MEMORANDUM OPINION
INGE PRYTZ JOHNSON, Senior District Judge.
I. Procedural History
On March 14, 2014, the Eleventh Circuit Court of Appeals vacated this court’s Memorandum- Opinion and Order of May 16, 2012, and remanded the case “for further proceedings consistent with” the Court’s opinion (doc. 64). Because the Eleventh Circuit concluded this court granted summary judgment on grounds not briefed by the parties and without notice to the parties, the court provided the parties an opportunity to brief solely the issue of implied license, as instructed by the Eleventh Circuit. See docs. 69, 70, 75, 78, and 85. The specific question is whether defendants’ use of plaintiffs renderings of defendants’ new home plans violated plaintiffs claimed copyright in said renderings.
Defendants sought summary judgment on plaintiffs claim of copyright infringement and the court, finding that a nonexclusive implied license was created for defendants’ use of plaintiffs renderings, granted summary judgment in defendants’ favor on that issue, among others.1 See Memorandum Opinion and Order of May [1303]*130316, 2012, 2012 WL 1747845 (docs. 55 and 56). However, the Eleventh Circuit, being of the opinion that the parties were not aware that the court might rule on the defendants’ motion for summary judgment on the plaintiffs claim of copyright infringement by examining whether. some type of license was granted by the plaintiff to the defendants, vacated the court’s opinion. Now having the benefit of the parties’ respective briefs on the issue of implied license, this court’s opinion as to the merits of the plaintiffs claims is unsurprisingly, unchanged. Because the court, with the benefit of evidence submitted by the parties, previously set forth detailed factual findings, the court adopts the facts previously found and restates only those undisputed facts relevant to the issue before it.
II. Factual Background
Plaintiff creates renderings of new home plans for marketing purposes.2 Plaintiff depo. at 20, 24 (submitted as doc. 37, exhibit B). Defendants Red Door Homes, LLC (“Red Door”), and SMA Operations Management, LLC (“SMA”), design new homes. Patrick Miller depo. at 51 (submitted as doc. 37, exhibit A). SMA sells home plans and drawings to builders “on demand,” including plaintiffs renderings, if requested by builders, whereas Red Door provides software estimates and building packages, including access to the renderings, to its licensees, who sell the plans to builders. Declaration of Miller, ¶¶ 3-6 (submitted as doc. 37-2).
Plaintiff and non-party Patrick Miller had previously worked together, with Miller designing new homes and calling on plaintiff for renderings should the same be sought by a builder. Miller first began designing homes for SMA in 2000 or 2001. Miller affidavit (doc. 37-2), ¶ 6. When Miller was hired as a full-time employee of SMA to design homes in 2008, plaintiff was hired by the defendants as an independent contractor, on a “per design” basis, to create renderings of new home designs. He was paid a set dollar amount for each of the renderings he created. Miller depo. (doc. 37-1) at 57, 87.
The plaintiff asserts he has claimed a copyright interest in his renderings since he began working with Miller in 1998. Plaintiff depo. (doc. 37, exhibit B) at 35-36. When Miller joined SMA and retained plaintiff as an independent contractor to produce renderings in April 2008, the plaintiff placed copyright language on each invoice he sent to defendants. Karlson affidavit (doc. 70-3), ¶ 11. The language added stated plaintiff transferred “a limited copyright to reproduce the artwork ... in unlimited quantities ... royalty free, but only for use directly by you and may not be transferred to another business entity without my expressed permission....” See e.g., defendants exhibit M (doc. 37-2). Nothing was said about the language by either the plaintiff or the defendants until November 2009 when a dispute arose over whether plaintiff should be paid for redoing a rendering upon request by the defendants.3 Karlson affidavit (doc. 70-3), ¶ 13.
[1304]*1304The court has again examined the evidence before it concerning the parties’ agreement. Taking the evidence in the light most favorable to the plaintiff, the court finds as follows:
The plaintiff knew when he created the renderings that SMA was never the end user of the renderings. See Karlson depo. at 75-76 (doc. 37, exhibit B). However, plaintiff claims that he never intended for SMA to distribute his work and that the same was done without his knowledge. In November 2009 the plaintiff sent defendants an email outlining his terms for payment and royalties if they wished to continue to use his services and renderings. See defendants exhibit Q (doc. 37-2). The plaintiff alleges he misunderstood the nature of the Red Door business, but upon learning that his artwork was being provided to licensees, he believed he was entitled to royalties based on the number of builders using the plans. Id. Defendants responded this was not their agreement and the same would not be a good business model for them. Id. Defendants also told plaintiff he could continue doing renderings for a “one time” price, but if he declined, they would find someone else to perform this service. Plaintiff responded that defendants could not use any of his artwork anymore. Id.
Plaintiff argues that “Miller understood and intended that the terms of the sale between [plaintiff] and Red Door Homes would be the same as Karlson and Miller had used during their nearly decade long business relationship.” Plaintiffs brief (doc. 70), at 3. The court can find no evidence which supports this assertion by the plaintiff of Miller’s understanding and intent. The excerpt from Miller’s deposition that plaintiff cites as proof of what Miller intended as the manner in which Red Door Homes would utilize plaintiffs renderings does not state what plaintiff represents to the court. The entire page cited by plaintiff in support of this representation reads as follows:
Q. All right. Would you then sell or would these plans and designs that you had made then be sold to builders, or how — how did ADG make any money.
