OPINION AND ORDER
WILLIAM C. CONNER, District Judge.
Plaintiff Herman Kelly (Kelly) filed this pro se action against L.L. Cool J., Def Jam Music Records Publishing, Inc. (Def Jam), and Marley Marl Music, Inc. for copyright infringement and other assorted claims.1 This action is presently before the Court on Def Jam’s motion for a more definite statement of the copyright claim pursuant to Rule 12(e), Fed.R.Civ.P., and Def Jam's motion to dismiss, or strike, the remainder of the complaint pursuant to Rules 8, 9(b), 12(b)(6) and 12(f), Fed.R.Civ.P.2 The motion for a more definite statement is granted, and the motions to dismiss and strike are granted in part.
DISCUSSION
The general purpose of modern pleadings is to give the parties notice of the claims against them. See Conley v. Gibson, 355 U.S. 41, 47-48, 78 S.Ct. 99, 102-03, 2 L.Ed.2d 80 (1957). Rule 8, Fed.R.Civ.P., requires only “a short and plain statement of the claim showing that the pleader is entitled to relief”. Pro se pleadings are held to even “less stringent standards than formal pleadings drafted by lawyers.” Haines v. Kerner, 404 U.S. 519, 520, 92 S.Ct. 594, 596, 30 L.Ed.2d 652 (1972). “Nevertheless, a complaint must give the defendant ‘fair notice of what the plaintiff’s claim is and the grounds on which it rests.’ ” Studifin v. New York City Police Dep’t—License Div.—Firearms Control Section, 1988 WL 126888, *3 (S.D.N.Y. 1988) (J. Conner) (citing Conley, 355 U.S. at 47-48, 78 S.Ct. at 102-03). Even after taking into account plaintiff’s status as a pro se litigant, we find that the complaint and plaintiff’s opposition papers do not provide defendant with fair notice of most of the claims against it. Thus, defendant’s motion for a more definite statement of the copyright claim under Rule 12(e) is granted, and all but one of the other claims in the complaint are dismissed pursuant to Rules 8, 9(b), and 12(b)(6). In addition, defendant’s motion to strike under Rule 12(f) is granted in part.
1. The Rule 12(e) Motion for a More Definite Statement of the Copyright Claim
A more definite statement is appropriate where the complaint is so vague or ambiguous that the defendant cannot reasonably be required to frame a responsive pleading. Fed.R.Civ.P. 12(e). Rule 12(e) is designed to remedy unintelligible pleadings, not merely to correct for lack of detail. FRA S.p.A. v. Surg-O-Flex of Am., Inc., 415 F.Supp. 421, 427 (S.D.N.Y. 1976). A motion for a more definite statement should not be granted if the complaint complies with the requirements of Rule 8. In re O.P.M. Leasing Services, Inc., 21 B.R. 986, 992 (Bankr.S.D.N.Y. 1982); see Fairmont Food Co. v. Manganello, 301 F.Supp. 832, 839 (S.D.N.Y.1969). Plaintiff’s complaint fails to comply with Rule 8 in several ways which, taken together, render the complaint too ambiguous to reasonably enable defendant to answer. Thus, defendant’s motion for a more definite statement under Rule 12(e) is granted.
[36]*36A properly plead copyright infringement claim must allege 1) which specific original works are the subject of the copyright claim, 2) that plaintiff owns the copyrights in those works, 3) that the copyrights have been registered in accordance with the statute, and 4) by what acts during what time the defendant infringed the copyright. Franklin Electronic Publishers v. Unisonic Prod. Corp., 763 F.Supp. 1, 4 (S.D.N.Y.1991); Calloway v. The Marvel Entertainment Group, 1983 WL 1141, *3 (S.D.N.Y.1983); Gee v. CBS, Inc., 471 F.Supp. 600, 643 (E.D.Pa.), aff'd, 612 F.2d 572 (3d Cir.1979). The complaint states that in 1977 plaintiff composed and copyrighted the song “Dance to the Drummer’s Beat”, and between 1983 and 1990 he composed and copyrighted the song “What You’re Going To Do, Tell You What”. Compl. 111. Plaintiff alleges that parts of his songs were reproduced in “Mama Said Knock You Out” and “Jingling Baby” recorded by L.L. Cool J. in 1991. Compl. 113. These allegations fail to plead with sufficient clarity the second and third requirements of a copyright infringement claim.3
Plaintiff fails to allege his present ownership of the copyrights at issue. The complaint states that plaintiff composed and copyrighted “Dance to the Drummers Beat” and “What You’re Going To Do, Tell You What”, but it does not assert plaintiff’s present ownership of those copyrights. Compl. 111. This is a formal defect in the complaint that might be corrected with a more definite statement. See McDevitt v. Dorsey, 67 F.Supp. 818, 818 (N.D.Oh.1946) (defective complaint which failed to allege plaintiff’s present ownership of the copyright could be cured by an amended complaint).
