Jane Doe 7015 v. Elektra Entertainment Group Inc.

CourtDistrict Court, S.D. New York
DecidedMarch 31, 2023
Docket1:21-cv-06868
StatusUnknown

This text of Jane Doe 7015 v. Elektra Entertainment Group Inc. (Jane Doe 7015 v. Elektra Entertainment Group Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Jane Doe 7015 v. Elektra Entertainment Group Inc., (S.D.N.Y. 2023).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ---------------------------------------------------------------------- X : JANE DOE 7015, : : Plaintiff, : : 21 Civ. 6868 (JPC) -v- : : OPINION AND ORDER : ELEKTRA ENTERTAINMENT GROUP INC. et al, : : Defendants. : : ---------------------------------------------------------------------- X

JOHN P. CRONAN, United States District Judge: Plaintiff Jane Doe 7015 alleges that from January 1997 to June 1999, when she was between fifteen and eighteen years old, she was repeatedly sexually battered by Defendant James Euringer, the leader of the band Mindless Self Indulgence (“MSI”). Based on that conduct, she brings one claim for sexual battery against Euringer. Dkt. 35 (“Am. Compl.”) ¶¶ 76-81. She brings further claims for aiding and abetting sexual battery, id. ¶¶ 82-88, ratification of a sexual battery, id. ¶¶ 89-99, and negligence, id. ¶¶ 100-16, against Defendant Joseph J. Galus, a producer and manager for MSI; Defendant Elektra Entertainment Group Inc., whose record label, Elektra Records or Elektra Entertainment (“Elektra”), was allegedly affiliated with MSI when some of Euringer’s alleged assaults occurred; Defendants Warner Communications LLC and Warner Music Group Corp. (together with Elektra Entertainment Group Inc., the “Moving Defendants”), which are allegedly successors-in-interest to entities that operated Elektra when some of the alleged assaults occurred;1 and five John Does. Neither Euringer nor Galus has appeared in this

1 As used in this Opinion and Order, “the Moving Defendants” refers as well to any of their predecessors-in-interest during the relevant period. See infra note 5. case, and while Galus was served with the initial Complaint, Dkt. 15, the docket does not indicate that he has been served with the Amended Complaint. Now before the Court is the Moving Defendants’ motion to dismiss all claims brought against them in the Amended Complaint.2 Because the Court agrees that Plaintiff does not plausibly allege that the Moving Defendants are liable for aiding and abetting Euringer’s alleged sexual battery of her, for ratifying that sexual

battery, or for negligence causing that sexual battery, their motion to dismiss is granted.3 I. Background A. Facts4 Euringer, a “self-proclaimed and self-promoted pedophile,” Am. Compl. ¶ 34, first met Plaintiff in the fall of 1996, when she was fifteen and he was twenty-seven, id. ¶ 22. After

