Michael Traylor v. Sba

CourtCourt of Appeals for the Ninth Circuit
DecidedNovember 6, 2023
Docket21-56093
StatusUnpublished

This text of Michael Traylor v. Sba (Michael Traylor v. Sba) is published on Counsel Stack Legal Research, covering Court of Appeals for the Ninth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Michael Traylor v. Sba, (9th Cir. 2023).

Opinion

NOT FOR PUBLICATION FILED UNITED STATES COURT OF APPEALS NOV 6 2023 MOLLY C. DWYER, CLERK U.S. COURT OF APPEALS FOR THE NINTH CIRCUIT

MICHAEL S. TRAYLOR, No. 21-56093 D.C. No. 5:20-cv-01280-SVW-KK Plaintiffs’ Former Counsel- Appellant, MEMORANDUM* v.

U.S. SMALL BUSINESS ASSOCIATION ET AL.,

Defendant-Appellee.

Appeal from the United States District Court for the Central District of California Stephen V. Wilson, District Judge, Presiding

Submitted on October 17, 2023 Pasadena, California

Before: PAEZ and H.A. THOMAS, Circuit Judges, and RAKOFF, District Judge.**

This is an appeal from the grant of summary judgment and award of attorney’s

fees in a case brought under the Copyright Act. The district court initially granted

the motions for summary judgment of defendants Al Gohary and the Orange County

* This disposition is not appropriate for publication and is not precedent except as provided by Ninth Circuit Rule 36-3. ** The Honorable Jed S. Rakoff, United States District Judge for the Southern District of New York, sitting by designation. Inland Empire Small Business Development Center Network (“OCIE”) based upon

the failure of plaintiffs Lethia Davis and her company, Beautiful Minds

Entrepreneurship, Inc., to provide the district court with a copy of the copyrighted

works that were purportedly infringed. Plaintiffs filed a motion for reconsideration

attaching one of the three allegedly infringed works. The district court denied that

motion, finding, among other things, that even if the work had been included with

the prior motion, it would not have changed the court’s conclusion. The district court

then ordered plaintiffs to pay defendants’ attorney’s fees pursuant to 17 U.S.C. § 505

and, sua sponte, issued an order to show cause why plaintiffs’ attorney—Michael

Traylor—should not be held liable for a portion of the fee award pursuant to 28

U.S.C. § 1927. The district court ultimately awarded Gohary $75,424.50 in

attorney’s fees, of which Traylor was held liable for $31,006, and awarded OCIE

$75,613.13 in attorney’s fees, of which Traylor was held liable for $71,056.13.

Traylor is the only party remaining in this appeal. For the reasons set forth below,

we affirm the district court’s grant of summary judgment and award of attorney’s

fees.

Traylor first argues that the district court erred in granting defendants’

motions for summary judgment and denying plaintiffs’ motion for reconsideration.

Without these purportedly erroneous rulings, Traylor argues, no attorney’s fee award

could have been entered against him. We review a grant of summary judgment de

2 21-56093 novo, and a denial of a motion for reconsideration for abuse of discretion. See

Airlines for Am. v. City & Cnty. of San Francisco, 78 F.4th 1146, 1151 (9th Cir.

2023) (summary judgment); Benson v. JPMorgan Chase Bank, N.A., 673 F.3d 1207,

1211 (9th Cir. 2012) (FRCP 60(b)); Smith v. Pac. Props. & Dev. Corp., 358 F.3d

1097, 1100 (9th Cir. 2004) (FRCP 59(e)).

“Proof of copyright infringement requires [the plaintiff] to show: (1) that he

owns a valid copyright in [the work]; and (2) that [the defendant] copied protected

aspects of the work.” Skidmore v. Led Zeppelin, 952 F.3d 1051, 1064 (9th Cir.

2020) (en banc). A plaintiff “can attempt to prove [copying] circumstantially by

showing that the defendant had access to the plaintiff’s work and that the two

works share similarities probative of copying.” Id. (quoting Rentmeester v. Nike,

Inc., 883 F.3d 1111, 1117 (9th Cir. 2018)).

To support their motions for summary judgment, defendants put forward

substantial evidence that they did not copy the allegedly infringed work, including

declarations that they had not seen the infringed work prior to the litigation, did not

have access to the infringed work, and created the purportedly infringing work years

before the creation of the allegedly infringed work. At this point, the burden shifted

to plaintiffs to demonstrate a genuine dispute of material fact. See Celotex Corp. v.

Catrett, 477 U.S. 317, 322–23 (1986).

3 21-56093 In response, plaintiffs argued that access to the copyrighted works combined

with their substantial similarity to the infringing work was sufficient to satisfy the

element of copying. But plaintiffs failed to actually identify or provide the district

court with a copy of any work that was purportedly infringed, and thus the district

court correctly concluded that no reasonable juror could evaluate whether the work

was substantially similar such that it was copied.1 And when an allegedly infringed

work was submitted with plaintiffs’ motion for reconsideration, it became clear that

the infringed and infringing works were, as the district court ultimately held, “not

remotely similar.” Further, plaintiffs’ only evidence of defendants’ access to the

infringed work was the bare assertion that the work was available on plaintiffs’

website, which was insufficient to create a dispute of fact as to access in the face of

defendants’ contrary evidence. See Art Attacks Ink, LLC v. MGA Ent. Inc., 581 F.3d

1138, 1143 (9th Cir. 2009) (“To prove access, a plaintiff must show a reasonable

possibility, not merely a bare possibility, that an alleged infringer had the chance to

view the protected work.”). Accordingly, the district court did not err in granting

1 On appeal, Traylor asserts that the allegedly infringed work was attached as an exhibit to a deposition transcript filed in support of OCIE’s motion for summary judgment. But the PowerPoint slides Traylor cites are the allegedly infringing work created by Gohary, not the infringed work purportedly created by plaintiffs. The fact that, even on appeal, Traylor is unable to clearly identify what work was purportedly infringed further demonstrates the correctness of the district court’s rulings.

4 21-56093 defendants’ motions for summary judgment and denying plaintiffs’ motion for

reconsideration.

Traylor next argues that the district court erred by awarding attorney’s fees

pursuant to the Copyright Act. See 17 U.S.C. § 505. The Copyright Act “grants

courts wide latitude to award attorney’s fees based on the totality of circumstances

in a case.” Kirtsaeng v. John Wiley & Sons, Inc., 579 U.S. 197, 203 (2016). Such an

award is reviewed for abuse of discretion. See Maljack Prods., Inc. v. GoodTimes

Home Video Corp., 81 F.3d 881, 889 (9th Cir. 1996). Here, the district court

correctly identified the six non-exclusive factors to be considered and found that

each weighed in favor of awarding attorney’s fees. Traylor simply asserts that the

district court was wrong in making these findings but offers no real explanation as

to why this is so.

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Cite This Page — Counsel Stack

Bluebook (online)
Michael Traylor v. Sba, Counsel Stack Legal Research, https://law.counselstack.com/opinion/michael-traylor-v-sba-ca9-2023.