[Miller]. ADG — ADG as an entity never made any money.
Q. Okay. How was it supposed to make money?
[Miller]. Keith was supposed to make money if somebody wanted a rendering. I would make money on my plans.
Q. To your knowledge, did ADG ever sell any renderings or plans to any builders or prospective home buyers?
[Miller]. AD — I don’t sell to home buyers. I deal with builders.
Q. All right.
[Miller], I sold drafting and design consultation to homebuilders, and if they asked me if there were renderings available, I would tell them that I had a — a resource to do such.
Plaintiff ex. 70-5, at 51.
This excerpt of Miller’s deposition has absolutely nothing to do with regard to Miller and Karlson’s understanding as to how Red Door would utilize plaintiffs renderings, and certainly does not support a representation that Red Door would not have the right to sell plaintiffs renderings without paying him an additional fee on top of the fee it paid plaintiff to create the rendering. The only conclusion that testimony supports is that prior to working for Red Door, Miller created home designs. If a builder also wanted a rendering, Miller informed the builder that he could have one made. Thus, plaintiffs claim of an “oral agreement confirming that the terms of the sale would be the same as Karlson and Miller had used throughout their business and partnership together” (plaintiffs [1305]*1305brief (doc. 70), at 8), as evidenced by this page of Miller’s deposition is a gross misrepresentation as to its content.4
Even assuming the plaintiff had provided any evidence of an agreement between him and Miller that “the terms of the sale would be the same as Karlson and Miller had used throughout their business and partnership together” (plaintiffs brief (doc. 70) at 3), the plaintiff also failed to prove what those prior terms were. In plaintiffs affidavit, he asserts that ADG demanded and received payment from each homebuilder who received one of his renderings. Plaintiff affidavit (doc. 70-3), ¶ 6. However, plaintiff does not allege that prior to a request for a rendering by a home builder, ADG also paid plaintiff to produce the rendering for marketing purposes. Nor does he assert that he was paid multiple times for producing one rendering. At most, this affidavit statement establishes that in providing renderings for ADG, upon the first request for a rendering, plaintiff was paid for creating it. Such a finding is supported by plaintiffs deposition testimony, where he was asked “... you didn’t bill Mr. Miller one time and then get paid (sic) a second time when the client or customer that Mr. Miller may have sold it to paid for a rendering, you got paid one time, right?” The plaintiff responded, “In my work, in our work under — as ADG, yes, that’s true.” Plaintiff depo. at 104 (exhibit A to defendant’s motion to strike (doc. 74-1)).
The only factual finding supported by this evidence is that plaintiff and Red Door Homes followed a different business model than plaintiff and Miller did with ADG, because Red Door Homes paid plaintiff to create renderings even if they were never requested by a client or customer. Thus, plaintiffs argument that Red Door should have paid him each time it sold a building plan, based on how he previously did business with Miller and ADG, lacks any evi-dentiary support. The fact that plaintiff chose to sell his renderings to a reseller of home designs (Red Door) instead of the builders directly does not create evidence of an agreement with Red Door to pay plaintiff in any manner other than how he was compensated.5
The court finds from the evidence before it that the parties agreed that defendants would request plaintiff create renderings based on defendants’ home plans and defendants would pay plaintiff for the same. Plaintiff created the renderings. Defendants paid plaintiff the agreed upon price per rendering. Neither party disputes that this was the sum and substance of the parties agreement. The sole dispute is a question of what defendants could do with [1306]*1306the renderings after paying the plaintiff to create them.6
III. Standard of Review
A moving party is entitled to summary judgment if there is no genuine issue of material fact, leaving final judgment to be decided as a matter of law. See Federal Rule of Civil Procedure 56(e); Matsushita Elec. Indus. Co. v. Zenith Radio Corp., 475 U.S. 574, 587, 106 S.Ct. 1348, 1355-56, 89 L.Ed.2d 538 (1986). “An issue is ‘material’ if it is a legal element of the claim under the applicable substantive law which might affect the outcome of the case. It is ‘genuine’ if the record taken as a whole could lead a rational trier of fact to find for the nonmoving party.” Allen v. Tyson Foods, Inc., 121 F.3d 642, 646 (11th Cir.1997) (citations omitted).
The facts, and any reasonable inferences therefrom, are to be viewed in the light most favorable to the non-moving party, with any doubt resolved in the nonmov-ant’s favor. See Adickes v. S.H. Kress & Co., 398 U.S. 144, 158-59, 90 S.Ct. 1598, 1609, 26 L.Ed.2d 142 (1970). Once met by the moving party, however, the burden shifts to the non-moving party to come forward with evidence to establish each element essential to that party’s case sufficient to sustain a jury verdict. See Celotex Corp. v. Catrett, 477 U.S. 317, 322, 106 5.Ct. 2548, 2552, 91 L.Ed.2d 265 (1986); Earley v. Champion Int’l Corp., 907 F.2d 1077, 1080 (11th Cir.1990).