2 In her Amended Complaint, Plaintiff brought a further claim for intentional infliction of emotional distress against all Defendants, Am. Compl. ¶¶ 117-23, but in her opposition she “agrees to dismiss her claim for Intentional Infliction of Emotional Distress as to [the Moving Defendants].” Dkt. 49 (“Pl. Opp.”) at 2 n.2. For that reason, that claim is dismissed as to the Moving Defendants, and the Court will not analyze herein their arguments for its dismissal. 3 In addition to arguing that the Amended Complaint does not adequately plead any of Plaintiff’s three remaining claims against them, the Moving Defendants argue that those claims must be dismissed because (1) under the New York Child Victims Act, which revived otherwise time-barred civil claims for conduct constituting a sexual offense under certain provisions of New York criminal law, see N.Y. C.P.L.R. 214-g, Plaintiff’s claims remain time-barred to the extent they arise from sexual contact with Euringer following her seventeenth birthday, and (2) the Amended Complaint does not plausibly allege (and it in fact is not the case) that Euringer was signed by Elektra before Plaintiff turned seventeen. Dkt. 47 (“Defts. Br.”) at 2, 5-7. Plaintiff disagrees with each contention, arguing that the Child Victims Act revived claims arising from sexual conduct with Euringer that occurred when she was seventeen, Pl. Opp. at 8-10, and that Euringer was signed by Elektra when Plaintiff was sixteen, id. at 4-5, 5 n.4, 18 n.7. Because the Court concludes that the Amended Complaint would fail to state a claim against the Moving Defendants even were Plaintiff correct on both points, it need not resolve these disagreements, and it will therefore presuppose Plaintiff’s positions solely for the purposes of this Opinion and Order. 4 The following facts, which are assumed true for purposes of this Opinion and Order, are taken from the Complaint. See Interpharm, Inc. v. Wells Fargo Bank, Nat’l Ass’n, 655 F.3d 136, 141 (2d Cir. 2011) (explaining that on a motion to dismiss pursuant to Rule 12(b)(6), the court must “assum[e] all facts alleged within the four corners of the complaint to be true, and draw[] all reasonable inferences in plaintiff’s favor”). While Plaintiff asks that the Court take judicial notice communicating over the next several months via telephone, id. ¶ 23, they saw each other again on December 31, 1996, id. ¶ 24, and first had sexual intercourse in early 1997, while she was still fifteen, id. ¶ 25. Their sexual contact continued for approximately the next two-and-a-half years, during which time Plaintiff would visit Euringer in New York City and the two would engage in intercourse “when they were alone at [Euringer’s] apartment.” Id. ¶ 26. During that period,

“Euringer acted as and treated Plaintiff as though she was his girlfriend and the two were in a consensual relationship.” Id. ¶ 31. Euringer’s sexual contact with Plaintiff ceased in late 1999, when he lost interest in her following her eighteenth birthday. Id. ¶ 75. Euringer is the lead vocalist, arranger, and songwriter for MSI, a punk rock and electronic/industrial band. Id. ¶ 5. MSI’s work featured pedophilic themes, depicted positively, including in its lyrics, id. ¶¶ 38-40, and in the artwork displayed on its albums, id. ¶ 37. MSI released a demo entitled “Crappy Little Demo” in 1997. Id. ¶ 39. By early 1998 the band was enjoying “emerging popularity in underground music,” and record labels were attempting to sign it. Id. ¶ 53. During the 1990s, record labels faced pressure to sign new and promising bands

quickly, lest they be signed by a competitor instead. Id. ¶ 52. Consequently, labels would ordinarily first secure a commitment from a band through a verbal contract or a short written contract, called a “short form contract,” at which point the label would invest in the band, promote it, and coordinate its musical activities. Id. Only later, following negotiations, would the label and the band enter into a full, written contract. Id. In early 1998, MSI was signed by Elektra via either an oral or a written short form contract. Id. ¶ 56. Subsequently, as was customary, Elektra

of portions of the Child Victim Act’s legislative history, Dkt. 49-1 to -3, that request is denied as moot because this Opinion and Order does not interpret the Child Victims Act, see supra note 3. For the avoidance of doubt, the Court notes explicitly that the claims made about Euringer’s sexual abuse of Plaintiff are not facts found to be true by the Court but rather allegations made by Plaintiff and merely assumed to be true for purposes of this Opinion and Order. began to invest in MSI and to collaborate with MSI on its concerts and on the production of its musical works, including by introducing MSI to industry professionals who could work on future releases. Id. In addition, in 1998, the Moving Defendants helped MSI sign a distribution and promotion agreement with Alternative Distribution Alliance, a corporate affiliate that specialized in album manufacturing and distribution. Id. ¶ 62. Around January 1999, MSI entered into a long-

form contract with one of the Moving Defendants.5 Id. ¶ 64. Subsequently, Elektra continued to collaborate with MSI on the production and release of its music, id. ¶¶ 67-68, and on its concerts, id. ¶ 69. Elektra’s relationship with MSI continued through about 2002.

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