The complaint is more seriously defective in its failure to allege whether and when the copyright on one of the works was registered pursuant to statutory requirements. Attached to the complaint is a copy of the copyright certificate for one of plaintiff’s songs, “Dance to the Drummer’s Beat” registration number Eu 780711 filed May 2, 1977. Compl. Ex. A. Thus, the complaint adequately alleges that “Dance to the Drummer’s Beat” has been properly registered but contains no allegation of statutory registration of “What You’re Going To Do, Tell You What.”
Even considering submissions other than the complaint, the facts surrounding the registry of “What You’re Going To Do, Tell You What” are still ambiguous. Attached to plaintiff’s opposition memorandum are two registration certificates. The first is a certificate for “Herman Kelly Songbook Anthology Hits, (124 songs) collection” registration number PAu 1 462 479 effective November 29, 1990. Pl’s 1st Opp’n Mem. Ex. D. Plaintiff claims that [37]*37“What You’re Going To Do, Tell You What” is part of this registered collection. Pi’s 1st Opp’n Mem. at 6. However, a second copyright certificate is attached to plaintiff’s memorandum, registration number PA 566 959 effective date April 20, 1992. Pi’s 1st Opp’n Mem. Ex. A. In this certificate plaintiff re-registered his songs, “Dance to the Drummer’s Beat” and “What You’re Going To Do, Tell You What”, under defendant’s titles, “Jingling Baby” and “Mama Said Knock You Out” respectively.4 In this second certificate plaintiff includes the previous copyright numbers of his works. Consistent with the certificate in the complaint, “Dance to the Drummer’s Beat” is followed by the registration number Eu 780711. However “What You’re Going To Do, Tell You What” is accompanied by the number 80-108-8945-K which differs from the registration number of the “Herman Kelly Songbook Anthology Hits, (124 songs) collection” in which plaintiff’s memorandum claims that “What You’re Going To Do, Tell You What” is registered.
A complaint similar to Kelly’s was rejected in Calloway v. The Marvel Entertainment Group, 1983 WL 1141 (S.D.N.Y. 1983). In Calloway, the complaint failed to specify the registration numbers of the alleged infringed material, and plaintiff’s papers contained two conflicting certificates of registration;5 consequently the Court dismissed the complaint for its failure to comply with the requirements of Rule 8.
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OPINION AND ORDER
WILLIAM C. CONNER, District Judge.
Plaintiff Herman Kelly (Kelly) filed this pro se action against L.L. Cool J., Def Jam Music Records Publishing, Inc. (Def Jam), and Marley Marl Music, Inc. for copyright infringement and other assorted claims.1 This action is presently before the Court on Def Jam’s motion for a more definite statement of the copyright claim pursuant to Rule 12(e), Fed.R.Civ.P., and Def Jam's motion to dismiss, or strike, the remainder of the complaint pursuant to Rules 8, 9(b), 12(b)(6) and 12(f), Fed.R.Civ.P.2 The motion for a more definite statement is granted, and the motions to dismiss and strike are granted in part.
DISCUSSION
The general purpose of modern pleadings is to give the parties notice of the claims against them. See Conley v. Gibson, 355 U.S. 41, 47-48, 78 S.Ct. 99, 102-03, 2 L.Ed.2d 80 (1957). Rule 8, Fed.R.Civ.P., requires only “a short and plain statement of the claim showing that the pleader is entitled to relief”. Pro se pleadings are held to even “less stringent standards than formal pleadings drafted by lawyers.” Haines v. Kerner, 404 U.S. 519, 520, 92 S.Ct. 594, 596, 30 L.Ed.2d 652 (1972). “Nevertheless, a complaint must give the defendant ‘fair notice of what the plaintiff’s claim is and the grounds on which it rests.’ ” Studifin v. New York City Police Dep’t—License Div.—Firearms Control Section, 1988 WL 126888, *3 (S.D.N.Y. 1988) (J. Conner) (citing Conley, 355 U.S. at 47-48, 78 S.Ct. at 102-03). Even after taking into account plaintiff’s status as a pro se litigant, we find that the complaint and plaintiff’s opposition papers do not provide defendant with fair notice of most of the claims against it. Thus, defendant’s motion for a more definite statement of the copyright claim under Rule 12(e) is granted, and all but one of the other claims in the complaint are dismissed pursuant to Rules 8, 9(b), and 12(b)(6). In addition, defendant’s motion to strike under Rule 12(f) is granted in part.