“A party opposing a properly submitted motion for summary judgment may not rest upon mere allegations or denials of his pleadings, but must set forth specific facts showing that there is a genuine issue for trial.” Eberhardt v. Waters, 901 F.2d 1578, 1580 (11th Cir.1990) (citation omitted). In addition, the non-moving party’s evidence on rebuttal must be significantly probative and not based on mere assertion or be merely colorable. See Rule 56(e); Anderson v. Liberty Lobby, Inc., 477 U.S. 242, 249-50, 106 S.Ct. 2505, 2511, 91 L.Ed.2d 202 (1986). “Speculation does not create a genuine issue of fact.” Cordoba v. Dillard’s, Inc., 419 F.3d 1169, 1181 (11th Cir.2005). When the non-moving party bears the burden of proof, the moving party does not have to “support its motion with affidavits or other similar material negating the opponent’s claim.” Celotex, 477 U.S. at 323, 106 S.Ct. at 2553 (emphasis in original). The moving party may discharge its burden in this situation by showing the Court that “there is an absence of evidence to support the nonmov-ing party’s case.” Id. at 325, 106 S.Ct. at 2553.
The court must consider the evidence in the light most favorable to the nonmoving party and may not make credibility determinations nor weigh the parties’ evidence. Frederick v. Sprint/United Management Co., 246 F.3d 1305, 1311 (11th Cir.2001); Stewart v. Booker T. Washington Ins., 232 F.3d 844, 848 (11th Cir.2000).
IV. Legal Analysis
A. Implied License and Copyright Law
The parties do not dispute that the plaintiff obtained registered copyrights for [1307]*1307his renderings in December 2009. The defendants also do not dispute that the copyrights covered the renderings plaintiff created for the defendants. Rather, the sole dispute is whether, given that copyright protection, the plaintiff impliedly granted the defendants a license to use those copyright protected works in furtherance of their business. “[U]nder federal law, a nonexclusive license may be granted orally, or may even be implied from conduct.” Lulirama Ltd., Inc. v. Axcess Broadcast Services, Inc., 128 F.3d 872, 879 (5th Cir.1997) (quoting 3 Melville B. NimmeR & David NimmeR (Nimmer) on Copyright § 10.03[A], at 10-40, 10-41 (1997) (“When the totality of the parties’ conduct indicates an intent to grant such permission, the result is a legal nonexclusive license.... ”)).
An implied license is created when (1) a licensee [Red Door] requests creation of a work; (2) the licensor [Karl-son] makes that work and delivers it to the licensee; and (3) the licensor [Karlson] intends that the licensee [Red Door] copy and distribute his work. Jacob Maxwell, Inc. v. Veeck, 110 F.3d 749, 752 (11th Cir.1997); Thornton v. J. Jargon Co., 580 F.Supp.2d 1261, 1281 (M.D.Fla.2008) (quoting Nelson-Salabes, Inc. v. Morningside Dev., LLC, 284 F.3d 505, 514 (4th Cir.2002)). The touchstone for finding an implied license is intent. See John G. Danielson, Inc. v. Winchester-Conant Props., Inc., 322 F.3d 26, 40 (1st Cir.2003). “Without intent [to permit the use], there can be no implied license.” Johnson v. Jones, 149 F.3d 494, 502 (6th Cir.1998). Courts have found implied licenses only in “narrow” circumstances when one party “created a work at [the other’s] request and handed it over, intending that [the other] copy and distribute it.” Effects Assocs., Inc. v. Cohen, 908 F.2d 555, 558 (9th Cir.1990); see also Korman v. HBC Fla., Inc., 182 F.3d 1291, 1293 (11th Cir.1999) (determining that plaintiff gave defendant radio station implied, non-exclusive license to use jingles she had written for station); Oddo v. Ries, 743 F.2d 630, 634 (9th Cir.1984) (“without such a license [to use], [the] contribution ... would have been of minimal value.”).
“Because an implied license is an affirmative defense to a claim of copyright infringement, ‘the alleged infringers have the burden of establishing an implied license.’ ” Latimer v. Roaring Toyz, Inc., 601 F.3d 1224, 1235 (11th Cir.2010) (quoting Atkins v. Fischer, 331 F.3d 988, 992 (D.C.Cir.2003)). Courts must look to objective evidence of the parties’ intent in determining whether an implied license exists. See Latimer, 601 F.3d at 1235; Wilchombe v. TeeVee Toons, Inc., 555 F.3d 949, 956 (11th Cir.2009).
