Living Music Records, Inc. v. Moss Music Group, Inc.

827 F. Supp. 974, 28 U.S.P.Q. 2d (BNA) 1217, 1993 WL 276339, 1993 U.S. Dist. LEXIS 9867
CourtDistrict Court, S.D. New York
DecidedJuly 20, 1993
Docket90 Civ. 4250 (LBS)
StatusPublished
Cited by8 cases

This text of 827 F. Supp. 974 (Living Music Records, Inc. v. Moss Music Group, Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Living Music Records, Inc. v. Moss Music Group, Inc., 827 F. Supp. 974, 28 U.S.P.Q. 2d (BNA) 1217, 1993 WL 276339, 1993 U.S. Dist. LEXIS 9867 (S.D.N.Y. 1993).

Opinion

OPINION

SAND, District Judge.

This action is brought by plaintiffs Living Music Records (“LMR”) and Living Music, Inc. (“LMI”) against various corporate and individual defendants, alleging violations of the Copyright Act and RICO, and also asserting a number of statutory and common law claims under New York law. Because we find that we have no subject matter jurisdiction over the supposed copyright claim, and because we find that plaintiffs have not substantiated essential elements of their RICO claim, we dismiss the federal claims. Having found no federal cause of action, we decline to take jurisdiction over the remaining state law causes of action.

The Parties

Plaintiff LMR is a record company which is wholly-owned by plaintiff LMI; both are corporations organized under the laws of the State of Connecticut and with their principal places of business in Connecticut. Plaintiffs are the exclusive owners of certain copyrights which are registered in the United States Copyright Office. Among plaintiffs’ principal artists/composers are various “new age” groups, including Grammy Award nominee saxophonist and composer Paul Winter and the Paul Winter Consort.

The defendants fall into two groups, corporate and individual. Defendant Moss Music Group, Inc. (“MMG”) is a New York corporation which, as will be discussed in detail below, entered into an agreement with plaintiffs to manufacture and distribute phonorecords which embody the copyrighted material owned by plaintiffs. Defendant Fleet Factors Corp., Ambassador Factors (“Ambassador”) is a Rhode Island corporation with its principal place of business in New York, which acted as a factor to MMG, that is, lent money to MMG. Defendants Pickwick Music Group, Inc. (“PMG”) and defendant Pickwick Entertainment, Inc. (“PEI”) are Delaware corporations which have their principal places of business in Connecticut. PMG is a wholly-owned subsidiary of PEI. Ambassador also acted as a factor to PMG.

Defendant Ira Moss resides in New York and was the founder, President and sole stockholder of MMG. Moss was later employed by PMG. Defendants Seymour Leslie and Joseph Cohen were directors, and Cohen was and is President, of Pickwick Communications, Inc. (“PCI”), a music record business not a party to this action. In or about mid-1988, PCI entered into negotiations with defendant Jan Weinberg to license to Weinberg, through a corporate entity to be formed by him, PCI’s rights under certain of its master recordings. In June of 1988, Weinberg formed PEI, and Cohen and Leslie acted as directors.

Procedural Background

Initially, defendants Ambassador and defendants Leslie and Cohen had moved this Court for judgment of dismissal on the pleadings pursuant to Fed.R.Civ.P. 12(c). Moss joined in Leslie and Cohen’s motion; Weinberg, PMG and PEI also moved for judgment of dismissal on the pleadings, adopting the arguments made by the other movants.

At oral argument of those motions, this Court converted the motions to Rule 56 motions for summary judgment, and directed that the converted motions deal only with plaintiffs’ allegedly federal causes of action. The parties were given further opportunity *978 to file briefs, and additional, voluminous briefs were in fact filed. The motions were thereupon taken on submission.

Facts

Although the inferences to be drawn from the factual circumstances surrounding this litigation are hotly contested, the facts themselves are largely undisputed. We briefly summarize the facts we consider relevant to these motions.

Ambassador, a commercial finance company, began extending credit, loans and advances to MMG on or about January 24, 1986. In connection with this financing, Ambassador held a perfected security interest in all of MMG’s assets including its then-existing and after-acquired accounts receivable, equipment, inventory, contract rights, copyrights, trademarks and other general intangibles (the “Collateral”). Ambassador filed all the necessary documentation to properly record its security interests.

On or about September 10, 1987 plaintiff LMI entered into an exclusive licensing agreement with MMG pursuant to which MMG was authorized to make and sell copies consisting of phonograph records, tapes and compact discs (the “phonorecords”) of certain musical master recordings in which plaintiff held copyrights. The Agreement provided, inter alia, that the terms of the Agreement would be binding on the parties’ successors and assigns, and that any sale of the assets or assignment of rights would not affect or dilute the rights of the other party. (Agreement, ¶ 18(d).)

Although plaintiffs argue that Ambassador knew that MMG had entered into this Licensing Agreement, both Ira Moss and Ambassador’s Executive Vice President, Philip Cotumaccio, testified that Ambassador had no knowledge of the Licensing Agreement prior to the present litigation. (Affidavit of Douglas Good, “Good Aff.”, Exh. E.)

Soon after the Licensing Agreement was entered into, MMG began to suffer serious financial difficulties. Sometime in mid-1988, defendant Moss approached defendant Leslie, whom he had known for some twenty years, to discuss MMG’s financial condition and possibilities for alternative sources of financing or an individual or entity willing to take an equity position in MMG. (Moss Dep., pp. 15-17; Leslie Dep., pp. 9-11.)

By June or July, 1988 MMG was in default of its financial obligations, including certain of its royalty obligations to plaintiffs under the Licensing Agreement, although MMG had paid almost half of the royalties due up to that point. (Good Aff.Exh. G.) MMG had also failed to fulfill its marketing responsibilities under the Licensing Agreement.

On or about July 8, 1988 and August 2, 1988, plaintiffs purported to give notice to MMG that they were terminating the Licensing Agreement due to MMG’s failure to pay royalties and to carry out effectively its marketing responsibilities. Paragraph One of the Licensing Agreement provides that the Agreement may not be terminated for those reasons until December 31, 1988, at the earliest. Most of the factual and legal dispute revolves around the effectiveness of the termination and which defendants knew about the purported termination at what time.

On August 17, 1988, MMG surrendered to Ambassador the Collateral in which Ambassador held a first position security interest. Upon receipt of the Collateral, Ambassador re-sold it by private sale, on notice to MMG, to defendant PMG for an amount equal to the then-outstanding indebtedness of MMG to Ambassador which was calculated at approximately $1.9 Million. Ambassador financed PMG’s purchase of those assets and was granted a first position security interest in the assets. At the time of the transaction, MMG had approximately 86,000 phonoree-ords containing recordings of plaintiffs’ copyrighted material, which comprised less than 10% of the phonorecords in MMG’s inventory.

The evidence is clear that no copies of plaintiffs record masters were made by any defendant at any time after August 17, 1988; the only copies ever manufactured were made by MMG pursuant to the terms of the Licensing Agreement. (Good Aff., Exh.

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827 F. Supp. 974, 28 U.S.P.Q. 2d (BNA) 1217, 1993 WL 276339, 1993 U.S. Dist. LEXIS 9867, Counsel Stack Legal Research, https://law.counselstack.com/opinion/living-music-records-inc-v-moss-music-group-inc-nysd-1993.