Mason v. Sony Pictures Entertainment Inc.

CourtDistrict Court, N.D. Georgia
DecidedApril 28, 2021
Docket1:20-cv-03616
StatusUnknown

This text of Mason v. Sony Pictures Entertainment Inc. (Mason v. Sony Pictures Entertainment Inc.) is published on Counsel Stack Legal Research, covering District Court, N.D. Georgia primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Mason v. Sony Pictures Entertainment Inc., (N.D. Ga. 2021).

Opinion

IN THE UNITED STATES DISTRICT COURT FOR THE NORTHERN DISTRICT OF GEORGIA ATLANTA DIVISION

BRYAN ZACK MASON, Plaintiff, v. Civil Action No. SONY PICTURES ENTERTAINMENT, INC., 1:20-cv-03616-SDG SONY PICTURES TELEVISION INC., NBCUNIVERSAL MEDIA, LLC, and ERIC E. KRIPKE d/b/a KRIPKE ENTERPRISES, Defendants.

OPINION AND ORDER This matter is before the Court on a motion to dismiss or transfer filed by Defendant Sony Pictures Television Inc. (Sony TV) [ECF 30] and a motion to dismiss or transfer jointly filed by Defendants Sony Pictures Entertainment, Inc., (Sony Entertainment) NBCUniversal Media, LLC (NBCU), and Eric E. Kripke d/b/a Kripke Enterprises (Kripke) [ECF 31]. For the following reasons, and with the benefit of oral argument, both motions to dismiss are GRANTED. The pending motions docketed as ECF 18, ECF 19, and ECF 20 are DENIED AS MOOT. I. BACKGROUND1 Plaintiff Bryan Zack Mason is a self-published author.2 Mason has written a three-book science fiction and fantasy series colloquially known as The Chronoshift Trilogy: (1) Shift, published December 14, 2011; (2) Chase, published May 21, 2012;

and (3) Turn, published July 12, 2012.3 The general plot of The Chronoshift Trilogy involves a team of three individuals traveling through time to fight various assassins and alter the course of historical events.4 Mason published each book through Amazon.com and distributes them through Ingram Book Distributors.5

Mason has sold over 50,000 copies of The Chronoshift Trilogy.6 Mason has also sought and obtained a copyright for each book.7

1 The Court treats the following non-jurisdictional allegations as true for the purposes of this Order. Garfield v. NDC Health Corp., 466 F.3d 1255, 1261 (11th Cir. 2006) (“At the motion to dismiss stage, all well-pleaded facts are accepted as true, and the reasonable inferences therefrom are construed in the light most favorable to the plaintiff.”). 2 ECF 27, ¶ 2. 3 Id. ¶¶ 3–7, 9. 4 Id. ¶ 85. 5 Id. ¶ 8. 6 Id. ¶ 11. 7 Id. ¶¶ 43–46. Sony Entertainment is a company that acquires, distributes, films, and produces a wide array of entertainment through multiple media.8 Sony TV is a subsidiary of Sony Entertainment and operates as a content provider.9 NBCU is a subsidiary of the media and entertainment conglomerate Comcast Corporation.10

Kripke is a television writer, director, and producer in Los Angeles, California.11 In early 2014, Mason decided to adapt The Chronoshift Trilogy into a film.12 Mason hired Joel Wilsford—CEO of Trillium Capital Investments, LLC—to

finance and produce the project.13 On November 17, 2014, Mason hired Adam Bret—CEO of Low Rider Films, LLC—to market the series to his connections in Los Angeles.14 According to Mason, Wilford and Bret pitched The Chronoshift Trilogy to producer Mike Richardson and provided him with physical copies of

each book.15 Through a mosaic of connections, Mason alleges—upon information

8 Id. ¶ 38. 9 Id. ¶ 39. 10 Id. ¶ 41. 11 Id. ¶ 42. 12 Id. ¶ 71. 13 Id. ¶ 72. 14 Id. ¶ 73. 15 Id. ¶ 74. and belief—that Kripke ultimately obtained copies and/or knowledge of The Chronoshift Trilogy from either Richardson or two other individuals—Anne Cofell Saunders and Matt Whitney—who Mason alleges are writers and producers with prior experience working on other NBCU projects and with Kripke.16

