Jackson v. Warner Music Group Corp.

CourtDistrict Court, S.D. New York
DecidedJanuary 8, 2024
Docket1:23-cv-10100
StatusUnknown

This text of Jackson v. Warner Music Group Corp. (Jackson v. Warner Music Group Corp.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Jackson v. Warner Music Group Corp., (S.D.N.Y. 2024).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK JOUAN JABEZ JACKSON, Plaintiff, 1:23-CV-10100 (LTS) -against- ORDER OF DISMISSAL WARNER MUSIC GROUP CORP., et al., Defendants. LAURA TAYLOR SWAIN, Chief United States District Judge: Plaintiff Jouan Jabez Jackson, who is appearing pro se, filed a 304-page complaint commencing this action, asserting claims of copyright infringement and “mental anguish.” He sues the following defendants: (1) “Warner Music Group Corp.” (“Warner Music”); (2) Atlantic Recording Corporation (“Atlantic Recording”); (3) Atlantic Records; (4) Craig Kallman or Kullman; (5) Brandy Norwood; (6) Rodney Jerkins; (7) David Foster; (8) Phil Galdston; (9) Gordon Anthony Chambers; (10) Diane Warren; and (11) ABC Television Network. Plaintiff seeks damages, declaratory relief, and injunctive relief. By order dated December 20, 2023, the Court granted Plaintiff’s request to proceed in forma pauperis (“IFP”), that is, without prepayment of fees. For the reasons set forth below, the Court dismisses this action, but grants Plaintiff 30 days’ leave to replead his claims in an amended complaint. STANDARD OF REVIEW The Court must dismiss an IFP complaint, or any portion of the complaint, that is frivolous or malicious, fails to state a claim on which relief may be granted, or seeks monetary relief from a defendant who is immune from such relief. 28 U.S.C. § 1915(e)(2)(B); see Livingston v. Adirondack Beverage Co., 141 F.3d 434, 437 (2d Cir. 1998). The Court must also dismiss a complaint when the Court lacks subject matter jurisdiction of the claims raised. See Fed. R. Civ. P. 12(h)(3). While the law mandates dismissal on any of these grounds, the Court is obliged to construe pro se pleadings liberally, Harris v. Mills, 572 F.3d 66, 72 (2d Cir. 2009), and interpret

them to raise the “strongest [claims] that they suggest,” Triestman v. Fed. Bureau of Prisons, 470 F.3d 471, 474 (2d Cir. 2006) (internal quotation marks and citations omitted, emphasis in original). But the “special solicitude” in pro se cases, id. at 475 (citation omitted), has its limits – to state a claim, pro se pleadings still must comply with Rule 8 of the Federal Rules of Civil Procedure, which requires a complaint to make a short and plain statement showing that the pleader is entitled to relief. Rule 8 requires a complaint to include enough facts to state a claim for relief “that is plausible on its face.” Bell Atl. Corp. v. Twombly, 550 U.S. 544, 570 (2007). A claim is facially plausible if the plaintiff pleads enough factual detail to allow the Court to draw the inference that the defendant is liable for the alleged misconduct. Ashcroft v. Iqbal, 556 U.S. 662, 678 (2009). In

reviewing the complaint, the Court must accept all well-pleaded factual allegations as true. Id. But it does not have to accept as true “[t]hreadbare recitals of the elements of a cause of action,” which are essentially just legal conclusions. Id. (citing Twombly, 550 U.S. at 555). After separating legal conclusions from well-pleaded factual allegations, the Court must determine whether those facts make it plausible – not merely possible – that the pleader is entitled to relief. Id. at 679. BACKGROUND Plaintiff alleges the following: he “is the sole author and exclusive owner of the original copyrighted musical compositions entitled ‘Assumption Day,’ ‘Made A Champion,” and other works (the ‘Works’).” (ECF 1, at 4.) “Without authorization from [him], Defendants copied original elements of the Works in the creation of subsequent musical compositions and recordings created and/or owned by Defendants.” (Id. at 5.) This includes, and is not limited to, “songs on the album ‘Never Say Never’ by Brandy Norwood and songs written and produced by Rodney Jerkins (the ‘Infringing Works’).” (Id.) “The Infringing Works bear substantial