1. The Rule 12(e) Motion for a More Definite Statement of the Copyright Claim
A more definite statement is appropriate where the complaint is so vague or ambiguous that the defendant cannot reasonably be required to frame a responsive pleading. Fed.R.Civ.P. 12(e). Rule 12(e) is designed to remedy unintelligible pleadings, not merely to correct for lack of detail. FRA S.p.A. v. Surg-O-Flex of Am., Inc., 415 F.Supp. 421, 427 (S.D.N.Y. 1976). A motion for a more definite statement should not be granted if the complaint complies with the requirements of Rule 8. In re O.P.M. Leasing Services, Inc., 21 B.R. 986, 992 (Bankr.S.D.N.Y. 1982); see Fairmont Food Co. v. Manganello, 301 F.Supp. 832, 839 (S.D.N.Y.1969). Plaintiff’s complaint fails to comply with Rule 8 in several ways which, taken together, render the complaint too ambiguous to reasonably enable defendant to answer. Thus, defendant’s motion for a more definite statement under Rule 12(e) is granted.
[36]*36A properly plead copyright infringement claim must allege 1) which specific original works are the subject of the copyright claim, 2) that plaintiff owns the copyrights in those works, 3) that the copyrights have been registered in accordance with the statute, and 4) by what acts during what time the defendant infringed the copyright. Franklin Electronic Publishers v. Unisonic Prod. Corp., 763 F.Supp. 1, 4 (S.D.N.Y.1991); Calloway v. The Marvel Entertainment Group, 1983 WL 1141, *3 (S.D.N.Y.1983); Gee v. CBS, Inc., 471 F.Supp. 600, 643 (E.D.Pa.), aff'd, 612 F.2d 572 (3d Cir.1979). The complaint states that in 1977 plaintiff composed and copyrighted the song “Dance to the Drummer’s Beat”, and between 1983 and 1990 he composed and copyrighted the song “What You’re Going To Do, Tell You What”. Compl. 111. Plaintiff alleges that parts of his songs were reproduced in “Mama Said Knock You Out” and “Jingling Baby” recorded by L.L. Cool J. in 1991. Compl. 113. These allegations fail to plead with sufficient clarity the second and third requirements of a copyright infringement claim.3
Plaintiff fails to allege his present ownership of the copyrights at issue. The complaint states that plaintiff composed and copyrighted “Dance to the Drummers Beat” and “What You’re Going To Do, Tell You What”, but it does not assert plaintiff’s present ownership of those copyrights. Compl. 111. This is a formal defect in the complaint that might be corrected with a more definite statement. See McDevitt v. Dorsey, 67 F.Supp. 818, 818 (N.D.Oh.1946) (defective complaint which failed to allege plaintiff’s present ownership of the copyright could be cured by an amended complaint).
The complaint is more seriously defective in its failure to allege whether and when the copyright on one of the works was registered pursuant to statutory requirements. Attached to the complaint is a copy of the copyright certificate for one of plaintiff’s songs, “Dance to the Drummer’s Beat” registration number Eu 780711 filed May 2, 1977. Compl. Ex. A. Thus, the complaint adequately alleges that “Dance to the Drummer’s Beat” has been properly registered but contains no allegation of statutory registration of “What You’re Going To Do, Tell You What.”
Even considering submissions other than the complaint, the facts surrounding the registry of “What You’re Going To Do, Tell You What” are still ambiguous. Attached to plaintiff’s opposition memorandum are two registration certificates. The first is a certificate for “Herman Kelly Songbook Anthology Hits, (124 songs) collection” registration number PAu 1 462 479 effective November 29, 1990. Pl’s 1st Opp’n Mem. Ex. D. Plaintiff claims that [37]*37“What You’re Going To Do, Tell You What” is part of this registered collection. Pi’s 1st Opp’n Mem. at 6. However, a second copyright certificate is attached to plaintiff’s memorandum, registration number PA 566 959 effective date April 20, 1992. Pi’s 1st Opp’n Mem. Ex. A. In this certificate plaintiff re-registered his songs, “Dance to the Drummer’s Beat” and “What You’re Going To Do, Tell You What”, under defendant’s titles, “Jingling Baby” and “Mama Said Knock You Out” respectively.4 In this second certificate plaintiff includes the previous copyright numbers of his works. Consistent with the certificate in the complaint, “Dance to the Drummer’s Beat” is followed by the registration number Eu 780711. However “What You’re Going To Do, Tell You What” is accompanied by the number 80-108-8945-K which differs from the registration number of the “Herman Kelly Songbook Anthology Hits, (124 songs) collection” in which plaintiff’s memorandum claims that “What You’re Going To Do, Tell You What” is registered.