The parties do not dispute that defendants requested plaintiff create the renderings, and provided him the information he needed to do so. Nor do the parties dispute that the plaintiff created the renderings and delivered them to the defendants. The sole dispute in the implied license analysis is whether the plaintiff intended that defendants use and distribute his artwork. Plaintiff grossly misunderstands the intent inquiry, repeatedly arguing to this court what he subjectively intended. Plaintiffs subjective intent is irrelevant. See e.g., Pace v. Capobianco, 283 F.3d 1275, 1278 (11th Cir.2002) (interpreting the Federal Rules of Civil Procedure’s personal knowledge requirement to require more than affidavits based solely on “information and belief.”). Rather,
[c]ourts focus on objective evidence revealing the intent of the parties to determine if an implied license exists, and this inquiry also reveals the scope of that license. See Wilchombe v. TeeVee Toons, Inc., 555 F.3d 949, 956 (11th [1308]*1308Cir.2009); Gracen v. Bradford Exchange, 698 F.2d 300, 303 (7th Cir.1983) (the scope of an implied license may be proven through parol evidence). In Asset Marketing Systems, Inc. v. Gagnon, the Ninth Circuit held that a copyright owner must express the intent to restrict the scope of a license when they deliver the copyright work. 542 F.3d 748, 756 (9th Cir.2008). Thus, an implied license will be limited to a specific use only if that limitation is expressly conveyed when the work is delivered.
Latimer, 601 F.3d at 1235.
“In determining whether an implied license exists, a court should look at objective factors evincing the party’s intent, including deposition testimony, and whether the copyrighted material was delivered ‘without warning that its further use would constitute copyright infringement.’ ” Wilchombe, 555 F.3d at 956 (quoting I.A.E., Inc. v. Shaver, 74 F.3d 768, 776 (7th Cir.1996)); Asset Marketing Systems, Inc. v. Gagnon, 542 F.3d 748, 756 (9th Cir.2008) (“The relevant intent is the li-censor’s objective intent at the time of the creation and delivery of the software as manifested by the parties’ conduct.”) (citing Effects, 908 F.2d at 55[8] n. 6 (noting that “every objective fact concerning the transaction” supported the finding that an implied license existed)). A copyright owner waives his right to sue for copyright infringement while the non-exclusive license is in effect. See Jacob Maxwell, 110 F.3d at 753.
The court finds the facts of Latimer instructive. In Latimer,
Kawasaki requested that Roaring Toyz customize ZX-14 motorcycles, and Roaring Toyz in turn asked Hathaway to apply custom paint and graphics to the motorcycles. Hathaway thus created the original artwork at Kawasaki’s request. Hathaway knew the customized motorcycles, which sported his custom paint work, were to be used by Kawasaki to promote their new ZX-14 motorcycle.... Hathaway knew the customized motorcycles would be publicly displayed at Daytona Bike Week and photographed by the media. Hathaway also knew that both Kawasaki and Roaring Toyz sought as much media exposure as possible for the ZX-14 customization project. Thus, it is reasonable to infer that Hathaway intended that his artwork be photographed and distributed by Kawasaki, Roaring Toyz, and the media. At a minimum, Hathaway granted Kawasaki and Roaring Toyz an implied license to copy and distribute his original work.
Latimer, 601 F.3d at 1235-36. The court continued
Like Hathaway, Latimer never executed a document granting an exclusive license in his work and Latimer’s oral representations regarding the use of his photographs are disputed by the parties. However, Latimer’s conduct satisfies all three prongs of the implied license test. Kawasaki requested that Roaring Toyz provide it with photographs of the customized ZX-14s, and Roaring Toyz in turn asked Latimer to create those photographs. Latimer thus created the photos at Kawasaki’s request. Latimer’s deposition testimony indicates that he knew Roaring Toyz would send the photographs to Kawasaki to create the placard. Thus, when Latimer delivered the photographs to Del Cioppo, he constructively delivered them to Kawasaki. In addition, Latimer also testified that he consented to Kawasaki’s request to use the photographs in a “slide show or PowerPoint presentation or whatever is flashed up on a screen.” Thus, Latimer granted Kawasaki an implied license to use his photographs. Latimer created [1309]*1309the photographs at Kawasaki’s request, delivered the photographs to Kawasaki, and intended that Kawasaki use the photographs on a placard and in a screen presentation.
Id. at 1286.
Similarly, here defendants requested plaintiff to create artwork. Plaintiff knew the renderings were going to be used by defendants to promote their new home designs. Plaintiff knew the defendants were going to display his designs to their licensees and customers to encourage the purchase of the new home plans. Thus, it is reasonable to infer that plaintiff intended his artwork be distributed by the defendant. At a minimum, plaintiff granted defendants an implied license to copy and distribute his work. See Latimer, supra; Falcon Enterprises, Inc. v. Publishers Service, Inc., 438 Fed.Appx. 579, 581 (9th Cir.2011) (The parties’ conduct demonstrates that Falcon granted Publishers an ongoing nonexclusive implied license to use its content for a fee.... Falcon’s claim that Publishers needed an express license for each image that Publishers published is contradicted by the frequent and informal interactions between the parties); Asset Marketing Systems, Inc., 542 F.3d at 756-757 (9th Cir.2008) (“Under the circumstances, it defies logic that AMS would have paid Gagnon for his programming services if AMS could not have used the programs without further payment pursuant to a separate licensing arrangement that was never mentioned in the TSA, and never otherwise requested at the time.”); IAE Inc. v. Shaver, 74 F.3d 768, 775 (7th Cir.1996) (holding a “non-exclusive license may be implied from conduct” where Shaver created work upon request, and handed it over intending that it be copied and distributed).