similarities to the original expression in the Works, including[,] but not limited to lyrics, themes, structure, and overall composition.” (Id.) Warner Music, Atlantic Recording, and Atlantic Records “manufactured, distributed, and sold the album ‘Never Say Never[,]’ featuring the Infringing Works.” (Id.) Plaintiff’s claims “also concern[] songs written and produced by Rodney Jerkins for other artists between 1997 and 2002.” These songs include: (1) “‘Daydreaming’ by Tatyana Ali / Rodney Jerkins”; (2) “‘I Learned From The Best’ by Whitney Houston / Rodney Jerkins”; (3) “Angel Of Mine’ by Monica / Rodney Jenkins”; (4) “He Wasn’t Man Enough For Me’ by Toni Braxton”; (5) “‘Say My Name’ by Destiny’s Child / Rodney Jerkins”; (6) “(Musicology Report by Dr. Robert Tomaro – with ‘Angel In Disguise’ by Brandy)”; (7) “‘If You Had My

Love’ by Jennifer Lopez / Rodney Jerkins”; (8) “‘All Eyez On Me’ by Monica / Rodney Jerkins”; and (9) “‘If I Told You That’ by Whitney Houston / Rodney Jerkins.” (Id. at 5-6.) Plaintiff asserts that “[t]hese songs exhibit substantial similarities and were all produced by Rodney Jerkins, indicating a pattern of behavior.” (Id. at 6.) In addition to the songs mentioned above, Plaintiff states that his claims concern the following works: (10) “‘Talk About Our Love’ from the album ‘Afrodisiac’ (March 26, 2004)”; (11) “‘Right Here (Department)’ from the album ‘Human’ (2008)”; (12) “‘Freedom Rings’ (September 2019)”; (13) “‘B7’ album (2020) which includes songs like ‘Borderline’ and ‘Saving All My Love’”; and (14) “Queen’s ABC Television Network Series (2022) songs ‘Hear Me’ and ‘Tomorrow’s Another Day.’” (Id.) “All of these works [are] associated with Warner Music . . . and Atlantic Records [and] were released without authorization and infringe upon . . . Plaintiff’s copyrights.” (Id.) In addition to claims of copyright infringement, Plaintiff’s complaint’s statement of claim

seems to assert claims of “mental anguish” arising from the defendants’ alleged infringement of his copyrights. DISCUSSION The Court understands Plaintiff’s complaint as asserting federal-law claims of copyright infringement, asserted under the court’s original federal question jurisdiction, as well as associated state-law claims, asserted under the court’s supplemental jurisdiction. A. Copyright Infringement Plaintiff’s complaint does not allege facts sufficient to state a federal-law claim of copyright infringement. In determining whether a complaint fails to state a claim on which relief may be granted: district courts “may review only a narrow universe of materials,” which includes “facts stated on the face of the complaint, documents appended to the complaint or incorporated in the complaint by reference, . . . matters of which judicial notice may be taken,” as well as “document[s] not expressly incorporated by reference in the complaint [that are] nevertheless ‘integral’ to the complaint. Clark v. Hanley, ___ F. 4th ___, No. 22-302, 2023 WL 8792031, at *10 (2d Cir. Dec. 20, 2023) (discussion in the context of a motion brought under Fed. R. Civ. P. 12

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Coppedge v. United States
369 U.S. 438 (Supreme Court, 1962)
Carnegie-Mellon University v. Cohill
484 U.S. 343 (Supreme Court, 1988)
Bell Atlantic Corp. v. Twombly
550 U.S. 544 (Supreme Court, 2007)
Ashcroft v. Iqbal
556 U.S. 662 (Supreme Court, 2009)
Harris v. Mills
572 F.3d 66 (Second Circuit, 2009)
Walters v. INDUSTRIAL AND COMMERCIAL BANK OF CHINA
651 F.3d 280 (Second Circuit, 2011)
TCA Television Corp. v. McCollum
839 F.3d 168 (Second Circuit, 2016)
Spinelli v. National Football League
903 F.3d 185 (Second Circuit, 2018)
TCA Television Corp. v. McCollum
151 F. Supp. 3d 419 (S.D. New York, 2015)
Disney Enters., Inc. v. Sarelli
322 F. Supp. 3d 413 (S.D. Illinois, 2018)
Abbas v. Dixon
480 F.3d 636 (Second Circuit, 2007)
Psihoyos v. John Wiley & Sons, Inc.
748 F.3d 120 (Second Circuit, 2014)

Cite This Page — Counsel Stack

Bluebook (online)
Jackson v. Warner Music Group Corp., Counsel Stack Legal Research, https://law.counselstack.com/opinion/jackson-v-warner-music-group-corp-nysd-2024.