Motown Productions, Inc. v. Cacomm, Inc.

668 F. Supp. 285, 5 U.S.P.Q. 2d (BNA) 1859, 1987 U.S. Dist. LEXIS 7944
CourtDistrict Court, S.D. New York
DecidedSeptember 1, 1987
Docket86 CIV. 6885 (PKL)
StatusPublished
Cited by12 cases

This text of 668 F. Supp. 285 (Motown Productions, Inc. v. Cacomm, Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Motown Productions, Inc. v. Cacomm, Inc., 668 F. Supp. 285, 5 U.S.P.Q. 2d (BNA) 1859, 1987 U.S. Dist. LEXIS 7944 (S.D.N.Y. 1987).

Opinion

OPINION & ORDER

LEISURE, District Judge:

This action arises out of the parties’ uses of the name “Nightlife.” Plaintiff/counterclaim defendant Motown Productions, Inc. (“Motown”) produces, in association with counterclaim defendant King World Productions, Inc. (“King World”), a nightly television program with that title (the “Motown Program”), starring comedian David Brenner and featuring musician Billy Preston and a band. The Motown Program premiered on September 8, 1986, and has been broadcast on more than 100 over-the-air television stations.

From January to September 1984 and again between April and August 1985, defendant Cacomm, Inc. (“Cacomm”) transmitted over a cable television network covering part of New Jersey a low-budget show called “Nightlife” (the “Cacomm Program”). The Cacomm Program consisted almost exclusively of interviews shot with a single camera and taped in Atlantic City, New Jersey. Cacomm removed its show from cable television in August 1985, more than a year before the premiere of the Motown Program.

On September 4, 1986, Motown and King World learned of letters in which counsel for Cacomm demanded that they cease and desist from using the name “Nightlife.” On September 5, 1986, Motown commenced this action seeking a declaratory judgment that Cacomm has no exclusive trademark rights in the name “Nightlife.” The following week, Cacomm consented to the entry of a preliminary injunction prohibiting it from sending further “cease and desist” letters or otherwise claiming any exclusive right to the “Nightlife” name.

Cacomm filed four counterclaims against Motown, Motown Record Corporation (“MRC”), and King World (hereinafter referred to collectively as the “Motown Parties”). The first counterclaim charges false designation of origin pursuant to Lanham Act § 43(a), 15 U.S.C. § 1125(a). The second and third allege that the Motown Parties’ use of the name “Nightlife” constitutes unfair competition under the common law of New York and New Jersey, respectively. The fourth challenges MRC’s pending application for a service mark.

The Motown Parties have moved for summary judgment, pursuant to Fed.R. Civ.P. 56, and for the imposition of sanctions, including attorneys’ fees and costs, against Cacomm and/or its counsel, pursuant to Fed.R.Civ.P. 11 and Lanham Act § 35(a), 15 U.S.C. § 1117(a). Cacomm has cross-moved for summary judgment and sanctions. The parties have entered into a stipulation with regard to certain facts which are not in dispute. See Affidavit of Marc J. Gottridge, Esq., sworn to on January 13,1987 (the “Gottridge Aff.”), Exh. M (hereinafter referred to as the “Stipulation”).

Discussion

I. Lanham Act § 43(a)

In its first counterclaim, Cacomm urges that the use of “Nightlife” as the title of the Motown Program constitutes a false description or representation of origin in violation of Lanham Act § 43(a). Judge Weinfeld has explained,

The [Lanham] Act has been construed to protect the title of a creative work in the limited situation when: (1) the title has acquired ‘secondary meaning,’ i.e., that the public identifies the title with the plaintiff and his work; and (2) there is a ‘likelihood of public confusion,’ i.e., that the public will be misled into believing that defendants’ work originated or is associated with or sponsored by plaintiff because both works bear the same title. *288 Davis v. United Artists, Inc., 547 F.Supp. 722, 727-28 (S.D.N.Y.1982) (citations omitted). 1

A. Secondary Meaning

1. Applicability of Requirement

Cacomm contends that no showing of secondary meaning is required under § 43(a) because the “creative works” here are series of television programs, rather than individual shows. Defendant’s Memorandum of Law at 24, 31-32 (citing Application of Cooper, 254 F.2d 611, 617 (C.C.P.A.), ce rt. denied, 358 U.S. 840, 79 S.Ct. 63, 3 L.Ed.2d 75 (1958); In re Polar Music International AB, 714 F.2d 1567, 1572 (Fed.Cir.1983)). Cooper and Polar Music are clearly inapposite, however. Those cases involved series of works where the trademark for the series was not descriptive of any one work and, in addition, each work had an individual name or title. See Cooper, 254 F.2d at 615; Polar Music, 714 F.2d at 1572. In this case, the individual shows in the Cacomm and Motown series do not have an individual name or title. The name “Nightlife” describes each show, as well as each series as a whole.

Cacomm also argues that the Motown Parties should be estopped from claiming that “Nightlife” is descriptive because of their pending application to register a service mark containing the name. Defendant’s Memorandum of Law at 30. MRC’s application, however, seeks protection not merely for the name “Nightlife,” but for “Nightlife and Design.” Chaum Dep., Exh. 13. Thus, the service application merely signifies that the name “Nightlife,” when used with a highly distinctive and fanciful design, may be protected by the trademark laws. See Chicago Reader, Inc. v. Metro College Publishing Co., 711 F.2d 801, 804 (7th Cir.1983) (Neaher, J.).

Finally, Cacomm relies on the affidavit of a Chicago lawyer who is reviser of a treatise on trademark law. See Defendant’s Notice of Motion, Exh. M (Affidavit of Louis Altman, Esq., sworn to on January 19,1987). The attorney states that the name “Nightlife,” as applied to the Ca-comm Program, is “suggestive.” Id. at ---. In this Circuit, however, the expert testimony of an attorney as to an ultimate issue of domestic law or as to the legal significance of facts is inadmissible. Marx & Co. v. The Diners’ Club, Inc., 550 F.2d 505, 508-11 (2d Cir.), cert. denied, 434 *289 U.S. 861, 98 S.Ct. 188, 54 L.Ed.2d 134 (1977). Accord United States v. Sprogis, 763 F.2d 115, 123 (2d Cir.1985). Accordingly, the Altman affidavit may not be considered on the instant cross-motions. See Fed.R.Civ.P. 56(e). 2

2. Cacomm’s Evidence

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Bluebook (online)
668 F. Supp. 285, 5 U.S.P.Q. 2d (BNA) 1859, 1987 U.S. Dist. LEXIS 7944, Counsel Stack Legal Research, https://law.counselstack.com/opinion/motown-productions-inc-v-cacomm-inc-nysd-1987.