A complaint similar to Kelly’s was rejected in Calloway v. The Marvel Entertainment Group, 1983 WL 1141 (S.D.N.Y. 1983). In Calloway, the complaint failed to specify the registration numbers of the alleged infringed material, and plaintiff’s papers contained two conflicting certificates of registration;5 consequently the Court dismissed the complaint for its failure to comply with the requirements of Rule 8. Similarly, Kelly’s complaint has failed to meet the requirements of Rule 8 by failing to allege that the copyright on one of his songs has been registered pursuant to the statute.
These defects in the complaint are such that it would be unreasonable to require defendant to respond to the complaint as it now stands. Therefore, defendant’s motion for a more definite statement pursuant to Rule 12(e) is granted.6
II. The Motion to Dismiss All Other Claims Under Rules 8, 9(b), and 12(b)(6), Fed.R. Civ.P.
In addition to the copyright infringement claim, plaintiff asserts claims for harassment, intimidation, fraud, debts, discrimination, conspiracy, and punitive damages. Compl. at 1. The facts alleged pursuant to plaintiff’s claims for harassment and intimidation support claims for two intentional torts. Thus, defendant’s motion to dismiss this portion of the complaint is denied. To the extent that plaintiff’s prayer for punitive damages applies to these two tort claims, it too is valid. The remainder of the claims, however, are supported by little or no factual allegations and accordingly are dismissed pursuant to Rules 8, 9(b), and 12(b)(6).
A. The Claims for Harassment and Intimidation
The facts alleged pursuant to plaintiff’s claims for harassment and intimidation support claims for slander, and for tortious interference with precontractual relations, and therefore are not dismissed. The complaint states “[djefendants have had people coming around plaintiff’s job, [38]*38home intimidating him and harassing him, by telling people not to work with plaintiff, degrading plaintiff.” Compl. H 6. Plaintiff also asserts that he is engaged in the music business. Compl. ¶¶ 2, 9. These facts, if proven, would support a claim for slander. Any communication concerning an individual which tends to disgrace or injure him in his profession is defamatory per se, and does not require a showing of special damages. Brooklyn Law School v. Aetna Casualty & Surety Co., 661 F.Supp. 445, 452 (E.D.N.Y.1987), aff'd, 849 F.2d 788 (2d Cir. 1988). See Privitera v. Town of Phelps, 79 A.D.2d 1, 3, 435 N.Y.S.2d 402, 404 (4th Dep’t 1981); Stay v. Horvath, 177 A.D.2d 897, 576 N.Y.S.2d 908, 911 (3d Dep’t 1991). Allegations similar to those in this complaint have been found to state a proper claim for slander. Hannes v. Bender, 115 N.Y.S.2d 537 (Sup.Ct.1952) (complaint stated a claim of slander when it alleged that defendant had said plaintiff was dishonest, irresponsible, and that people should not do business with him). Furthermore these facts support a claim for tortious interference with precontractual relations which occurs when the defendant intentionally interferes with the plaintiff’s economic opportunities through illegal means. Mandelblatt v. Devon Stores, Inc., 132 A.D.2d 162, 168-170, 521 N.Y.S.2d 672, 676-77 (1st Dep’t 1987); Sommer v. Kaufman, 59 A.D.2d 843, 843-44, 399 N.Y.S.2d 7, 8 (1st Dep’t 1977). Because the facts allege tortious conduct by defendant, and considering the deference given to pro se pleadings, we do not dismiss this portion of the complaint.
B. The Claim for Punitive Damages
Punitive damages are available for slander and tortious interference with precontractual relations. Buckley v. Littell, 539 F.2d 882, 897 (2d Cir.1976), cert. denied, 429 U.S. 1062, 97 S.Ct. 785, 50 L.Ed.2d 777 (1977); See Mandelblatt, 132 A.D.2d at 170, 521 N.Y.S.2d at 66. Therefore plaintiff's prayer for punitive damages is proper insofar as it relates to these tort claims. Punitive damages, however, are not available in a statutory copyright infringement action.7 Oboler v. Goldin, 714 F.2d 211, 213 (2d Cir.1983). Plaintiff’s prayer, therefore, is dismissed to the extent it is grounded in the copyright claim.
