Kenyon v. Abel

2001 WY 135, 36 P.3d 1161, 46 U.C.C. Rep. Serv. 2d (West) 660, 2001 Wyo. LEXIS 161, 2001 WL 1654761
CourtWyoming Supreme Court
DecidedDecember 27, 2001
Docket01-8
StatusPublished
Cited by8 cases

This text of 2001 WY 135 (Kenyon v. Abel) is published on Counsel Stack Legal Research, covering Wyoming Supreme Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Kenyon v. Abel, 2001 WY 135, 36 P.3d 1161, 46 U.C.C. Rep. Serv. 2d (West) 660, 2001 Wyo. LEXIS 161, 2001 WL 1654761 (Wyo. 2001).

Opinion

HILL, Justice.

[11] This dispute concerns the ownership of a painting by the noted Western artist Bill Gollings. Rick Kenyon (Kenyon) purchased the painting, valued between $8,000 and $15,000, for $25 at a Salvation Army thrift store. Claude Abel (Abel) filed suit against Kenyon seeking return of the painting, which had belonged to his late aunt. Abel claimed that the Salvation Army mistakenly took the painting from his aunt's home when the box in which it was packed was mixed with items being donated to the thrift store. Kenyon appeals the district court's decision awarding the painting to Abel. We affirm.

[12] Kenyon frames the dispute in terms of five issues:

Does the Uniform Commercial Code apply to the sale of items from the Salvation Army Thrift store?
Did Defendant/Appellant Kenyon acquire title to the painting?
Was Defendant/Appellant Kenyon a good faith purchaser for value, thereby acquiring title to the painting?
Did the district court err as a matter of law by concluding that Plaintiff/Appellee Abel was entitled to possession and title to the painting even though Kenyon was a good faith purchaser for value?
Did Abel manifest donative intent?

Abel sets forth a statement of three issues:

I. Is the Trial Court's factual determination that Abel did not intend to gift an original Gollings painting supported by the evidence?
II. Without the requisite intent to gift, did title pass from Abel to the Salvation Army? -
Can the Salvation Army convey title to a subsequent purchaser when it had no title to begin with? IIL.

In his reply brief, Kenyon presents two issues in response to Abel's arguments:

Whether the Status of Good Faith Purchaser is a Defense to a Claim for Conversion.
Whether the painting was "lost" or "stolen" for purposes of Wyoming Statute Seetion 84.1-2-403 of the Uniform Commercial Code.

FACTS

[13] Abel's aunt, Rillie Taylor (Taylor), was a friend of the artist Bill Gollings, whose works were known for their accurate portrayal of the Old West. Sometime before his death in 1982, Gollings gave a painting to Taylor depicting a Native American on a white horse in the foreground with several other Native Americans on horses in the background traveling through a traditional western prairie landscape. The painting remained in Taylor's possession at her home in Sheridan until her death on August 31, 1999.

[14] After Taylor's death, Abel traveled from his home in Idaho to Sheridan for the funeral and to settle the estate. Abel was the sole heir of Taylor's estate so he inherited all of her personal belongings, including the Gollings painting. Abel and his wife sorted through Taylor's belongings selecting various items they would keep for themselves. Abel and his wife, with the help of a local moving company, packed those items into boxes marked for delivery to their home in Idaho. Items not being retained by Abel were either packed for donation to the Salvation Army or, if they had sufficient value, were taken by an antiques dealer for auction. The scene at the house was apparently one of *1164 some confusion as Abel attempted to vacate the residence as quickly as possible while attempting to make sure all of the items went to their designated location. The painting was packed by Abel's wife in a box marked for delivery to Idaho. However, in the confusion and unbeknownst to Abel, the box containing the Gollings painting was inadvertently picked up with the donated items by the Salvation Army. The painting was priced at $25.00 for sale in the Salvation's Army Thrift Store where Kenyon purchased the painting.

[15] After returning to Idaho, Abel discovered that the box containing the painting was not among those delivered by the moving company. Through local sources, Abel learned that the painting had gone to the Salvation Army and was then purchased by Kenyon. Unsuccessful in his attempts to talk with Kenyon about the painting, Abel filed this action. Abel sought possession of the painting through two causes of action: replevin and conversion. Kenyon countered that he was a "good faith purchaser" of the painting under the Uniform Commercial Code (UCC). The district court concluded that Abel was entitled to possession of the painting under either the common law doctrines of gift or conversion or the statutory provisions of the UCC. Kenyon now appeals.

STANDARD OF REVIEW

[16] This matter was the subject of a bench trial before the district court. "When a trial court in a bench trial makes express findings of fact and conclusions of law, we review the factual determinations under a clearly erroneous standard and the legal conclusions de novo." Rennard v. Vollmar, 977 P.2d 1277, 1279 (Wy0.1999) (citing Stansbury v. Heiduck, 961 P.2d 977, 978 (Wyo.1998) and Springer v. Blue Cross and Blue Shield of Wyoming, 944 P.2d 1173, 1176 (Wyo.1997)).

DISCUSSION

Donative Intent

[17] The key to resolving this dispute, under cither common law or the UCC, is determining whether or not the painting was voluntarily transferred from Abel to the Salvation Army. The district court concluded that Abel had no intent to give the painting to the Salvation Army. This is a factual conclusion that we will reverse only upon a showing that it is clearly erroneous. Our review convinces us that the district court's conclusion that Abel did not voluntarily transfer the painting to the Salvation Army is supported by the record and is not, therefore, clearly erroncous.

[T8] Abel's testimony during the trial disclosed the following facts. Abel's aunt received the painting as a gift from the artist,. Abel testified that his aunt often expressed to him the importance of the painting to her and her desire that it remain in the family's possession. He indicated that the painting had a lot of value to him and the family beyond its monetary worth because of his family's personal relationship with the artist. The aunt rejected at least one offer to buy the painting for about $5,000. After inheriting the painting, Abel's wife packed it in a box marked for delivery to their home in Idaho. On the day the painting was packed for moving, there was much confusion around the house as Abel and his wife tried to sort through all of the items and designate them for delivery to the appropriate location. In that confusion, the Salvation Army came to the house to pick up various items. The Salvation Army apparently took the painting, along with the items specifically donated to it. Abel testified that he did not intend to include the painting with the goods that were meant to go to the Salvation Army and, at that time, he had no idea that the painting had been taken by them. According to Abel, he did not learn that the painting was missing until after the moving company had delivered all of the boxes to Idaho.

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Bluebook (online)
2001 WY 135, 36 P.3d 1161, 46 U.C.C. Rep. Serv. 2d (West) 660, 2001 Wyo. LEXIS 161, 2001 WL 1654761, Counsel Stack Legal Research, https://law.counselstack.com/opinion/kenyon-v-abel-wyo-2001.