Mosher v. Veyda

CourtDistrict Court, S.D. New York
DecidedDecember 2, 2024
Docket7:22-cv-09632
StatusUnknown

This text of Mosher v. Veyda (Mosher v. Veyda) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Mosher v. Veyda, (S.D.N.Y. 2024).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK -------------------------------------------------------------x JOHN MOSHER,

Plaintiff,

- against - OPINION & ORDER

LANA VEYDA, PATRICIA ELAM, No. 22-CV-9632 (CS) KEITH ELAM, CHRISTOPHER MARTIN a/k/a DJ PREMIER, and ESTATE OF KEITH ELAM,

Defendants. -------------------------------------------------------------x

Appearances:

Emmanuel Coffy Coffylaw, LLC Maplewood, New Jersey Counsel for Plaintiff

Kristin Grant Grant Attorneys at Law PLLC New York, New York Counsel for Defendants Veyda, Elam, Elam & Estate of Keith Elam

Seibel, J. Before the Court is the motion of Lana Veyda, Patricia Elam, Keith C. Elam and the Estate of Keith Edward Elam (collectively, the “Defendants”) to dismiss Plaintiff’s Third Amended Complaint pursuant to Federal Rules of Civil Procedure 12(b)(1), 12(b)(6), and 12(b)(7). (ECF No. 50.) For the reasons set forth below, Defendants’ motion is GRANTED. I. BACKGROUND For purposes of the motion to dismiss for failure to state a claim, the Court accepts as true the facts, but not the conclusions, alleged by Plaintiff John Mosher in the Third Amended Complaint. (See ECF No. 49 (“TAC”).)

Facts Sometime in 2001, Plaintiff and Keith Elam, who was also known as “Guru,” formed an enterprise to compose, record, publish and perform original music. (TAC ¶ 8.) Guru is also known as Gangstarr, a persona that he created when he came to New York City in the mid-to-late 1980s to pursue a career as a rap artist. (Id. ¶ 9.) Working as Gangstarr, Guru signed an independent label deal with “wild pitch records,” adding Defendant Christopher Martin, known as “DJ Premier,” as his DJ.1 (Id.) Together, DJ Premier and Guru wrote, composed and produced nearly all of Gangstarr’s songs and albums, which Guru would perform. (Id.) There were a few exceptions: the album “One of the Best Yet” that Plaintiff recorded, produced and composed,with Guru contributing lyrics; the album “The Ownerz” produced by Plaintiff,who

also co-wrote the lyrics and music; and the song “Battle,” which Plaintiff co-produced and co- wrote and which is on the soundtrack for the movie 8 Mile. (Id.). In addition to Gangstarr, Guru worked on a side venture called Jazzmatazz, which did not involve DJ Premier. (Id. ¶ 10.) As part of Jazzmatazz, Guru released four albums: three written, composed and produced by Guru,and one composed, produced and co-written by Plaintiff, who also performed as an artist on the album and was Guru’s touring and business partner for that venture. (Id. ¶¶ 10-11.) Guru and Plaintiff recorded and performed as 7Grand,

1 While the TAC names Martin as a defendant, Plaintiff has not requested a summons for him, and the time to serve him, see Fed. R. Civ. P. 4(m), has passed. made many recordings together, and released five albums as partners. (Id. ¶¶ 12-13.) Their business continued until Guru died on April 19, 2010. (Id. ¶ 8.) Guru’s Estate thereafter commenced litigation in the Surrogate’s Court of the State of New York, County of Rockland, seeking recovery of certain intellectual property that Plaintiff allegedly possessed. (Id. ¶ 14.) On March 12, 2014, the Surrogate’s Court entered judgment,

ordering Plaintiff to pay $169,850.36 to the Estate, among other things. (ECF No. 29-1 (“Surrogate’s Decree”) at 6; see TAC ¶ 15.)2 The Surrogate also held that Plaintiff was not an owner of, nor held any interest in, “any writings, drawings, designs, lyrics or notes created by Keith Elam and/or any rights thereto” or the recordings embodying Guru’s voice or image. (Surrogate’s Decree at 2-3; see TAC ¶ 16.) Likewise, the Surrogate determined that neither Guru nor any of the entities that he controlled ever transferred or gave Plaintiff trademarks for the “GangStarr,” “Gang Starr,” “Jazzmatazz,” or “Guru’s Jazzmatazz” names or logos, and that Plaintiff had no interest in those marks. (Surrogate’s Decree at 4-5.) The court permanently restrained and enjoined Plaintiff from “any involvement with . . . utilizing, licensing or

