was an adjunct of the trade school, and seems to have been merely a scheme which permitted the specious statements that its members were members of a union. This case has the atmosphere of principally being a contest between the union and the trade school.

Oh September 4th the plaintiff employed one of its members of this school organization at a substantially less wage than he would have had to pay a member of the defendant Union. Thereupon the defendants and their representatives began a systematic picketing of plaintiff’s theater by having a man patrol the sidewalk at and near its entrance carrying a banner with this inscription: “This Theatre does not employ Union Operator member of Local No. 165, M. P. M. O. & I. A. T. S. E. of U. S. A. & Can. Affiliated with the American Federation of Labor.” Two or three men accompanied the bearer of the banner. Handbills were distributed, but the record does not disclose their contents. There is substantial evidence that, in addition to these acts, the picketers accosted prospective patrons at the entrance and about the theater, and, calling them aside, talked with them. Some of them were told that the building was a fire trap,* that no show was going on at *fche time, and it would not open; that the operators were not union men, and did not understand their business; and that there would likely be a fire. All of these things had the effect of intimidating the patrons or prospective patrons of the theater. Excepting the inscription on the banner, they were false and misleading. The *642 result was a falling off in plaintiff’s business of about 50 per cent.

The circuit court refused to issue the injunction, and the appeal is brought from that judgment.

The development of the law in respect to labor disputes and the use of injunctive processes has become rather complex. This is not surprising, since the contests involve a conflict between what are regarded as inherent and inalienable rights and the right to their protection. On the one hand are the rights of prop-rety, of contract, of doing business in one’s own way, of being let alone; the freedom of conducting a lawful business, and the incidental right to good will and to appeal to the public for patronage; and similar paramount privileges. On the other hand are the rights of economic self-preservation; of improving economic and social conditions-; of agreement among men; of free speech and action; of pursuing one’s safety and happiness; of striving to achieve legitimate ends and benefits by concert of action or collective bargaining; and the privilege of assembling together in a peaceable manner for the common good. Upon this side may be placed also the unconscionable sweatshops and lamentable conditions under which employees are all but compelled to work — those things which challenge an enlightened, humane society to opposition. In the different cases, involving as they do different states of fact and conditions, the different minds of the courts have worked out diverse conclusions. But there is a common ground and well-founded principle recognized by all the authorities; that is, that force, violence, or threats thereof, terror, menace, intimidation, coercion, deliberate misrepresentation, spreading of falsehoods, a,nd the like, can never be tolerated.

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Music Hall Theatre v. Moving Picture MacHine Operators Local No. 165, 61 S.W.2d 283, 249 Ky. 639, 1933 Ky. LEXIS 573 (Ky. 1933).

61 S.W.2d 283 (Music Hall Theatre v. Moving Picture MacHine Operators Local No. 165) — published by Counsel Stack Legal Research, free access to 12M+ legal documents.

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