International Stamp Art, Inc. v. United States Postal Service

456 F.3d 1270, 79 U.S.P.Q. 2d (BNA) 1513, 2006 U.S. App. LEXIS 17975, 2006 WL 1982685
CourtCourt of Appeals for the Eleventh Circuit
DecidedJuly 18, 2006
Docket05-13492
StatusPublished
Cited by65 cases

This text of 456 F.3d 1270 (International Stamp Art, Inc. v. United States Postal Service) is published on Counsel Stack Legal Research, covering Court of Appeals for the Eleventh Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
International Stamp Art, Inc. v. United States Postal Service, 456 F.3d 1270, 79 U.S.P.Q. 2d (BNA) 1513, 2006 U.S. App. LEXIS 17975, 2006 WL 1982685 (11th Cir. 2006).

Opinion

PER CURIAM:

Plaintiff-appellant, International Stamp Art, Incorporated (“ISA”) appeals a grant of summary judgment in favor of defendant-appellee, the United States Postal Service (“Postal Service”) with respect to the Postal Service’s assertion of fair use in response to ISA’s allegations of trademark infringement. The appeal requires us to determine the appropriate legal standard for good faith with respect to a fair-use defense in this context, an issue of first impression for us. Because we join four other circuits in holding that the legal standard is the same as for any other trademark infringement inquiry into good faith — whether the alleged infringer intended to benefit from the good will associated with the holder of the mark — and because there is no evidence in the record indicating that the Postal Service so intended, we AFFIRM.

I. BACKGROUND

ISA, a for-profit corporation engaged in the production of note cards, greetings cards, posters, and prints, was founded in 1985. For most of these products, ISA has used a perforated border design that evokes the functional flat-edged perforation of an older postage stamp. See R3-56, Exhs. Q, S. In October 1994, ISA filed an application with the United States Pat *1272 ent and Trademark office seeking to register the perforated border design as a trademark and, in 1996, was granted U.S. Registration No. 1,985,086 for that mark for use on printed note cards and greeting cards. For the purposes of the summary-judgment motion from which the order now before us arises, the parties have stipulated that the mark is incontestable. 1

Almost from its inception, ISA was a non-exclusive licensee of the Postal Service. Between 1985 and 1997 there were a series of license agreements between the parties. In each case, the Postal Service licensed use of its “stamp designs” which were further specified to include “[a]ll United States postage stamps to which the U.S. Postal Service owns the copyright.” See Rl-19, Exh. 1 at 1-2,19; id., Exh. 2 at 1-2, 19. Stamp images were transmitted to licensees in the form of transparencies, each marked as copyright protected and depicting the entire stamp including any perforated edges. See, e.g., R3-49 at A204 (licensing transparency of Girl Scouts Stamp); see also R3-56, Exh. C at 72. The Postal Service retained right of approval over all licensed products. Rl-19, Exh. 1 at 6-8; id., Exh. 2 at 6-8.

As a licensee, ISA also sought to sell its products at Postal Service locations nationwide, and to that end made several presentations to the Postal Service and, later, to its license management firm, Hamilton Projects. In the late 1980s and early 1990s, a few Postal Service stores did carry ISA products. In the mid 1990s, the parties discussed the possibility of expanding such sales to Postal Service stores nationwide. Nothing further came of it, however, and the Postal Service did not respond to any of ISA’s subsequent proposals to handle its distribution and management of stationary and greeting cards.

In the late 1990s, the Postal Service Retail Division began offering its own line of stamp art cards. Most of these cards included the perforated border of the original stamp as part of the stamp’s image. See, e.g., Rl-1, Exhs. 3 (Sylvester and Tweety), 5 (Love), & 6 (Snoopy). The Postal Service has also occasionally licensed or produced cards incorporating the art depicted in its stamps without any perforated border. R3-56, Exh. R (Elvis, Holly, Pansy, two versions of Midnight Angel). Most cards have included the stamp value designation and the “USA” as they appeared on the stamp, but some of the cards that incorporate only the art and not the entire stamp image have not included those elements. Id. (Pansy, two versions of Midnight Angel). The Postal *1273 Service’s choice about whether to depict stamp images or some other form of the underlying stamp art has often reflected the extent of its ownership interest in the stamp image. See id., Exh. C at 38-39; id., Exh. D at 28-30. In the case of jointly-owned stamp designs, in which the copyright interest in the underlying artwork is held by another, the Postal Service has often been limited to reproducing the entire stamp image with all its constituent elements — the “USA,” the price, and any perforations — because it is not licensed to reproduce the underlying art alone. Id., Exh. C at 38-39; id., Exh. D at 27-30.

Since the Postal Service adopted self-adhesive for its stamps, Postal Service cards incorporating the images of stamps have depicted the stamps with their new serpentine die-cut “perforated” borders. Rl-1, Exhs. 5-6; R3-56, Exh. P (Love, Snoopy, Puppy, Kwanzaa, Hanukkah). Postal Service cards include an easily visible imprint of its familiar Eagle trademark on the back, generally accompanied by information about the history of the stamp or stamp art depicted on the card and another smaller image of the entire stamp. 2 R3-56, Exhs. P, R. There is no record evidence that the Postal Service has created any card that adds a perforated border to the image of one of the few stamps it has produced without any perforations.

in September 2002, ISA sued the Postal Service alleging unlawful infringement of its perforated border mark with respect to those Postal Service cards depicting the entire image of a stamp. The Postal Service moved for summary judgment, asserting that (1) it did not use the mark; (2) its use of the perforated border in depicting images of its stamps fell within the fair-use exception provided by law; (3) ISA had abandoned the mark; and (4) damages were precluded based on actual notice. The district court found that the Postal Service had used the disputed border, but that it had used it “other than as a mark, in a descriptive manner, and in good faith,” and granted summary judgment in favor of the Postal Service on the basis of fair use. 3 R4-77 at 13. On appeal, ISA disputes the grant of summary judgment arguing only that the district court erred in finding no genuine issue of material fact as to the Postal Service’s good faith in using the border.

II. DISCUSSION

“We review a district court’s grant of summary judgment de novo.” Siemens Power Transmission & Distribution, Inc. v. Norfolk S. Ry., 420 F.3d 1243, 1248 (11th Cir.2005). Summary judgment is appropriate “if the pleadings, depositions, answers to interrogatories, and admissions on file, together with the affidavits, if any, show that there is no genuine issue as to *1274 any material fact and that the moving party is entitled to a judgment as a matter of law.” Fed.R.Civ.P. 56(c).

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456 F.3d 1270, 79 U.S.P.Q. 2d (BNA) 1513, 2006 U.S. App. LEXIS 17975, 2006 WL 1982685, Counsel Stack Legal Research, https://law.counselstack.com/opinion/international-stamp-art-inc-v-united-states-postal-service-ca11-2006.