Kelly v. L.L. Cool J.

145 F.R.D. 32, 1992 U.S. Dist. LEXIS 17502, 1992 WL 340114
CourtDistrict Court, S.D. New York
DecidedNovember 16, 1992
DocketNo. 92 Civ. 2032 (WCC)
StatusPublished
Cited by106 cases

This text of 145 F.R.D. 32 (Kelly v. L.L. Cool J.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Kelly v. L.L. Cool J., 145 F.R.D. 32, 1992 U.S. Dist. LEXIS 17502, 1992 WL 340114 (S.D.N.Y. 1992).

Opinion

OPINION AND ORDER

WILLIAM C. CONNER, District Judge.

Plaintiff Herman Kelly (Kelly) filed this pro se action against L.L. Cool J., Def Jam Music Records Publishing, Inc. (Def Jam), and Marley Marl Music, Inc. for copyright infringement and other assorted claims.1 This action is presently before the Court on Def Jam’s motion for a more definite statement of the copyright claim pursuant to Rule 12(e), Fed.R.Civ.P., and Def Jam's motion to dismiss, or strike, the remainder of the complaint pursuant to Rules 8, 9(b), 12(b)(6) and 12(f), Fed.R.Civ.P.2 The motion for a more definite statement is granted, and the motions to dismiss and strike are granted in part.

DISCUSSION

The general purpose of modern pleadings is to give the parties notice of the claims against them. See Conley v. Gibson, 355 U.S. 41, 47-48, 78 S.Ct. 99, 102-03, 2 L.Ed.2d 80 (1957). Rule 8, Fed.R.Civ.P., requires only “a short and plain statement of the claim showing that the pleader is entitled to relief”. Pro se pleadings are held to even “less stringent standards than formal pleadings drafted by lawyers.” Haines v. Kerner, 404 U.S. 519, 520, 92 S.Ct. 594, 596, 30 L.Ed.2d 652 (1972). “Nevertheless, a complaint must give the defendant ‘fair notice of what the plaintiff’s claim is and the grounds on which it rests.’ ” Studifin v. New York City Police Dep’t—License Div.—Firearms Control Section, 1988 WL 126888, *3 (S.D.N.Y. 1988) (J. Conner) (citing Conley, 355 U.S. at 47-48, 78 S.Ct. at 102-03). Even after taking into account plaintiff’s status as a pro se litigant, we find that the complaint and plaintiff’s opposition papers do not provide defendant with fair notice of most of the claims against it. Thus, defendant’s motion for a more definite statement of the copyright claim under Rule 12(e) is granted, and all but one of the other claims in the complaint are dismissed pursuant to Rules 8, 9(b), and 12(b)(6). In addition, defendant’s motion to strike under Rule 12(f) is granted in part.

1. The Rule 12(e) Motion for a More Definite Statement of the Copyright Claim

A more definite statement is appropriate where the complaint is so vague or ambiguous that the defendant cannot reasonably be required to frame a responsive pleading. Fed.R.Civ.P. 12(e). Rule 12(e) is designed to remedy unintelligible pleadings, not merely to correct for lack of detail. FRA S.p.A. v. Surg-O-Flex of Am., Inc., 415 F.Supp. 421, 427 (S.D.N.Y. 1976). A motion for a more definite statement should not be granted if the complaint complies with the requirements of Rule 8. In re O.P.M. Leasing Services, Inc., 21 B.R. 986, 992 (Bankr.S.D.N.Y. 1982); see Fairmont Food Co. v. Manganello, 301 F.Supp. 832, 839 (S.D.N.Y.1969). Plaintiff’s complaint fails to comply with Rule 8 in several ways which, taken together, render the complaint too ambiguous to reasonably enable defendant to answer. Thus, defendant’s motion for a more definite statement under Rule 12(e) is granted.