Although plaintiff protests this conclusion in his pleadings, his testimony and the other evidence contradict his arguments. Plaintiff repeatedly testified in his deposition that he knew that it was the intention of Red Door Homes to provide the renderings to others and that he provided “clear permission for [Red Door] to sell the illustrations.” See e.g., plaintiff depo. (doc. 69-2) at 82, 90, 93. Plaintiffs bald assertion that there remains “a genuine issue of material fact relative to Karlson’s intent that prevents summary judgment in favor of Red Door Homes” (plaintiffs sur-reply (doc. 78), at 4) continues to miss the important point that plaintiffs subjective intent is not a matter the court may consider.7 Although plaintiff asserts that his subjective intent is relevant, he has provided no authority for his claim.
As in his original brief on the summary judgment motions, the plaintiff asserts his copyright statement on the invoices submitted to defendants protected his work. As the court found in its first Memorandum Opinion on the summary judgment [1310]*1310motions (doe. 55), the invoices could not have formed part of the contract between the parties to produce the work because they were sent after the renderings were provided to the defendants. See e.g., plaintiff depo. at 139-140 (defendant exhibit B doc. 37); defendant exhibit M (doc. 37), invoice dated April 8, 2008 for work ordered March 31, 2008, and delivered April 4, 2008, through April 7, 2008. Although the invoices contained language to the effect that by using his artwork, the defendants agreed to the terms listed in the invoices, the work was completed and sent to defendants prior to their receipt of each invoice. Thus, any statement regarding use of the renderings in the invoices could not form the basis of an agreement between the parties concerning plaintiffs creation of those renderings. See, e.g., Florists’ Mutual Inc. Co. v. Lewis Taylor Farms, Inc., 2008 WL 875493, *9 n. 8 (M.D.Ga.2008) (citing Sherman Foundry v. Mechanics, Inc., 517 S.W.2d 319, 322 (Tex.Civ.App.1974) (holding that invoices did not alter the terms of the oral contract)). See also In re Charter Co., 913 F.2d 1575, 1580 (11th Cir.1990) (quoting Preston Farm v. Bio-Zyme, 625 S.W.2d 295, 299 (Tex.1982)) (finding that invoices sent after the delivery of goods can only serve “as billing [statements] to show ... the total amount owed[;] [t]he basic contract for the sale of goods had already been formed an executed.”) (alterations in original).8
The plaintiff offers no evidence that defendants ever agreed to be bound by the terms of his copyright language. At no time prior to December 16, 2009, did the plaintiff discuss the content of the language with defendants. Plaintiff depo. (submitted as doc. 74-1) at 134 (“it is possible this is the first time there was any serious discussion of it.”); and 136-137 (where plaintiff testified that he added the copyright language without any discussion with Miller about it). As the court found in its Memorandum Opinion of May 16, 2012,
Plaintiff asserts the parties had a “binding agreement” concerning the use of plaintiffs renderings. However, the [1311]*1311only writings submitted to the court concerning any agreement demonstrates (sic) that once the plaintiff questioned what the parties’ agreement was, they were unable to come to any agreement regarding the use of plaintiffs renderings by defendants, and ceased their business relationship.
May 16, 2012, Memorandum Opinion (doc. 55), at 15.
Drawing on the Court’s language from Asset Marketing, “it defies logic” that defendants would pay plaintiff for his renderings if defendants could not use the renderings without further payments pursuant to a separate agreement that was not mentioned from April 2008 until December 2009. See Asset Marketing, 542 F.3d at 756-757. Based on the evidence, the court finds plaintiffs contention that defendants agreed to be bound by plaintiffs added language defies logic. Any limits on the use of the renderings necessarily had to be agreed upon prior to plaintiff agreeing to create the work and the defendants agreeing to pay for it.
Plaintiff argues that the use of his artwork by Red Door licensees violated his copyright in the renderings because Red Door had at least 70 of his renderings on its website for use and resale by its licensees and/or clients. Plaintiff depo. (doc. 37-1) at 50, 71, 135-136. Yet, prior to December 16, 2009, plaintiff never mentioned his belief that his work was. copyrighted to Miller. Id. at 133. He never discussed his copyright declaration with Miller, instead adding such language to his invoices. Id. at 136-137. Plaintiff asserts defendants had to know he was claiming a copyright in the renderings because he put copyright language on each of his invoices, and thus “the copyright limitation contained in the invoices became known to Miller and Red Door Homes prior to the agreement and no later than their receipt of the first invoice, and it could be concluded that said term was well understood by all parties to be a part of the twenty-two subsequent transactions initiated by Red Door Homes.” Plaintiffs brief (doc. 70) at 11. Such argument does not, and cannot, create a genuine issue of material fact. A nonmoving party, opposing a motion for summary judgment, cannot meet the burden of coming forth with relevant evidence by simply relying on legal conclusions or evidence that would be inadmissible at trial. Avirgan v. Hull, 932 F.2d 1572, 1577 (11th Cir.1991). Plaintiff cannot, through a brief, create evidence as to what defendants or non-party Miller “knew” as unsupported self-serving statements are insufficient to avoid summary judgment. See e.g., Midwestern Waffles, Inc. v. Waffle House, Inc., 734 F.2d 705, 714 (11th Cir.1984). Nor can plaintiff testify as to defendants’ “specific knowledge of Karl-son’s understanding.” See plaintiffs brief (doc. 70) at 11.
