Kurt Frings Agency, Inc. v. Commissioner

42 T.C. 472, 1964 U.S. Tax Ct. LEXIS 95
CourtUnited States Tax Court
DecidedJune 2, 1964
DocketDocket No. 95304
StatusPublished
Cited by15 cases

This text of 42 T.C. 472 (Kurt Frings Agency, Inc. v. Commissioner) is published on Counsel Stack Legal Research, covering United States Tax Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Kurt Frings Agency, Inc. v. Commissioner, 42 T.C. 472, 1964 U.S. Tax Ct. LEXIS 95 (tax 1964).

Opinion

Fax, Judge:

The Commissioner determined deficiencies in petitioner’s income tax as follows:

Fiscal year ended Jan. 31— Deficiency
1957_ $19, 584. 68
1958_ 19, 611. 14
1959_ 28, 637. 54
1960_ 25, 120. 38

The only issue for decision1 is whether or not the petitioner was subject to the personal holding company tax imposed by section 5412 for any or all of the years involved herein.

FINDINGS OF FACT

Some of the facts have been stipulated, and the stipulation of facts, together with the exhibits attached thereto, is incorporated herein by this reference.

Petitioner, Kurt Frings Agency, Inc., is a California corporation organized on February 1, 1956. Petitioner maintained its books on a cash basis, using a fiscal year ending January 31. It filed Federal corporation income tax returns for the fiscal years here involved with the district director of internal revenue at Los Angeles, Calif.

Petitioner’s issued and outstanding stock was owned by Kurt Frings (hereinafter sometimes referred to as Kurt), the latter acquiring the stock on March 27, 1956, for the sum of $1,000. Kurt owned the entire outstanding stock of petitioner during the years here involved. Kurt was president of petitioner during tbe years in issue and as such devoted all of his time to the business of petitioner.

The nature of petitioner’s business was to represent actors, directors, writers, producers, and others involved in the field of entertainment as the artists’ manager. (Hereinafter when the term “artists” is used it will include actors, directors, writers, producers, and others involved in the field of entertainment.) An artists’ manager is a person (including a corporation) who offers to or does represent, acts as the personal manager or representative of, negotiates for, procures employment for, and counsels or advises members of the Screen Actors Guild in and about and in connection with or relating to their employment as artists in the production of motion pictures (including motion pictures made for television). The word “agent” is synonymous with artists’ manager. The services rendered by petitioner consisted of advising artists on scripts, negotiating for their contracts, and talking to producers, directors, and writers about a particular actor with the aim of arranging an interview which might eventually lead to a contract. These services rendered by petitioner to its clients were of a personal nature. During the years involved herein, petitioner was licensed by the California Labor Commission as an artists’ manager. Petitioner, during this period, held a franchise issued by the Screen Actors Guild, a California corporation, authorizing petitioner to act as an artists’ manager for artists who were Guild members. Petitioner was also a member of the Artists’ Managers Guild.

Kurt has been an artists’ manager since 1941. At first he was employed by an agency. In 1945 or 1946 he went into business for himself and operated as a sole proprietor. At the time of petitioner’s incorporation, Kurt was representing various actors in the entertainment field as an artists’ manager. After incorporation, the petitioner continued to represent the same artists Kurt had been representing as an individual.

Petitioner represented the following number of artists during the years here involved:

Number Fiscal year ended Jan. 31— of artists
1957- 34
1958_ 65
1959_ 74
1960_ 91

In each case petitioner would enter into a contract with the artist, using one of the following three contracts: (1) Theatrical motion picture agency contract (artists’ manager contract), (2) television motion picture agency contract (artists’ manager contract), or (3) standard AFTRA (American Federation of Television and Radio Artists) exclusive agency contract under rule 12-B. The choice of contract depended upon whether the artist involved was in the field of making motion pictures (television or otherwise) or in the field of television.

The theatrical motion picture agency contract and the television motion picture agency contract were almost identical in their terms and provisions. Paragraph 8 of both contracts provides as follows:

The Agent agrees that the following person only shall personally supervise the Actor’s business during the term of this contract. * * * The person above named shall be available at all reasonable times for consultation with the Actor at the city named in Paragraph (9) or its environs during reasonable business hours, subject to absence of the person from the office occasioned by his agency activities outside of the office at the studios and elsewhere, and subject further to reasonable absences due to illness or reasonable vacation periods. The Agent upon request of the Actor and on reasonable notice shall assign such person to conduct negotiations for the Actor at such city or its environs and such person shall do so; it being understood that subagents employed by the Agent who are not named herein may handle agency matters for the Actor or may aid the above named person in handling agency matters for the Actor. In the event the person above named shall cease to be active in the affairs of the Agent by reason of death, disability, retirement or any other reason, the Actor shall have the right to terminate this contract upon written notice to the Agent. The rights of the parties in such case are governed by Section XII of the Regulations.

In all cases where either of these two contracts was used, the name of “Kurt Frings” was inserted in paragraph 8. No other name was ever inserted either alone or in conjunction with the name of “Kurt Frings.”

The terms of the standard AFTRA exclusive agency contract, though different, were not materially different from the terms of the other two contracts used by petitioner. The pertinent paragraphs of this contract are as follows:

8. The Agent agrees that the following persons, and the following persons only, namely * * * shall personally supervise the Artist’s business during the term of this contract. One of such persons shall be available at all reasonable times for consultation with the Artist at the city or cities named herein. The Agent, upon request of the Artist, shall assign any one of such persons who may be available (and at least one of them always shall be available upon reasonable notice from the Artist), to engage in efforts or handle any negotiations for the Artist at such city or its environs and such person shall do so. Employees of the Agent who have signed the AETRA covenant and who are not named herein may handle agency matters for the Artist or may aid any of the named persons in handling agency matters for the Artist.
9.

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Kurt Frings Agency, Inc. v. Commissioner
42 T.C. 472 (U.S. Tax Court, 1964)

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Bluebook (online)
42 T.C. 472, 1964 U.S. Tax Ct. LEXIS 95, Counsel Stack Legal Research, https://law.counselstack.com/opinion/kurt-frings-agency-inc-v-commissioner-tax-1964.