Leonardo v. United States

63 Fed. Cl. 552, 2005 U.S. Claims LEXIS 19, 2005 WL 241278
CourtUnited States Court of Federal Claims
DecidedJanuary 31, 2005
DocketNo. 01-641 C
StatusPublished
Cited by25 cases

This text of 63 Fed. Cl. 552 (Leonardo v. United States) is published on Counsel Stack Legal Research, covering United States Court of Federal Claims primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Leonardo v. United States, 63 Fed. Cl. 552, 2005 U.S. Claims LEXIS 19, 2005 WL 241278 (uscfc 2005).

Opinion

[554]*554 OPINION

HEWITT, Judge.

I. Introduction1

This contract case is before the court following trial on the issue of liability. Certain artwork of plaintiff, Elaine Leonardo (Ms. Leonardo or plaintiff), was exhibited at the American Cultural Center (ACC) of the United States Information Service (USIS) in Brussels, Belgium from October 31 to November 27, 1990. Plaintiffs Exhibit (PX) 13 (ACC press release announcing the exhibition). Plaintiff asks the court to find that defendant, the United States (United States, government, or defendant), breached a contract of bailment to store eighty-seven pieces of plaintiffs artwork following that exhibition, Complaint (Compl.) ¶ 35; Plaintiffs Trial Memorandum (Pl.’s Mem.) at 16, when it failed to return the artwork to plaintiff in 1997, Compl. ¶¶ l, 39-41, 56-57. The artwork was destroyed by a bulldozer during 1996 renovations to the leased facility housing the ACC. Leonardo v. United States, 55 Fed.Cl. 344, 346 (2003) (Leonardo I) (“In 1996, the owner of the building in which the [ACC] was located began renovations of the entire building. At the beginning of December, 1996, the side entrance of the building and an adjacent storage room were demolished by a bulldozer. Plaintiffs artwork, which was stored in that storage room, was destroyed.” (citations omitted)); Pl.’s Mem. at 14; Compl. ¶¶ 37, 41; see also Leonardo v. United States, 60 Fed.Cl. 126, 127 (2004) (Leonardo II) (“In December 1996, the majority of plaintiffs artwork that was stored at the [American Cultural] Center was destroyed when the room in which her art was stored was bulldozed.” (citations omitted)). Defendant argues that no bailment contract was ever formed between the parties because the ACC representatives with whom Ms. Leonardo dealt lacked authority to contract, Defendant’s Pretrial Memorandum of Contentions of Fact and Law (Def.’s Mem.) at 3-4, or because the alleged bailment agreement was not ratified by a government representative who possessed authority to contract, see id. at 5.

Plaintiff is a professional artist. Transcript of Trial (Tr.) at 43:15 (testimony of plaintiff). She testified that the United States government has, since 1973, assisted her from time to time in securing exhibitions at various cultural centers in France, England and Belgium. See generally id. at 52:17-23 (testimony of plaintiff that the United States Embassies in Paris and London selected plaintiffs artwork to “represent the United States” in 1991); id. at 59:14-65:18 (testimony of plaintiff concerning exhibitions at the ACCs in Amsterdam and Brussels in 1973 and 1974); id. at 66:1-75:17 (testimony by plaintiff that between 1974 and 1977 personnel at the Brussels ACC arranged exhibitions of plaintiffs art in several Belgian cities); id. at 75:24-78:5 (testimony of plaintiff that Brussels ACC personnel arranged a show in Leuven, Belgium in 1986).

The two government employees with whom plaintiff claims to have entered into a bailment contract are Jan Van Kerkhove who, by 1974, was the assistant to the cultural attaché at the ACC in Brussels, id. at 68:5 — 16 (testimony of plaintiff), and Mary Ann Ignatius, who became the Cultural Affairs Officer at the ACC in Brussels shortly before the 1990 exhibition of plaintiffs work, PX 1 (Officer Evaluation Report for Mary Ann Ignatius dated 6/10/91), at 1, 3 (stating that Ms. Ignatius assumed her duties on September 29, 1990 and describing Ms. Ignatius’ “initial eight months as Cultural Affairs Officer in Brussels”).