Even more problematic for plaintiff is that his arguments are wholly contradicted by his own deposition testimony. The plaintiff testified that when he first began creating renderings for Miller, he would create the artwork and send an invoice. Plaintiff depo. (defendant exhibit B (doc. 69)) at 34, 41. At no time prior to 2009 did the plaintiff have any type of royalty agreement with Miller. Id. at 40.
The plaintiff testified as follows:
Q. All right. So you understood that when you provided a rendering, whether it be an elevation, a floor plan or a plan option or one of these three other things, to Mr. Patrick J. Miller when he is asking on behalf of SMA Operations, that that in turn was going to be provided to these different companies, the ones you just mentioned, right?
A. Correct. Mr. Miller would do a, not completely perfect job of informing me [1312]*1312who the end client was that was ordering the work, that I was doing the work for.
Q. Yes, sir. But you understood it was going to be somebody else other than SMA, right, that was going to be using the rendering?
A. Correct.
Id., at 75-76.
Q. RDH, when Mr. Miller asked for a rendering from you on behalf of RDH, what did you think was going to happen to that rendering?
A. I understood it to be used in their product line that they were selling to other homebuilders.
Q. And how would it be used in the product line that they were selling to other homebuilders?
A. I assumed it would be presented to potential clients and offered as part of the assets and services that Red Door Homes was advertising to those clients.
Q. When you said it was offered as part of the assets that Red Door Homes was offering to the clients, what did you mean by that?
A. Well, like any other enterprises, they offer to buy products and services to people who want to buy them. And I assumed that my work, my illustrations, were part of the asserts that they wanted to market to their clients, to their potential clients.
Q. I thought you testified earlier, not just that these were exemplars, but these were assets that Red Door Homes were selling to their clients. Are you changing that testimony?
A. I don’t understand.
Q. Let me make sure I understand. Is it your testimony here today that Red Door Homes took the renderings that they got from you, by way of email, and sold them to their clients?
A. Yes.
Q. And you understood that before you sent the renderings to Mr. Miller, right?
A. I understood that to be their intent.
Q. Yes, sir. They wanted to do that, right?
A. Correct.
Q. And if they could find a willing buyer, that is, a client or customer of theirs, then that’s what would happen, correct? A. Correct.
Id. at 76-78.
Q. You knew that Red Door Homes— was Red Door Homes the entity that Mr. Patrick J. Miller was working for, were they actually building homes?
A. I do not have enough information for that, to answer that question succinctly, but I do not believe they were.
Q. You cannot state with certainty that they were, right?
A. I cannot state with certainty that they were.
Q. And you knew that it was the intention of Red Door Homes, when you provided those renderings to them, that Red Door Homes was, in turn, going to provide them to others, right?
A. Correct.
Q. And you knew that these others, to which these renderings were provided, they were the ones that were actually going to build homes, right?
A. Correct.
Id. at 82-83.
Q. So it’s your testimony here today that all you were giving the Red Door Homes entity, that is the first defendant here, Red Door Homes, LLC, the right to do was simply to show these renderings to other would be Red Door Home [1313]*1313licensees, that is all you were giving them the right to do?
A. I will have to say no to that because I understood their business to be selling them, so certainly there was a clear permission for them to sell the illustrations along with the plans and their Red Door Homes services.
Id. at 90.
The plaintiff further testified that he knew when Red Door paid him for the renderings they were going to sell or otherwise provide them to the Red Door entities. Id. at 93. When asked to provide images for advertising purposes, the plaintiff provided the renderings as requested. Id. at 223. He admits he was paid for creating the renderings by Red Door, knew the purpose for which he was providing the images and did not expect a second payment for these images when he provided them for a billboard. Id. at 225.
Like the facts before the court in La-timer, the plaintiff provided images to the defendants knowing the defendants were planning to redistribute the same. He provided the images directly to a billboard company knowing the images were going to be used for advertising on behalf of Red Door. Given the plaintiff’s deposition testimony, the court again finds that based on the evidence before it, the relationship the parties created was one of a non-exclusive implied license from plaintiff to defendants. As a marketing tool, the defendants paid the plaintiff to create renderings, and the plaintiff granted the defendants a permissive, non-exclusive license to use and reproduce his renderings. See e.g. Korman v. HBC Fla., Inc., 182 F.3d 1291, 1293 (11th Cir.1999) (noting that a non-exclusive license can be implied from the conduct of the parties) (citing 17 U.S.C. § 204; Jacob Maxwell, Inc. v. Veeck, 110 F.3d 749, 751-52 (11th Cir.1997)).