C. The Fraud Claim
When read together the complaint and plaintiff’s opposition papers fail to state a proper claim for fraud. Fed. R.Civ.P. Rule 9(b) states that “[i]n all averments of fraud or mistake, the circumstances constituting fraud or mistake shall be stated with particularity.” To be sufficient under Rule 9(b), “a complaint must adequately specify the statements it claims were false or misleading, give particulars as to the respect in which plaintiff contends the statements were fraudulent, state when and where the statements were made, and identify those responsible for the statements.” Cosmas v. Hassett, 886 F.2d 8, 11 (2d Cir.1989); see Goldman v. Belden, 754 F.2d 1059, 1069-70 (2d Cir. 1985). Plaintiff’s complaint states that Def Jam defrauded him, but it offers no facts that might support a claim of fraud. Compl. at 1. Similarly, those few facts outlined in plaintiff’s opposition papers do not set forth an allegation of fraud with any degree of particularity.8 Therefore, the fraud claim is dismissed under Rule 9(b).
[39]*39D. The Debt Claim
The complaint fails to state a claim for debt. A debt is an action for a sum certain. See Gersh v. Johansen, 76 A.D.2d 916, 916, 429 N.Y.S.2d 256, 258 (2d Dep’t), appeal denied, 51 N.Y.2d 709, 435 N.Y.S.2d 1025, 416 N.E.2d 1058 (1980). Assuming plaintiff’s copyrights have been infringed, the damages caused by the infringement are uncertain and thus cannot support an action for a debt.9 Consequently the action for debt is dismissed pursuant to Rule 12(b)(6).
E. The Discrimination Claim
Plaintiff also fails to articulate a claim for “discrimination”. The complaint states that “[d]efendants has (sic) recorded songs by other composer (sic) and have paid them and gave them full name credit, compulsory license contract and by plaintiff being black defendant refused to treat him fair and equal (sic).” Compl. ¶ 6. The claim fails to allege which if any of Kelly’s rights were violated because of his race, and thus, the complaint does not put defendant on notice as to the nature of the claim. The discrimination claim is therefore dismissed without prejudice pursuant to Rule 8.
F. The Conspiracy and Other Criminal Allegations
The plaintiff states a claim for conspiracy, but fails to support it with any facts. Therefore, the claim for conspiracy is dismissed pursuant to Rule 8.10 The plaintiff's opposition memorandum supports the conspiracy claim with allegations of criminal copyright violation under 17 U.S.C. § 506. Compl. at 1; Pl’s 1st Opp’n Mem. ¶¶ 1, 2. However, there is no private cause of action under the criminal provisions of the copyright law. Cf. Scarves by Vera, Inc. v. American Handbags, Inc., 188 F.Supp. 255, 257 (S.D.N.Y.1960) (court refused to give a civil injunction for a criminal violation of the copyright laws). In addition, the criminal claims add nothing to the plaintiff’s case because conduct that does not support a civil action for infringement cannot constitute criminal conduct under 17 U.S.C. § 506(a). Nimmer on Copyright, § 15.01. Therefore these criminal-allegations are also dismissed under Rule 12(b)(6).
III. The Motion to Strike Portions of the Complaint Under Rule 12(f), Fed. R. Civ.P.
Defendant moves under Rule 12(f), Fed.R.Civ.P., to strike those portions of the [40]*40complaint that refer to settlement discussions. Rule 12(f) states that “the court may order stricken from any pleading any insufficient defense or any redundant, immaterial, impertinent, or scandalous matter.” Settlement discussions are inadmissible to show fault under Fed.R.Evid. 408, and accordingly may be stricken from a complaint as immaterial and potentially prejudicial. See Foster v. WNYC-TV, 1989 WL 146277, *6 (S.D.N.Y.1989). The settlement discussions alleged by plaintiff violate Rule 408 and thus are stricken from the complaint pursuant to Rule 12(f). The remainder of defendant’s motion to strike is rendered moot by the aforementioned dismissals.
CONCLUSION
Defendant’s motion for a more definite statement under Rule 12(e) is granted because of plaintiff’s failure to allege present ownership and proper statutory registration of one of the copyrights at issue. The facts stated in the complaint support an intentional tort claim on which plaintiff may present evidence. The additional claims set out in the complaint, however, are dismissed for various factual and legal inadequacies under Rules 8, 9(b), and 12(b)(6). In addition, defendant’s motion to strike references to settlement discussions from the complaint is granted.
SO ORDERED.