Levin v. McPhee

917 F. Supp. 230, 1996 U.S. Dist. LEXIS 2453, 1996 WL 93651
CourtDistrict Court, S.D. New York
DecidedMarch 4, 1996
Docket95 Civ. 5179 (LAK)
StatusPublished
Cited by27 cases

This text of 917 F. Supp. 230 (Levin v. McPhee) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Levin v. McPhee, 917 F. Supp. 230, 1996 U.S. Dist. LEXIS 2453, 1996 WL 93651 (S.D.N.Y. 1996).

Opinion

OPINION

KAPLAN, District Judge.

In this action, Ilya D. Levin, plaintiff, contends that he was libeled by statements made in a book entitled The Ransom of Russian Aet, by defendant John McPhee. The book was published by defendant Far-rar, Straus & Giroux (“Farrar”) and excerpted in an article with the same title published by defendant The New Yorker Magazine, Inc. (the “The New Yorker ”). Plaintiff complains that the portions of the book and the article pertaining to the mysterious death of a noted Russian dissident artist, Evgeny Rukhin, charge plaintiff with cowardice and with involvement in causing the deaths of Rukhin and Rukhin’s friend, Ludmila Bobl-yak. Plaintiff contends further that the defendants intentionally inflicted emotional distress upon him by writing and publishing the book and the article. This Court has jurisdiction as a result of the diversity of the parties’ citizenship.

The case is now before the Court on the defendants’ motion to dismiss the complaint. Defendants urge that the book and the article, each of which presents multiple theories regarding the cause of Rukhin’s death, are incapable as a matter of law of the defamatory construction plaintiff gives to them and that the statements complained of are protected expressions of opinion. McPhee and The New Yorker contend further that the complaint should be dismissed as against them because the statements complained of are substantially true and, to the extent that they are not, that they caused plaintiff only incremental harm. McPhee and Farrar contend that they are protected by a privilege of neutral reportage. Plaintiff has cross-moved for summary judgment on the question whether the publications are capable of a defamatory meaning or, in the alternative, for leave to amend.

Facts

John McPhee is a prominent author, described-by his counsel as one of the most distinguished figures in American letters. He is said to be the author of twenty-three books, many of which won or were nominated for important literary prizes. 1 Farrar too has played a prominent role in American literature, publishing such world famous authors as Isaac Bashevis Singer, Alexander Solzhenitsyn, William Golding, and Derek Wolcott.

The book at issue in this case, The Ransom of Russian Aet, is an account of the activities of Norton Dodge, a wealthy University of Maryland professor who began traveling to the Soviet Union in the 1950’s and who collected dissident art for over thirty years. Over 10,000 works collected by him now are housed and will be exhibited at the Zimmerli Art Museum at Rutgers University. His collection is said to “comprise[ ] an irrepro-duceable archive of the hidden struggle by hundreds of artists across the USSR who defied the proscribed [sic ] style and propagandists purposes of socialist realism.” Jo Ann Lewis, Trove from the Underground: The Maryland Millionaire Who Saved the Att of a Soviet Era, Washington Post, May 14,1995, at Gl.

The book tells the story of Dodge’s trips to the Soviet Union, his often clandestine contacts with artists, and the "repressive efforts of the Soviet regime. Rukhin, a prolific painter who also played an important role by accompanying Dodge on some of his collecting trips and introducing him to other dissident artists, is one of the artists featured in the book. The nub of this case concerns the book’s treatment of Rukhin’s death.

*234 The relevant portion of the book appears in a nine page chapter of about 2,000 words. 2 Ransom 149-58. The chapter opens with the statement that “Rukhin was burned to death” following his return home to Leningrad from a visit to Moscow. Id. 149. It recounts that Rukhin spent his final night in Moscow at the residence of the Venezuelan ambassador, whom he had met through the wife of the Argentine ambassador, a collector of Rukhin’s work. Not long after Rukhin’s death, the Soviet government, the book states, gave the Venezuelan ambassador twenty-four hours to leave the Soviet Union and impounded his luggage as he left. Id. 150. After the scene thus is set, there follow five stories or accounts of Rukhin’s death, each under a heading attributing it to its source.

The first, labeled “Dodge’s Version,” purportedly describes how Norton Dodge “imagines the details of Rukhin’s death ...” Dodge is quoted as saying that “perhaps [the K.G.B.] expected him back the next day and therefore thought they would burn out his studio in his absence as an object lesson.” It states that plaintiff, Rukhin, Evgeny Esau-lenko, and Esaulenko’s wife (identified elsewhere as Ludmila Boblyak) were at Rukhin’s studio having a party. It notes that Esaulen-ko’s wife also died and accuses the fire department of holding back. It adds that “The K.G.B. probably didn’t know he [Rukhin] was there.” And it attributes to Dodge the view that “the death of Rukhin quickly became a story variously told, with about as many versions as there were tellers ...” “[S]ince it was ... a story seemingly known to silent narrators its mystery had been preserved.” Id. 151.

The next account is labeled “Melamid’s Version” and purports to quote the Moscow artist, Alexander Melamid, as presenting the story of Rukhin’s death in pertinent.part as follows: “There are two main versions. (1) K.G.B. (2) He lived dangerously. Dangerously? Going to the foreigners drinking. He kept a bohemian image. It sets you free from social bonds. He was the freest man of all of us. It seemed that he had no fear. We all knew that he would pay for this sooner or later. What watched him, God or the K.G.B.? Either God or the K.G.B. punished him. Was it intended that he die? It doesn’t matter. Crime and punishment.” Id. 151-52 (internal quotations omitted).

The third recounting is entitled “Burke’s Version” and is attributed to an American, Sarah Burke, who is said to have been romantically involved with Rukhin and to have .been expecting a call from Rukhin around the time of his death. The book states, “Burke outlines what she sees as three possible causes: ‘(1) The K.G.B. (2) An accident. (3) His wife.’” Id. 152. She is quoted as elaborating on each possibility, in part as follows: “The K.G.B. were following his movements pretty carefully. Some people think that Ilya Levin did it for them, that he was ‘politically inspired.’ It’s a possibility.” Id. She adds that “Most people think that the fire was set, but I think it could have been an accident — the studio full of vodka, cigarettes, and the chemically soaked rags.” She is quoted as saying also that some think that Rukhin’s wife, Galina, killed him because Rukhin intended to emigrate to the United States. Id.

Next is “Kuzminsky’s Version,” which is perhaps the most colorful of the tales. He is quoted at the outset as rejecting the theory that the fire was an accident. Rather, Kuz-minsky is quoted as saying that plaintiff, Rukhin, and Ludmila Boblyak, “were making love sandwich-style in room 3 [of Rukhin’s studio]” when the fire started and quickly blocked the exit. Kuzminsky is said to have added that he could imagine “the response of agents from the K.G.B.

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Bluebook (online)
917 F. Supp. 230, 1996 U.S. Dist. LEXIS 2453, 1996 WL 93651, Counsel Stack Legal Research, https://law.counselstack.com/opinion/levin-v-mcphee-nysd-1996.