Plaintiffs contention that he never intended to grant a license for the use of his renderings is simply not supported by objective evidence in the record.9 The plaintiff created renderings for defendants for more than a year prior to demanding multiple payments for creating one rendering. Like the Court found in Korman, given his conduct, the plaintiff “cannot reasonably deny” that he granted defendants a nonexclusive license to use his renderings. Korman, 182 F.3d at 1293.
Although plaintiff asserts that “Red Door Homes was purchasing the right to reproduce the artwork only for use directly by Red Door Homes.” (plaintiffs brief (doc. 70) at 14), plaintiff provides no explanation of what such use might encompass or why Red Door would have the renderings done if all it could do was make copies [1314]*1314but not share them. He asserts that even if he gave an implied license to Red Door to copy and distribute his drawings, that is a different question than whether Red Door had the authority to sell or transfer title to Karlson’s renderings to its home-builder clients. Id. at 12. As noted above, the court has no evidence before it that Red Door ever sold plaintiffs drawings to homebuilders. At most plaintiff has produced evidence that his renderings appeared on defendants’ websites. However, the fact that defendants’ homebuilding customers “would have a need of marketing materials” does not make each “a potential customer for Karlson’s renderings.” Id. at 13. Rather, plaintiff would be but one of multiple possible avenues to have renderings done should a homebuilder want the same.10 In other words, if Red Door was not planning on redistributing plaintiffs drawings to homebuilders, a homebuilder could pay someone else to create those same renderings. The value to defendants in the creation of the renderings was for the promotion of the home designs. The plaintiffs renderings were but a marketing tool to assist with the sale of the new home designs. Like any other marketing, while the format, layout and artwork may be the subject of a copyright, the intended use of marketing materials is exactly that manner in which defendants here used them. Moreover, the copyright language the plaintiff relies upon permits the defendants to use plaintiffs renderings in the manner about which plaintiff now complains. - The copyright language appended to the invoices states:
With delivery of your artwork, I transfer to you a limited copyright to reproduce the artwork I have produced for you in unlimited quantities on any media you choose, royalty free, but only for use directly by you and may not be transferred to another business entity without my expressed permission....
Defendants ex. M. (doc. 37-2).
At his deposition, the plaintiff was asked:
Q.have you seen anything were Red Door Homes, LLC, has specifically invoiced and sold the renderings that we’re here about today to some other Red Door Homes branded entity?
A. Specifically the renderings by themselves, no.
Plaintiff depo. (doc. 69-2) at 117.
Thus, the plaintiff offers nothing but speculation that his renderings were being sold, and even his speculation contradicts his deposition testimony.11 Evidence con[1315]*1315sisting of one speculative inference heaped upon another is entirely insufficient to defeat summary judgment. Josendis v. Wall to Wall Residence Repairs, Inc., 662 F.3d 1292, 1318 (11th Cir.2011) (citing Cordoba v. Dillard’s, Inc., 419 F.3d 1169, 1181 (11th Cir.2005)). Even if the court had not found plaintiff granted an implied license for the defendants to use his renderings in the manner they did, his own copyright language permits such use. The court shall therefore, once again, grant the defendant’s motion for summary judgment on plaintiffs claim for copyright infringement, as the grant of an implied license defeats any such claim.
B. Revocation of the Implied License
Having determined from the evidence that a non-exclusive limited license was objectively created by the parties, thus eliminating the question of copyright infringement, the court next turns to the question of when and if such permissive use was withdrawn.
Plaintiff argues that, assuming an implied license existed, he revoked his permission for use by his email of December 16, 2009. In that email, plaintiff stated, “[w]hile advertisements already published and distributed will be excepted by necessity, all billboards, papers, or other signage and advertising utilizing my artwork that can reasonably be determined to be in the control of the organization benefitting from them must be removed, painted over, erased, or destroyed as soon as reasonably possible.” Defendant ex. Q (doc. 37-2). Plaintiff further asserts that in the “smoking gun” email of January 26, 2010, defendants admit they are still distributing plaintiffs work. See plaintiff brief (doc. 70) at 16. That email states that defendants “will be making a wholesale change to the artwork used in advertising our homes as a result of a legal dispute with the contractor.... As a result we will be removing the renderings from the website and replacing them ASAP” Plaintiff exhibit 8 (doc. 39-8). That email continues
Doug, please let me know what you currently have running and we will work with you to get those replaced with new artwork. The reason Huntsville is of concern is due to contractor being from that Huntsville area. Ads in other locations can run their course.
Id. Plaintiff claims this is evidence of infringement after termination of any implied license.
