Janis v. Commissioner of Internal Revenue

CourtCourt of Appeals for the Ninth Circuit
DecidedAugust 21, 2006
Docket04-74624
StatusPublished

This text of Janis v. Commissioner of Internal Revenue (Janis v. Commissioner of Internal Revenue) is published on Counsel Stack Legal Research, covering Court of Appeals for the Ninth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Janis v. Commissioner of Internal Revenue, (9th Cir. 2006).

Opinion

FOR PUBLICATION UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT

CONRAD JANIS; MARIA G. JANIS,  Petitioners-Appellants, No. 04-74624 v.  Tax Ct. No. 01-14318 COMMISSIONER OF INTERNAL REVENUE, OPINION Respondent-Appellee.  Appeal from a Decision of the United States Tax Court

Argued and Submitted June 6, 2006—Pasadena, California

Filed August 21, 2006

Before: Stephen Reinhardt, Stephen S. Trott, and M. Margaret McKeown, Circuit Judges.

Opinion by Judge McKeown

10011 JANIS v. CIR 10013

COUNSEL

Steven R. Mather and Elliott H. Kajan, Kajan Mather and Barish, Beverly Hills, California, for the petitioners.

Eileen J. O’Connor, Assistant Attorney General, Jonathan S. Cohen and Francesca U. Tamami, Attorneys, Department of Justice, Tax Division, Washington, D.C., for the respondent. 10014 JANIS v. CIR OPINION

McKEOWN, Circuit Judge:

Conrad Janis and his wife Maria G. Janis (“Petitioners”) appeal the Tax Court’s holding that they are liable for defi- ciencies in their joint income tax returns from 1995 through 1997. These deficiencies resulted from Conrad taking incon- sistent positions as to the value of an expensive art collection included in his father’s estate. On the premise that flooding the market with a large collection of works from significant artists, ranging from Piet Mondrian to Jean Arp and Grandma Moses, would depress the value of the works, Conrad and his brother Carroll Janis, as co-executors and the sole beneficia- ries of the estate, calculated a discounted value for the collec- tion. Conrad and Carroll ultimately agreed with the Internal Revenue Service (“IRS”) on a discounted valuation of the col- lection. Some years later, in valuing the gallery’s inventory, Petitioners claimed a higher, undiscounted market value as the tax basis for the collection in their joint tax returns. The Tax Court held that Petitioners were bound by the duty of consistency and could not report on their individual tax returns a value different than that stipulated to for the estate tax return. We agree and affirm.

BACKGROUND

Sidney Janis owned and operated, as a sole proprietorship, the Sidney Janis Art Gallery in New York. The gallery owned almost 500 works of art, many of them by well-known artists. In April of 1988, Sidney transferred the gallery, including the art collection, into a trust, with himself and his children, Con- rad and Carroll, as trustees. Upon his death, the remaining trust assets were to be distributed to Conrad and Carroll in equal shares. Sidney died in November of 1989. Conrad and Carroll were named co-executors and the sole beneficiaries of his estate. JANIS v. CIR 10015 After Sidney’s death, the estate hired Sotheby’s to value the collection. Sotheby’s valued the works on an item-by-item basis at fair market value. The appraiser did not account for any diminution in value that might occur in the event the entire holdings were placed in the market at one time. How- ever, the estate calculated a discount—known as a blockage discount—that accounted for the number of pieces in the col- lection, the nature of the works, and other factors that would affect the actual realized price as a consequence of putting such a large number of works on the market. Each year between 1990 and 1992, Conrad and Carroll filed a fiduciary income tax return for the trust that reported the collection at a blockage discounted value of $12,403,207. With this valua- tion, the gallery reported a net operating loss each year, thereby minimizing the amount of taxes owed.

After the 1991 tax return was filed, the IRS examined the claimed valuation and agreed that a blockage discount was appropriate. The IRS disagreed, however, with the actual value of the collection. The IRS determined that the undis- counted value of the collection was $36,636,630 and that the appropriate blockage discounted value was $14,500,000, approximately two million dollars higher than the estate’s estimate.

In January 1994, Conrad and Carroll consented to the IRS’s adjustments and to its discounted valuation of the estate’s art- work. Memorializing their agreement, Conrad and Carroll signed Form 890, Waiver of Restrictions on Assessment and Collection of Deficiency and Acceptance of Overassessment. The IRS’s examination of the artwork valuation was then con- cluded. The limitations period for assessment against the 1991 estate tax return expired before these proceedings.

In February 1994, despite their earlier agreement with the IRS, Conrad and Carroll filed amended fiduciary income tax returns for 1990-1992, claiming an undiscounted value of $36,636,630 for the collection. This valuation, in turn, created 10016 JANIS v. CIR an even larger net operating loss for the gallery, increasing the tax benefits for Conrad, Carroll, and the trust. In the years 1993 through 1995, Conrad and Carroll similarly filed fidu- ciary income tax returns for the trust, reporting the value of the collection at its undiscounted value.

The trust was terminated in November 1995, and its assets, including the gallery and the collection, were distributed to Conrad and Carroll in equal shares of ownership. Conrad and Carroll formed a partnership to hold the assets of the gallery, including its collection. The net operating losses reported for the trust between 1990 and 1995 were rolled over into the partnership, a maneuver that allowed Petitioners (as well as Carroll and his wife) to reduce their joint taxable income for 1995, 1996, and 1997. In their tax returns, Petitioners contin- ued to report the collection at the full, undiscounted value of $36,636,630. During this entire period (1990-1997), the indi- vidual works of art were not divided between Conrad and Carroll, but instead were kept together in the gallery, with each owning an equal share of the total collection.

Eventually the IRS reviewed Petitioners’ individual tax returns (filed jointly) for 1995-1997, as well as the trust tax returns for 1990-1995. The IRS concluded that Petitioners should have used the collection’s blockage discounted value of $14,500,000, which had been calculated by the IRS and agreed to by Conrad and Carroll for estate tax purposes. Under this valuation, after adjustments were made, the gal- lery’s (and the trust’s) actual net losses between 1990 and 1995 were substantially reduced and the partnership realized a profit for 1996 and 1997. The result was that with the lower valuation of the collection, Petitioners owed more taxes because they were not able to claim the same net operating losses for the gallery and partnership.

The IRS filed a notice of deficiency for the 1995-1997 indi- vidual tax returns. Petitioners contested the notice in Tax JANIS v. CIR 10017 Court, which upheld the deficiencies after a one-day trial. Janis v. Comm’r, 87 T.C.M. (CCH) 1322 (2004).1

ANALYSIS

I. FAIR MARKET VALUE OF THE ART COLLECTION

To determine whether Conrad and Carroll reported the cor- rect value of the gallery for estate tax purposes, the IRS Art Advisory Panel reviewed a sample of the works. The Panel accepted Sotheby’s item-by-item valuation to determine the undiscounted value of the collection. Although the Panel did not agree with the specific discounts urged by Conrad and Carroll, it did agree that a blockage discount was appropriate.

As explained by the Panel,

In general, a blockage discount is applied to prop- erty in an estate in an attempt to reflect the market’s response to a large number of items. Traditionally . . . a blockage discount is applicable in response to a large number of works by one artist, usually in an artist’s estate. The Estate of Sidney Janis is not an artist’s estate, and does not involve a large number of works by one particular artist, but rather works by different artists.

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