[555]*555By 1989, Mr. Van Kerkhove held the title of “Cultural Affairs Specialist,” and functioned as an assistant to the Cultural Affairs Officer at the ACC. PX 3 (7/10/89 Position Description Update for Jan Van Kerkhove). Plaintiff testified that her negotiations to place the 1990 exhibit at the ACC began in 1988 when, during a visit to Europe, she called Mr. Van Kerkhove in Belgium. Tr. at 79:3-5 (testimony of plaintiff); see also id. at 79:9-15 (colloquy between plaintiff and her counsel). During this conversation, Mr. Van Kerkhove “invited [plaintiff] to ... visit him in Brussels.” Id. at 79:6. Plaintiff testified that she brought her portfolio with her and that, during this visit, she received an offer to have her artwork shown at the ACC. See Tr. at 79:20-22, 80:7-21 (testimony of plaintiff). At some point, arrangements were made for plaintiff to have a one-month show at the ACC in November 1990. See PX 13 (ACC press release announcing an October 31 — November 27, 1990 exhibition of plaintiffs artwork).

Plaintiff traveled to Brussels to prepare for the exhibition on October 11, 1990. PX 107 (Plaintiffs Appointment Calendar), at 1. Plaintiff was not present at the ACC when her exhibition closed on November 27, 1990 and did not participate in taking down the show or storing her artwork. Id. at 126:22-127:18. Plaintiff testified that she inspected her artwork during a brief visit to Brussels in 1991. See id. at 132:3-23. Plaintiff learned of the loss of her artwork in March of 1997. Id. at 179:20-180:1 (testimony of plaintiff).

Plaintiff filed a complaint in this court on November 13, 2001, alleging that “the United States of America’s grossly negligent conduct caus[ed] the destruction and loss” of plaintiffs artwork. Compl. at 1. Plaintiff claims that, “[a]s a direct and proximate cause of the United States’ breach of contract, [she] has suffered damages ... [of] not less than $2,610,000.” Id. ¶ 58.

II. Discussion

Plaintiff stated in her pretrial memorandum that “uncontroverted evidence” presented at trial would “prove the existence of a bailment contract between the United States and Ms. Leonardo ... for the mutual benefit of both parties.” Pl.’s Mem. at 16. Plaintiffs counsel argued in summation that “there is a six-year course of performance2 by the parties that demonstrates that they intended to make this agreement and were performing it until events in 1996 that le[d] to the United States[’] failure to return the artwork,” Tr. at 280:21-281:1 (statement of plaintiffs counsel), which plaintiff characterizes as a breach of contract, see Pl.’s Mem. at 30. Despite the fact that a loss of great importance to plaintiff occurred, the court cannot address the question of liability for the loss until it has determined that a valid bailment contract existed between the parties. Accordingly, the court first turns to the question of contract formation.

A. Plaintiffs Burden of Proof as to Contract Formation

In addition to proving the standard elements of contract formation,3 parties seeking to enforce a contract against the United States must establish that the government representatives who entered into or ratified the agreements possessed actual authority to bind the government. Trauma Serv. Group v. United States, 104 F.3d 1321, 1325 (Fed. Cir.1997); City of El Centro v. United States, 922 F.2d 816, 820 (Fed.Cir.1990). “[T]he government is not bound by the acts of its agents beyond the scope of their actual authority,” Harbert/Lummus Agrifuels Pro[556]*556jects v. United States,

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Cite This Page — Counsel Stack

Bluebook (online)
63 Fed. Cl. 552, 2005 U.S. Claims LEXIS 19, 2005 WL 241278, Counsel Stack Legal Research, https://law.counselstack.com/opinion/leonardo-v-united-states-uscfc-2005.