Defendants respond that because defendants paid plaintiff for the renderings, the implied license was irrevocable. Defendant’s brief (doc. 69) at 21. Plaintiff contends that once he revoked the license, defendants began infringing his copyrights by their continued use of his renderings. Plaintiff brief (doc. 70) at 16. Addressing a similar situation, the Fifth Circuit Court of Appeals ruled that
A nonexclusive license may be irrevocable if supported by consideration. See 3 Nimmer, supra, § 10.02[B][5] (“[Nonexclusive licenses are revocable absent consideration.”); Avtec Sys., Inc. v. Peiffer, 21 F.3d 568, 574 n. 12 (4th Cir.1994); Keane Dealer Servs., Inc. v. Harts, 968 F.Supp. 944, 947 (S.D.N.Y.1997); Johnson v. Jones, 885 F.Supp. 1008, 1013 n. 6 (E.D.Mich.1995). This is so because a nonexclusive license supported by consideration is a contract. See Jacob Maxwell, 110 F.3d at 752-53 (construing an implied nonexclusive license sup[1316]*1316ported by consideration as an implied contract); I.A.E., 74 F.3d at 776 (“[I]m-plied licenses are like implied contracts. Effects, 908 F.2d at 559 n. 7 (noting that an implied license is “a creature of law much like any other implied-in-fact contract”); 3 Nimmer, supra, § 10.01[C][5] & n. 73.1 (observing that a license can be a form of contract in the sense that it is, “in legal contemplation, merely an agreement not to sue the licensee for infringement.”).
Lulirama, 128 F.3d at 882. The Fifth Circuit also dismissed Lulirama’s argument that it revoked any implied license that arose by filing the lawsuit, holding the same was “tantamount to an argument that it had a unilateral right of rescission without notice — an argument entirely inconsistent with the existence of a contract between the parties. If Lulirama had the ability to, terminate the license at will, then no contract could exist because Lulirama’s obligation .under the contract would be illusory.” Id. at 882. Similarly, another District Court has held that
Plaintiffs grant of an implied nonexclusive license to Lo Duca, however, permitted Lo Duca “to take any action consistent with copyright ownership.” Lulirama, 128 F.3d at 882. This includes distributing copies of Kolton’s musical cues by sale or other transfer of ownership. Id. (implied nonexclusive license of musical jingle gave transferee right to reproduce and copy the jingles, prepare derivative works of the jingles, distribute copies of them by public sale or other transfer or ownership and authorize others to perform them).
Kolton v. Universal Studios, Inc., 2004 WL 3242338, *4 (C.D.Cal.2004).
Where no consideration is given, a nonexclusive implied license is revocable. See Avtec Sys. Inc. v. Peiffer, 21 F.3d 568, 574 n. 12 (4th Cir.1994) (noting in dictum that “an implied license is necessarily nonexclusive and revocable ' absent consideration”); see also Keane Dealer Services, Inc. v. Harts, 968 F.Supp. 944, 947 (S.D.N.Y.1997) (“If no consideration was given, the license was revocable, and the institution of this lawsuit would constitute revocation.”). Thus, plaintiffs ability to revoke the implied license is tied solely to consideration. Neither party argues that they intended the defendants’ permissive use to be of a limited duration, or that the consideration for the artwork paid by defendants was based on a time-limited use.
Thus, although the court finds the record does contain a factual dispute as to whether the defendants continued to use plaintiffs artwork after December 2009, the court also finds that this dispute is not material to the issues before this court.12 Because plaintiff granted defendants an implied license in plaintiffs renderings, [1317]*1317and because plaintiff received consideration for that license, the plaintiff could not unilaterally revoke his grant of a license by announcing that he did not receive the deal or the consideration he actually wanted.
In consideration of the forgoing, the court will grant summary judgment in the defendants’ favor and against the plaintiff on the issue of whether the plaintiff revoked his grant of an implied license.
C. Plaintiff’s Procedural Issues:
Plaintiff claims that “Red Door Homes has apparently interpreted the District Court’s request for implied license briefs as an extension of the deadline for filing of dispositive motions, using the opportunity to file a second motion for summary judgment inclusive of all of 'Karlson’s claims.... Karlson was not provided notice that dispositive motions would be presented against him...” Plaintiffs brief (doc. 70) at 17-18. The plaintiff offers no explanation for why he would think the court would request briefs if not for summary judgment. To review for the plaintiffs benefit, the court granted summary judgment in favor of the defendants, and against the plaintiff, on the plaintiffs complaint. The plaintiff appealed. The Eleventh Circuit found that this court granted summary judgment on a ground not briefed by the parties. This court thus provided the parties an opportunity to brief the issue. The same was certainly not provided as an educational opportunity for the court or the parties, but rather was done on the grounds instructed by the Eleventh Circuit Court of Appeals. Neither this court nor the defendants were confused by the purpose of the court asking for briefing. But of course, plaintiff did understand the purpose of the court asking for briefs, as the plaintiff argues “summary judgment cannot be entered on the basis ■ of implied license.” Plaintiffs initial brief (doc. 70) at 17. The court has also allowed the plaintiff to file a sur-reply, the defendant to file a sur-rebuttal and an amended sur-rebuttal, and considered all of the pleadings filed to date. Plaintiff has been given all notice he is due as to the issues before the court, including . fair warning that the court would actually rule on those issues.
V. Conclusion
In accordance with the foregoing, the court shall grant summary judgment in favor of the defendants and against the plaintiff on the. issue of implied license. Specifically, the court finds no genuine issue of material fact remains in the case. The plaintiff granted defendants an implied license to use his renderings, and the defendants paid plaintiff for this use, making their license irrevocable. This finding disposes of all of the claims in this case.