[36]*36A properly plead copyright infringement claim must allege 1) which specific original works are the subject of the copyright claim, 2) that plaintiff owns the copyrights in those works, 3) that the copyrights have been registered in accordance with the statute, and 4) by what acts during what time the defendant infringed the copyright. Franklin Electronic Publishers v. Unisonic Prod. Corp., 763 F.Supp. 1, 4 (S.D.N.Y.1991); Calloway v. The Marvel Entertainment Group, 1983 WL 1141, *3 (S.D.N.Y.1983); Gee v. CBS, Inc., 471 F.Supp. 600, 643 (E.D.Pa.), aff'd, 612 F.2d 572 (3d Cir.1979). The complaint states that in 1977 plaintiff composed and copyrighted the song “Dance to the Drummer’s Beat”, and between 1983 and 1990 he composed and copyrighted the song “What You’re Going To Do, Tell You What”. Compl. 111. Plaintiff alleges that parts of his songs were reproduced in “Mama Said Knock You Out” and “Jingling Baby” recorded by L.L. Cool J. in 1991. Compl. 113. These allegations fail to plead with sufficient clarity the second and third requirements of a copyright infringement claim.3

Plaintiff fails to allege his present ownership of the copyrights at issue. The complaint states that plaintiff composed and copyrighted “Dance to the Drummers Beat” and “What You’re Going To Do, Tell You What”, but it does not assert plaintiff’s present ownership of those copyrights. Compl. 111. This is a formal defect in the complaint that might be corrected with a more definite statement. See McDevitt v. Dorsey, 67 F.Supp. 818, 818 (N.D.Oh.1946) (defective complaint which failed to allege plaintiff’s present ownership of the copyright could be cured by an amended complaint).

The complaint is more seriously defective in its failure to allege whether and when the copyright on one of the works was registered pursuant to statutory requirements. Attached to the complaint is a copy of the copyright certificate for one of plaintiff’s songs, “Dance to the Drummer’s Beat” registration number Eu 780711 filed May 2, 1977. Compl. Ex. A. Thus, the complaint adequately alleges that “Dance to the Drummer’s Beat” has been properly registered but contains no allegation of statutory registration of “What You’re Going To Do, Tell You What.”

Even considering submissions other than the complaint, the facts surrounding the registry of “What You’re Going To Do, Tell You What” are still ambiguous. Attached to plaintiff’s opposition memorandum are two registration certificates. The first is a certificate for “Herman Kelly Songbook Anthology Hits, (124 songs) collection” registration number PAu 1 462 479 effective November 29, 1990. Pl’s 1st Opp’n Mem. Ex. D. Plaintiff claims that [37]*37“What You’re Going To Do, Tell You What” is part of this registered collection. Pi’s 1st Opp’n Mem. at 6. However, a second copyright certificate is attached to plaintiff’s memorandum, registration number PA 566 959 effective date April 20, 1992. Pi’s 1st Opp’n Mem. Ex. A. In this certificate plaintiff re-registered his songs, “Dance to the Drummer’s Beat” and “What You’re Going To Do, Tell You What”, under defendant’s titles, “Jingling Baby” and “Mama Said Knock You Out” respectively.4 In this second certificate plaintiff includes the previous copyright numbers of his works. Consistent with the certificate in the complaint, “Dance to the Drummer’s Beat” is followed by the registration number Eu 780711. However “What You’re Going To Do, Tell You What” is accompanied by the number 80-108-8945-K which differs from the registration number of the “Herman Kelly Songbook Anthology Hits, (124 songs) collection” in which plaintiff’s memorandum claims that “What You’re Going To Do, Tell You What” is registered.

A complaint similar to Kelly’s was rejected in Calloway v. The Marvel Entertainment Group, 1983 WL 1141 (S.D.N.Y. 1983). In Calloway, the complaint failed to specify the registration numbers of the alleged infringed material, and plaintiff’s papers contained two conflicting certificates of registration;5 consequently the Court dismissed the complaint for its failure to comply with the requirements of Rule 8.

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145 F.R.D. 32, 1992 U.S. Dist. LEXIS 17502, 1992 WL 340114, Counsel Stack Legal Research, https://law.counselstack.com/opinion/kelly-v-ll-cool-j-nysd-1992.