conveying to any entity or person, except the Estate of Keith Elam, the ‘Gangstarr’ and/or ‘Gang Starr’ name(s), logo(s) and/or trademark(s) and/or any rights thereto.” (Surrogate’s Decree at 3.) It did the same with respect to the “Jazzmatazz” and “Guru’s Jazzmatazz” names, logos, and trademarks. (Id.) In his decision, the Surrogate, who had presided over a six-day trial, noted his

2 The TAC refers to numerous exhibits that Plaintiff describes as having been attached to the “1st Compl.” (See TAC ¶¶ 15, 17, 19, 28, 33.) No documents were attached to the original Complaint, (ECF No. 4), but exhibits were attached to the second amended complaint, (ECF No. 29 (“SAC”)). It is apparent that counsel intended to refer to the exhibits attached to the SAC, and in any event they are incorporated in and integral to the TAC, see United States ex rel. Foreman v. AECOM, 19 F.4th 85, 106 (2d Cir. 2021) (court in deciding motion to dismiss may consider documents attached to, incorporated in or integral to complaint), so I consider them in connection with this motion. “serious concerns with the apparent persistent, pervasive, material and intentional misrepresentations by, and the resulting lack of credibility of [Plaintiff].” (ECF No. 51-2 at 2.)3 Plaintiff appealed the Surrogate’s Court’s judgment, (TAC ¶ 17), and on June 1, 2016, the Appellate Division, Second Department issued a Decision and Order that modified the Surrogate’s Decree and affirmed it as modified, (see ECF No. 29-2 (“Appellate Decision”) at 1).

Specifically, the Appellate Division held that the Surrogate’s credibility and factual determinations with respect to the estate’s ownership interest in certain corporations and trademarks (and Plaintiff’s alleged wrongful conversion of certain funds that belonged to the Estate) were supported by the record, and it did not disturb those determinations. (Appellate Decision at 2.) But the Appellate Division also held that the Surrogate’s determinations that Plaintiff “held no interest in any writings, drawings, designs, lyrics, or notes created by [Guru] and/or any recordings embodying [Guru’s] voice and/or image” (and that Plaintiff improperly received funds from Guru’s life insurance policy and retirement fund) were not supported by the record. (Id.) The Appellate Division thus modified the Surrogate’s Decree by deleting certain

paragraphs and by reducing the total amount that Plaintiff owed to the estate to $114,162.36. (Id. at 1; see ECF No. 51-2 at 5-11 (reflecting portions of Surrogate’s Decree that Appellate Division modified).) Plaintiff alleges that while the Surrogate’s Court proceeding remained pending, and continuing through the date of this action, Defendants have received and accepted royalties in

3 I may consider this document, which is a public record, not for its truth but for the fact that it was said. See Videri, Inc. v. ONAWHIM (OAW) Inc., No. 23-CV-2535, 2024 WL 4027980, at *7 (S.D.N.Y. Sept. 3, 2024); Doe v. State Univ. of N.Y. Purchase Coll., 617 F. Supp. 3d 195, 201 n.3 (S.D.N.Y. 2022); Yany’s Garden LLC v. City of N.Y., No. 18-CV-2813, 2020 WL 224701, at *3 (E.D.N.Y. Jan. 15, 2020). Citations to ECF No. 51-2 use the pagination generated by the Court’s Electronic Case Filing (“ECF”) system. connection with activities conducted by Guru and Plaintiff. (TAC ¶ 19.) Plaintiff contends that these royalties are derived from specific copyrights, (id. (citing ECF No. 29-5)),4 but Plaintiff does not include any details about these royalties except his conclusion that he was “entitled to receive” them, (see id. ¶ 20).

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