In Re the Marriage of Zaentz

218 Cal. App. 3d 154, 267 Cal. Rptr. 31, 1990 Cal. App. LEXIS 170
CourtCalifornia Court of Appeal
DecidedFebruary 23, 1990
DocketA038989
StatusPublished
Cited by14 cases

This text of 218 Cal. App. 3d 154 (In Re the Marriage of Zaentz) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
In Re the Marriage of Zaentz, 218 Cal. App. 3d 154, 267 Cal. Rptr. 31, 1990 Cal. App. LEXIS 170 (Cal. Ct. App. 1990).

Opinion

Opinion

RACANELLI, P. J.

This case concerns a community property dispute between Saul Zaentz (husband) and Lynda Zaentz (wife) over the financial rewards of husband’s role as producer of the Academy Award-winning movie “Amadeus.” The central issue relates to the trial court’s allocation of an additional $600,000 to the community as compensation for husband’s production and financial contributions to “Amadeus.”

Procedural History

On November 16, 1983, wife filed a petition for dissolution of the marriage. Thereafter, following his response, husband filed a motion to set the alternative valuation date as of the date of separation. 1

In April 1985, wife’s motion to join the Saul Zaentz Company (SZC) was granted. But immediately before trial, the court granted SZC’s motion for summary judgment that SZC owned the contractual rights to the movie. The lengthy trial, which began on June 11, 1985, concluded with the submission of written arguments.

In January 1986, the trial court granted wife’s motion to reopen to take additional evidence concerning posttrial profits from the movie “Amadeus.” In the final judgment entered in April 1987, wife was awarded, inter alia, spousal support of $5,000 a month for 1986 through 1988, and 2 approximately $200,000 as her share of other community property plus half of the disputed $600,000. (The bulk of the remaining assets belonged to husband as his separate property or to SZC.) Wife was also awarded approximately $250,000 of her claimed $400,000 in attorney’s fees as well as other fees.

*158 Husband now appeals from that part of the judgment awarding wife the additional $300,000 as her share of the community property remuneration for husband’s producing and financing efforts. Wife cross-appeals from specific parts of the judgment.

Facts

We recite the relevant factual background in a manner facilitating analysis and discussion.

The Marriage

Husband and wife married on October 15, 1978, and separated on November 8, 1983. Wife, 44 years old at the time of trial, had previously been employed as a secretary and administrative assistant and also had briefly operated a small business venture in the mid-1970’s. In 1983, wife worked for several months as a production assistant during the filming of “Amadeus” in Czechoslovakia. Husband, 64 years old at the time of trial, had spent his adult life in the entertainment industry, primarily music (records) and film. In 1975, he coproduced (with Michael Douglas) the Academy Award-winning film, “One Flew Over the Cuckoo’s Nest.”

In 1977, husband founded SZC for the purpose of producing movies. 3 He initially owned 40 percent of the common stock in SZC, but then assigned part of his interest to a number of beneficial trusts, in many of which he was a named beneficiary. During the marriage, husband owned only 5.5 percent of the common stock. Husband acted as chief executive officer of SZC and was also chairman of the board of directors.

In 1979-1980, SZC built a large $6 million building in Berkeley containing film editing and postproduction facilities for motion pictures. The facilities were leased out or used for SZC’s own projects.

Prior to the marriage, SZC had lost a great deal of money on its film projects and consequently was in a poor financial condition during the early part of the marriage. In 1981, Milos Forman, the acclaimed director of “One Flew Over the Cuckoo’s Nest,” approached husband about a possible joint venture to make a motion picture from the award-winning stage play “Amadeus.” Ultimately, a written agreement was entered into in 1982 by husband, Forman and Peter Shaffer, the playwright. Among other responsi *159 bilities, husband was to serve as the producer for a fee of $300,000 plus per diem expenses. 4

At the time the parties separated, the filming had been completed and postproduction work was in progress. The movie was eventually released in 1984 and achieved tremendous critical acclaim and financial success. Since the producer’s or producing entity’s share of the profits contractually inured to SZC, husband asserted that wife had no right to any part of that money. As earlier mentioned, the trial court had determined that the contractual rights to the film belonged to SZC.

Wife presented financial expert testimony that husband’s net worth increased by more than $2 million over the course of the marriage, a calculation strenuously disputed by husband.

“Amadeus”

Apparently, Forman and Shaffer had previously approached several movie studios but were unsuccessful in obtaining necessary financial commitments and assurance of artistic freedom. 5 After extended negotiations, an agreement was signed in January 1982, providing Shaffer with a fee of $500,000 for writing the screenplay, Forman with a fee of $500,000 for directing the movie, and husband with a fee of $300,000 for producing the movie. Each of the principals or their individual assignees were to share the profits equally. The agreement also provided that the SZC building would be used as collateral to secure a minimum loan of $10 million to finance the project, but with the added proviso that husband “personally and on behalf of his heirs at law” would guarantee the financing.

The movie was filmed in Czechoslovakia and Italy between January and July 1983. The postproduction and editing stages occurred during the year August 1983 - August 1984. The prizewinning movie was released in September 1984.

The original budget estimate ranged from $8 to $10 million; the final overbudget cost was approximately $16.5 million. The film was financed from a variety of sources: SZC’s cash resources, a $6 million loan from the Canadian Commercial Bank (secured by the SZC building, husband’s per *160 sonal guaranty and the corporate guaranties of Fantasy and Obelix); and other loans from company officials and employees and related companies.

At the time of trial, the film had gross receipts of nearly $50 million. Based on this figure, wife’s financial experts estimated a total profit of between $8 to $14 million. Paul Zaentz (husband’s nephew who performed legal and tax work for SZC) originally testified that by May 1985 only $600,000 in profit had accrued to SZC. After the case was reopened for the submission of profit data as of December 1985, he then estimated that SZC would realize a profit of nearly $2.6 million from its share of “Amadeus” plus some $2.5 million in interest on funds advanced for production, and deferred facilities rental fees of $700,000.

The Project Financing

It is no hyperbole to describe the relevant financial history as a circuitous journey through a labyrinth of interlocking and interrelated corporate entities, family trusts and closely owned holding companies.

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Cite This Page — Counsel Stack

Bluebook (online)
218 Cal. App. 3d 154, 267 Cal. Rptr. 31, 1990 Cal. App. LEXIS 170, Counsel Stack Legal Research, https://law.counselstack.com/opinion/in-re-the-marriage-of-zaentz-calctapp-1990.