Mergenthaler v. Scudder

11 App. D.C. 264, 1897 U.S. App. LEXIS 3124
CourtCourt of Appeals for the D.C. Circuit
DecidedOctober 4, 1897
DocketNos. 59 and 60
StatusPublished
Cited by39 cases

This text of 11 App. D.C. 264 (Mergenthaler v. Scudder) is published on Counsel Stack Legal Research, covering Court of Appeals for the D.C. Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Mergenthaler v. Scudder, 11 App. D.C. 264, 1897 U.S. App. LEXIS 3124 (D.C. Cir. 1897).

Opinion

Mr. Chief Justice Alvey

delivered the opinion of the Court:

The appellant has assigned several grounds or reasons for [269]*269the appeals, but they all may be reduced to two principal questions: 1st. Whether, prior to the applications filed by Mergenthaler, there was complete conception of the inventions in issue by Scudder, and sufficiently shown in proof:, and, if so, 2d. Whether Scudder has proven that he proceeded with reasonable diligence to reduce the conception to practical form ?

1. The appellant, Ottmar Mergenthaler, is the senior party in both interferences; and his application involved in No. 16,233 was filed nearly two years, and his application involved in No. 16,270 was filed nearly a year and a half before the singlé application of Scudder was filed. The cases being thus presented, the onus is upon Scudder to establish by clear proof the fact of priority of invention. This is an established principle both by rule and decision.

By Rule 116 of the Patent Office it is provided that, “In original proceedings in cases of interference, the several parties will be presumed to have made the invention in the chronological order in which they claim the same in their completed applications for patents clearly illustrating and describing the invention) and the burden of proof will rest upon the party who shall seek to establish a different state of facts.” But by Rule 117 it is declared that “The preliminary statement can in no case be used as evidence in behalf of the party making it.”

The allowed applications of Mergenthaler operated as constructive reduction to practice of the inventions claimed, and it was therefore incumbent upon Scudder to show by clear proof completed invention prior to the dates of such applications of Mergenthaler. Porter v. Louden, 7 App. D. C. 64, 72; Soley v. Hebbard, 5 App. D. C. 99, 103; Christie v. Seybold, 64 O. G. 1650, 1653.

Before examining the facts relating to the question of ■priority of invention, it may be well and of interest to refer to the state of the art of invention and construction of linotype and linecasting machines, in order to see to what extent the [270]*270previously existing invention, pertaining to the subjects involved in the present issues, may throw light upon and aid the claim and contention of either of the parties to the present cases of interference.

In a recent number of Chambers’ Journal, published in Edinburgh, occurs an article giving quite a graphic description of the linotype printing machine, and which article was republished in this country, in the Eclectic Magazine of Foreign Literature, Science and Art, for July, 1897. That article is descriptive of the state of the invention prior to the dates involved in the present issues. In that article is given the history of the progress of the inventions relating •to the art of printing by machine presses. .The writer gives a short history of the evolution of the art, and says that it has progressed to such an extent that we now have “an almost human machine thát simply needs to be kept fed with molten metal while turning out automatically the most perfect type ready for the printer’s hand.” After describing previous inventions and processes, the writer says :

“The invention of the linotype company machine marks a revolution greater than anything which has occurred in printing during the past four hundred years. It is neither the first nor the only attempt that has been made at what is called ‘ mechanical composition,’ as distinguished from ordinary type-setting by hand. But it is the first successful attempt, we believe, to combine type founding with type-setting, and in point of fact to dispense with fonts of type altogether. And it is a proved success, both mechanically and economically. Even the trade unionists have recognized that the thing has ‘ come to stay,’ and, adapting 'themselves to the situation, skilled compositors are as quickly as possible transforming themselves into skilful machine operators.

“The linotype can not be said to be the invention of any single individual. In its modern form it is a completion of the design of Ottmar Mergenthaler, but the machine in [271]*271use to-day represents the product of no fewer than fourteen hundred separate patents. That is to say, it is the embodiment of successive improvements, found to be necessary after Mergentlialer’s machine came into practical operation. But the idea itself is an old one—as old, one may say, as the stereotyped blocks with which the ancients stamped their pottery. It is a curious thought that on the eve of the twentieth century we are going back to the first, or even earlier, in principle. But without going so far back, we may find the germ of the linotype in the logotype wdiich early in the present century found so much favor.

“ The difference between the linotype and all previous typesetting machines is material, for the linotype does not set type at all. It does not compose types, but composes matrices in lines. In ordinary type the characters are in relief on the metal; in a matrix the characters are impressed in intaglio. This was the original thing -about Mergenthaler’s invention—the dispensing wdth a magazine, or font, of movable metal types. He had many imitators, but the Court of Appeals in the United States found that he was really the first to ‘combine with mechanism for forming a matrix composed of a series of dies adapted for transposition or rearrangement, a mold and a casting mechanism, and the first to produce a practical machine by which ordinary hand composition is superseded.’

“The linotype does not cast letters, it casts lines; hence its name, line-of-type. It has taken twenty years and fourteen hundred patents to bring the machine up to its present state, wdiich may not yet be perfection, but yet it is so efficient that it is being adopted in all the principal newspaper offices in the country, and gradually in the great printing houses. It was unfortunate, perhaps, in being placed on the market too soon, for the first machines were not a success, and caused rather a prejudice against the name—a prejudice which has had to be overcome.

[272]*272“The mechanical compositor has no heavy cases of type to pick and choose from. He sits in front of a machine so compact that it does not occupy more than six square feet of floor space. Before him is a key board, not unlike that of a typewriter. When he depresses a key he instantaneously releases a matrix in the magazine above him, bearing a character corresponding to the key. This magazine is placed sloping downward toward the operator, and the matrices as released drop by natural gravity through vertical channels on to a traveling belt, which carries them as quick as thought, one after the other, into a little compartment on the operator’s left, where they compose the words under his eye. The side of this little chamber is open, and on the portion of the matrices exposed to view the characters they represent are marked. In this way the operator can at once detect any literal error as it occurs, extract the wrong matrix and insert the correct one in an instant without stopping the machine. When the little chamber or block, which is adjusted to the width of the column to be printed, is about full it announces the fact by ringing a bell, thus giving the operator time to see how much more he can get in.

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Bluebook (online)
11 App. D.C. 264, 1897 U.S. App. LEXIS 3124, Counsel Stack Legal Research, https://law.counselstack.com/opinion/mergenthaler-v-scudder-cadc-1897.