Master Beat Inc v. Michael Skill

CourtMichigan Court of Appeals
DecidedFebruary 29, 2024
Docket363340
StatusUnpublished

This text of Master Beat Inc v. Michael Skill (Master Beat Inc v. Michael Skill) is published on Counsel Stack Legal Research, covering Michigan Court of Appeals primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Master Beat Inc v. Michael Skill, (Mich. Ct. App. 2024).

Opinion

If this opinion indicates that it is “FOR PUBLICATION,” it is subject to revision until final publication in the Michigan Appeals Reports.

STATE OF MICHIGAN

COURT OF APPEALS

MASTER BEAT, INC. and WALTER UNPUBLISHED PALAMARCHUK, February 29, 2024

Plaintiffs-Appellees,

v No. 363340 Oakland Circuit Court MICHAEL SKILL, LC No. 2021-189454-CB

Defendant-Appellant.

Before: GADOLA, C.J., and BORRELLO and BOONSTRA, JJ.

PER CURIAM.

In this case arising from a business dispute, defendant appeals by right the trial court’s orders granting summary disposition in favor of plaintiffs and granting to plaintiffs prejudgment interest, costs, and attorney fees. Defendant also challenges the order denying his motion for reconsideration or relief from judgment. For the reasons set forth in this opinion, we affirm.

I. BACKGROUND

Defendant and plaintiff Walter Palamarchuk (Palamarchuk) are two of the original four members of the band The Romantics. Plaintiff Master Beat, Inc. (Master Beat), a Michigan corporation, was formed in 1984 to manage business affairs for the band. By the time this action was initiated, defendant and Palamarchuk were the only remaining officers of Master Beat. They each owned a 50% share of the company and served as co-directors. Palamarchuk was president of Master Beat and took primary responsibility for business operations of Master Beat. Defendant was secretary-treasurer and had a lesser role in the operations of Master Beat. There was apparently an agreement that defendant and Palamarchuk were supposed to switch roles each year, although they seemingly abandoned that arrangement. Defendant described their division of responsibilities as somewhat “ambiguous.”

As relevant to this litigation, Master Beat had contractual agreements with Sony Music Publishing, SoundExchange, and K-Tel International Ltd. (K-Tel) generally providing that royalties related to The Romantics would be paid to Master Beat. Master Beat, in turn, would distribute those royalties as appropriate according to various separate contractual agreements to

-1- various past and present band members, including defendant and Palamarchuk.1 Master Beat employed other individuals to calculate the royalties Master Beat was required to distribute to various other individuals from the royalties Master Beat received. In addition to its obligations to distribute royalties, Master Beat also had other bills and expenses that were paid from its revenue. Master Beat’s revenue consisted of royalty payments and revenue generated from The Romantics’ concert performances.

Beginning in late 2020, defendant took steps to change the above described distribution procedure by diverting royalties to himself that were being paid to Master Beat pursuant to the previously mentioned contracts. Defendant believed that he should be able to get his royalties directly from the companies paying them, without having the royalties first flow through Master Beat. He also testified that he believed he was authorized to act unilaterally on behalf of Master Beat to effectuate such changes. It is not entirely clear from the record, but it seems that defendant received approximately $26,700 in royalties from Sony after making his request and before Master Beat became aware of the change and took action to object, and there is also evidence suggesting that defendant received approximately $30,000 in royalty payments from K-Tel before Master Beat became aware of the issue and intervened. It appears that defendant’s efforts were unsuccessful with respect to SoundExchange, and that he did not receive any payments from SoundExchange, because SoundExchange put a hold on the accounts related to The Romantics until the parties resolved their conflicting claims about the treatment of royalties.

Furthermore, there is additional record evidence that defendant personally withdrew $20,000 from a bank account belonging to Master Beat in July 2021. Defendant, according to his deposition testimony, was seemingly disgruntled about the manner in which royalties were being distributed and apparently felt that the $20,000 represented royalties to which he was personally entitled. He believed he was actually entitled to more than this amount, but he left some money in the account “for bills.”

On August 10, 2021, plaintiffs initiated this action, seeking to remove defendant as a director of Master Beat and alleging claims of breach of fiduciary duty, unjust enrichment, common-law conversion and embezzlement, and statutory conversion.

Plaintiffs moved for summary disposition under MCR 2.116(C)(10) on February 18, 2022, arguing that there was no question of material fact that defendant diverted royalties from Master Beat to himself and took $20,000 from the Master Beat bank account without authority. Plaintiffs

1 It appears that a complete picture of the distribution arrangements regarding royalties, including those due to various past members, is somewhat complex. Those nuances are not relevant for purposes of resolving the instant appeal. We have merely set forth the general nature of the arrangements for purposes of providing factual context, and we do not purport to have precisely described the many intricacies of the distribution scheme for royalties created by the various contractual agreements involving Master Beat. For purposes of this appeal, it is only necessary to understand that Master Beat essentially collected royalties on behalf of The Romantics and then distributed those royalties to various individuals, including defendant, according to those individuals’ rights to specific royalties.

-2- argued that defendant’s actions rendered him liable for common-law and statutory conversion,2 breach of fiduciary duty, and unjust enrichment, and, additionally, that defendant’s removal as a director was warranted. The trial court entered a scheduling order directing defendant to respond to plaintiffs’ motion for summary disposition by April 1, 2022. The trial court’s scheduling order stated that the court would strictly enforce the scheduling order and that failure to timely file a responsive brief would result in the court assuming that the party did not have any authority to support its position.

On April 1, 2022, defendant filed a motion to file his brief in opposition and accompanying exhibits under seal. Defendant served his brief on the opposing parties and the court, but he did not file it so as to avoid making it public while waiting for the court’s ruling on the motion to file under seal. Because defendant did not notice his motion for a hearing, confusion ensued. Nonetheless, the trial court ultimately entered orders on May 25, 2022, granting plaintiffs’ motion to supplement their motion for summary disposition by May 27, 2022, and permitting defendant to file a response to plaintiffs’ motion for summary disposition as supplemented pursuant to an updated scheduling order. Additionally, the trial court had granted defendant’s counsel’s motion to withdraw on April 18, 2022, which was predicated on defendant’s consistent failure to pay his legal fees. Plaintiffs filed their supplemental motion for summary disposition on May 25, 2022.3

On May 26, 2022, defendant’s new counsel filed an appearance and the trial court entered an updated scheduling order. The scheduling order required defendant to file his response by June 29, 2022. The order further required any motion to file the response under seal to be filed and heard by June 22, 2022. As before, the scheduling order stated that it would be strictly enforced and that the failure to timely file a brief would result in the court assuming that the party did not have supporting authority for its position.

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Master Beat Inc v. Michael Skill, Counsel Stack Legal Research, https://law.counselstack.com/opinion/master-beat-inc-v-michael-skill-michctapp-2024.