International Creative Management, Inc. v. D & R Entertainment Co.

670 N.E.2d 1305, 1996 Ind. App. LEXIS 1103, 1996 WL 496765
CourtIndiana Court of Appeals
DecidedAugust 26, 1996
DocketNo. 49A02-9503-CV-121
StatusPublished
Cited by24 cases

This text of 670 N.E.2d 1305 (International Creative Management, Inc. v. D & R Entertainment Co.) is published on Counsel Stack Legal Research, covering Indiana Court of Appeals primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
International Creative Management, Inc. v. D & R Entertainment Co., 670 N.E.2d 1305, 1996 Ind. App. LEXIS 1103, 1996 WL 496765 (Ind. Ct. App. 1996).

Opinion

OPINION

RILEY, Judge.

STATEMENT OF THE CASE

Third-party Defendant-Appellant International Creative Management, Inc. (hereinafter “ICM”) appeals from the denial of its motion to compel arbitration in an ongoing dispute with third-party plaintiffs-appellees D & R Entertainment Co., Inc., C. Ray Donaldson and Willie C. Rhodes d/b/a D & R Productions, and Reginald Atkins (hereinaf[1307]*1307ter collectively referred to as “D & R Entertainment” or “D & R”).

We reverse and remand with instructions.

ISSUES

One issue is dispositive of this appeal: Whether the trial court erred by refusing to direct arbitration of the parties’ breach of contract dispute pursuant to the Indiana Uniform Arbitration Act.

FACTS AND PROCEDURAL HISTORY

This appeal is taken jointly from three separate orders issued by the Marion Superi- or Court. Each of these orders denied the appellants’ applications to compel arbitration pursuant to Ind.Code 34-4-2-3(a) (1993). Defendants Perri A. Reid d/b/a “Pebbles,” Reidstein, Inc. and P.T. Entertainment (hereinafter collectively referred to as “the Pebbles Defendants”) and ICM, as third-party defendants, filed two separate appeals from the orders of the trial court. The Pebbles Defendants petitioned this court to join their appeal with ICM’s appeal, and we granted the motion in May of 1995.

Specifically, ICM appeals from the trial court’s November 15, 1994, order denying its application and motion to compel arbitration and to stay further proceedings. (R. 587-88). ICM also appeals from the trial court’s March 10, 1995, order denying its motion to reconsider. (R. 757-58). The Pebbles Defendants appeal from the trial court’s February 22, 1995, order which denied their petition to compel arbitration and stay further proceedings. (Supp.R.6-7).

D & R is a partnership that was formed by Reginald Atkins, Willie Rhodes and Ray Donaldson for the purpose of promoting a July 11, 1991, concert at the Fort Wayne Memorial Coliseum. Rhodes and Donaldson agreed to provide the financial backing for the concert and formalized this agreement by creating a corporation called D & R Entertainment Company, Inc. Defendant Perri A. Reid is a popular music artist who performs under the stage name “Pebbles.” Defendants Reidstein, Inc. and P.T. Entertainment are Reid’s affiliated companies. Defendant Hi-Five is also a popular music group, and its entertainment services are furnished by Defendant Hi-Five Music, Inc. Likewise, Defendant Father M.C. is a popular music artist. ICM is an artist’s agent, which is essentially an employment agency that deals exclusively with theatrical talent.

In 1991, George Valentine, an experienced concert promoter in Indianapolis, became interested in promoting a local concert for MTVs multi-city tour. Ultimately, he was unable to secure an agreement to promote an MTV concert, so he decided to promote a concert independently. Reginald Atkins, an acquaintance of Valentine, introduced Valentine to Ray Donaldson, a former Indianapolis Colts player, to provide the financial backing for the project. Neither Donaldson, Rhodes, nor Atkins had prior promotion experience.

In furtherance of the project, Valentine began speaking with True Warner, a promoter’s booking agent in California. In negotiating a deal generally, Valentine and Warner would discuss which artists they wanted, Warner would then contact a firm such as ICM, and negotiate the particulars with the artist’s agent. In this particular case, Warner contacted ICM on Valentine’s behalf. Around the 20th of June, Delaney McGill, an agent from ICM in New York City, negotiated the following package: Pebbles would perform at the concert for a guaranteed $12,-500, plus an additional payment based on box office receipts; and Hi-Five would perform at the concert for $5,000. Warner told McGill that Valentine would be acting as promoter and the contracts should be sent directly to him. McGill also tentatively offered Father M.C. as a third performer for $4,000, but stipulated that he would have to verify availability.

It was the customary practice for the promoter to send a good-faith deposit of one-half of the total price to the artist’s agent. Upon receipt of the good-faith payment, the artist’s agent would then contact the artist’s management to see if the artist was interested in the performance. If so, the artist’s agent would prepare an engagement contract and send it to the promoter to be signed. Typically, this contract is on the talent agency’s (such as ICM) form with blank spaces for the particulars of the concert to be filled in. [1308]*1308Standard terms, such as arbitration clauses, are on the reverse side, and often there is an artist’s rider -with the artist’s technical and personal requirements.

Valentine, in keeping with the customary practice, directed Donaldson to send the one-half deposits for Pebbles and Hi-Five. On June 20, 1991, Donaldson remitted to ICM via electronic funds transfer the deposits of $6,250 for Pebbles and $2,500 for Hi-Five. Five days later, he remitted an additional $2,000 for Father M.C. During this time, the Fort Wayne Coliseum was also reserved. Following the receipt of the deposits, McGill in New York sent Valentine two ICM form engagement contracts dated June 21, 1991, with the particulars filled in and with the artists’ riders attached. Valentine met with Atkins to obtain the necessary consensus before signing the contracts. Over the next several days, Atkins, Donaldson and Rhodes decided that they wanted to promote the concert themselves, without Valentine’s help.

D & R Productions was consequently formed and Warner directed ICM to issue new engagement contracts reflecting the change in promoter from Valentine to D & R. Warner received the revised contracts in California and contemporaneously learned that Father M.C. could not perform on July 11th. Warner immediately made arrangements with ICM for the return of the $2,000 deposit. Warner then forwarded the new Pebbles and Hi-Five contracts to Atkins in Indianapolis. Warner directed Atkins to sign the contracts and return them immediately to ICM in New York so that they would arrive prior to the concert date. At this point, although Warner realized that the artists would probably not be able to sign the contracts prior to the show, she fully expected that if ICM had the contracts in hand, the artists would show up to perform the concert pursuant to the contracts.

Pebbles and Hi-Five arrived at the Fort Wayne Coliseum during the early afternoon on the day of the concert. The contract provided that all “payments shall be paid by certified check, money order, bank draft, or cash.” (R. 277,280). The contract also specified that the amounts due shall be paid “prior to performance on night of above engagement or ACT WILL NOT PERFORM.” (emphasis in original) (R. 277, 280). Prior to the concert, Donaldson, Rhodes, Atkins, and the Pebbles Defendants’ road manager met with coliseum officials to pay the artists the remainder owed for their performances. Pebbles and Hi-Five were tendered the exact amount due them, but Pebbles’s payment was not all in cash, as provided in the contract. The artists consequently refused to perform and the concert was canceled.

This litigation began in December of 1991, when D & R Entertainment filed a complaint against the Pebbles Defendants, Hi-Five, Hi-Five Music, Inc., Father M.C. and ICM.

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Bluebook (online)
670 N.E.2d 1305, 1996 Ind. App. LEXIS 1103, 1996 WL 496765, Counsel Stack Legal Research, https://law.counselstack.com/opinion/international-creative-management-inc-v-d-r-entertainment-co-indctapp-1996.