According to Mason, the plot of the currently syndicated television show Timeless—which he alleges was written by Kripke, produced by Sony Entertainment and Sony TV, and broadcasted by NBCU—infringes on

The Chronoshift Trilogy. Mason initiated this action on September 1, 2020.17 Mason filed an Amended Complaint on November 13, asserting one claim for copyright infringement under 17 U.S.C. § 501.18 On November 23, Defendants filed two separate motions to

dismiss; one solely by Sony TV and a second jointly by Sony Entertainment, NBCU, and Kripke.19 Mason filed an omnibus response in opposition to both

16 Id. ¶¶ 53–70, 81. 17 ECF 1. 18 ECF 27. 19 ECF 30; ECF 31. motions on January 4, 2021.20 Defendants filed two separate replies on January 25.21 On April 16, the Court heard oral argument from the parties on the motions. II. DISCUSSION Although Defendants have filed separate motions, they collectively argue

Mason’s copyright infringement claim must be dismissed under: (1) Federal Rule of Civil Procedure 12(b)(2) for lack of personal jurisdiction; (2) Rule 12(b)(3) for improper venue; and (3) Rule 12(b)(6) for failure to state a facially plausible claim. The Court first addresses Defendants’ jurisdictional arguments. See Republic of

Panama v. BCCI Holdings (Luxembourg) S.A., 119 F.3d 935, 940 (11th Cir. 1997) (“As a general rule, courts should address issues relating to personal jurisdiction before reaching the merits of a plaintiff’s claims.”).

A. Personal Jurisdiction 1. Legal Framework A complaint is subject to dismissal if the Court lacks personal jurisdiction over the defendant. Fed. R. Civ. P. 12(b)(2). A plaintiff seeking to establish “personal jurisdiction over a nonresident defendant bears the initial burden of

alleging in the complaint sufficient facts to make out a prima facie case of

20 ECF 35. 21 ECF 37; ECF 38. jurisdiction.” Diamond Crystal Brands, Inc. v. Food Movers Int’l, Inc., 593 F.3d 1249, 1257 (11th Cir. 2010) (quoting United Techs. Corp. v. Mazer, 556 F.3d 1260, 1274 (11th Cir. 2009)). “A prima facie case is established if the plaintiff presents enough evidence to withstand a motion for directed verdict.” Madara v. Hall, 916 F.2d 1510,

1514 (11th Cir. 1990). In assessing a prima facie case, the Court “must accept the facts alleged in the complaint as true, to the extent they are uncontroverted by the defendant’s affidavits.” Id. If the defendant submits contradictory affidavits, “the

burden traditionally shifts back to the plaintiff to produce evidence supporting jurisdiction unless those affidavits contain only conclusory assertions that the defendant is not subject to jurisdiction.” Meier ex rel. Meier v. Sun Int’l Hotels, Ltd., 288 F.3d 1264, 1269 (11th Cir. 2002). “Where the plaintiff’s complaint and

supporting evidence conflict with the defendant’s affidavits, the court must construe all reasonable inferences in favor of the plaintiff.” Diamond Crystal, 593 F.3d at 1257 (quoting Meier, 288 F.3d at 1269).

The Supreme Court recognizes two types of personal jurisdiction: “general (sometimes called all-purpose) jurisdiction and specific (sometimes called case-linked) jurisdiction.” Ford Motor Co. v. Montana Eighth Jud. Dist. Ct., 141

S. Ct. 1017, 1024 (2021) (citing Goodyear Dunlop Tires Operations, S.A. v. Brown, 564 U.S. 915, 919 (2011)). General jurisdiction “extends to ‘any and all claims’ brought against a defendant . . . [and] [t]hose claims need not relate to the forum State or the defendant’s activity there; they may concern events and conduct anywhere in the world.” Id.

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