In re Robert S. Fastov

District of Columbia Court of Appeals·Decided September 18, 2014·No. 13-BG-850·Published

Opinion

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DISTRICT OF COLUMBIA COURT OF APPEALS No. 13-BG-850

IN RE ROBERT S. FASTOV, RESPONDENT.

A Suspended Member of the Bar of the District of Columbia Court of Appeals (Bar Registration 56333)

On Report and Recommendation of the Board on Professional Responsibility (BDN-105-07)

(Submitted May 13, 20141 Decided September 18, 2014)

Robert S. Fastov, pro se.

Julia L. Porter, Assistant Bar Counsel, with whom Wallace E. Shipp, Jr., Bar Counsel, and Jennifer P. Lyman, Senior Assistant Bar Counsel, were on the brief, for the Office of Bar Counsel.

Before THOMPSON and MCLEESE, Associate Judges, and KING, Senior Judge.

THOMPSON, Associate Judge: In a Report issued on July 31, 2013, the Board of Professional Responsibility (the “Board”) concluded that Respondent Robert

1 Oral argument was scheduled to take place in this case on April 17, 2014, but did not occur because of an emergency. The court later determined that oral argument would not assist in resolution of the case and that the case would be submitted on the written record as of May 13, 2014.

Fastov violated Rules 3.1, 3.4 (c), 4.4 (a), and 8.4 (d) of the D.C. Rules of Professional Conduct in filing and prosecuting a lawsuit against Christie‟s International PLC et al. (the “Christie’s matter”), and also violated Rules 3.1, 4.4 (a), and 8.4 (d) in filing and prosecuting an unrelated lawsuit against the Palisades Swimming Pool Association and certain members of its governing board (“the Palisades matter”). The Board‟s conclusions were based on the factual findings set out in a January 5, 2012, report of an Ad Hoc Hearing Committee (the “Hearing Committee” or the “Committee”) and were largely in accord with the Committee‟s legal conclusions. The Board adopted the Hearing Committee‟s recommendation that Respondent be suspended from the practice of law for eighteen months and that he be required to demonstrate his fitness to practice as a condition of reinstatement. Respondent broadly attacks the Board‟s Report; Bar Counsel has filed only limited exceptions to it. We find it unnecessary to address all of the various issues raised by the parties, but conclude that the record and the law amply support a conclusion that, through his conduct in one or both of the matters, Respondent violated all of the foregoing Rules. We also adopt the recommended sanction.

I. Background

A. The Christie’s Matter

The Hearing Committee found, and the Board accepted as “supported by substantial record evidence,” the following. Respondent was admitted to the District of Columbia Bar in December 1969. In 1985, he retired from his position as Deputy Chief Counsel for an agency within the Department of Commerce. Thereafter, he opened an art gallery and worked as an art dealer. At some point, Respondent acquired a landscape painting that he believed was the work of 19th century Austrian artist Emil Jakob Schindler (“the painting” or “the Schindler painting”).2 In February 1993, he contacted Christie‟s London office in response to an advertisement he had received from the firm about an auction of German and Austrian art it planned for May of that year. In his letter to Christie‟s, Respondent proposed to consign the painting to Christie‟s for the auction. He testified before the Hearing Committee that, through telephone conversations, he and Wendy Goldsmith of Christie‟s reached an oral consignment agreement under which Christie‟s was required to offer the painting for sale as an “unqualifiedly authentic Schindler painting” and was specifically prohibited from seeking an expert opinion

2 Respondent asserts that he acquired the painting as part of his private collection, and not in his capacity as an art dealer.

as to the painting‟s authenticity.3 In March 1993, Respondent sent the Schindler painting and two other paintings to Christie‟s and received in response a document that acknowledged receipt of the paintings and set forth Christie‟s conditions of sale, which reserved to Christie‟s “absolute discretion as to . . . whether the Lot is suitable for sale by Christie‟s, and . . . whether the views of any expert shall be obtained[,]” and provided that “Christie‟s reserves the right to withdraw any property at any time before the actual sale if, in Christie‟s sole judgment . . . there is doubt as to its attribution or to its authenticity[.]” Before returning the document to Christie‟s, Respondent crossed out certain provisions, but, the Hearing Committee found, “did nothing to indicate” that the terms quoted above did not apply to the Schindler painting.

After Christie‟s received the painting in March 1993, a Christie‟s employee consulted Dr. Gerbert Frӧdl, director of a prominent Austrian art museum, about

3 In a declaration submitted in the Christie’s litigation in April 2000, Goldsmith averred that she did “not have authority from [Christie‟s] to waive [Christie‟s] right to consult outside experts regarding works of art offered for consignment[,]” “never agreed with anyone, including Mr. Fastov, to waive [Christie‟s] rights in this respect[,]” and “did not consider [her]self to be entering into a binding agreement to auction the Painting at that time[.]” Similarly, Mark Politmore, a Christie‟s executive who reviewed the painting, submitted a declaration in which he stated that “he [did] not know of any occasion when [Christie‟s] ha[d] waived terms relating to use of experts or discretion in case of authenticity questions.”

the painting. According to statements by Christie‟s staff, Dr. Frӧdl advised that he could not render a definitive judgment as to the authenticity of the painting without seeing the original. Goldsmith attested that she called Respondent and told him that Christie‟s would not auction the painting because Dr. Frӧdl could not commit to an opinion without seeing the original painting. In contrast, Respondent testified that his understanding of what Goldsmith told him on or about April 1, 1993, was that Dr. Frӧdl had said that the painting was a “fake.” In March 1994 correspondence to Respondent, Dr. Frӧdl told Respondent that he had never challenged the authenticity of the painting or called it a “fake.” At that point, Respondent concluded that Christie‟s employees had been lying to him. That conclusion was the backdrop for a 79-page letter that Respondent sent to a Christie‟s executive in July 1994.

In the July 1994 letter, Respondent demanded that unless Christie‟s paid him $168,000 for the painting, he would sue for damages in excess of $1 million. He stated that he was “fully prepared to make a career of [the] lawsuit [he threatened], and an extremely lucrative and psychologically gratifying one at that” and said that once he was “in litigation mode,” he would have “every incentive . . . to maximize . . . the pain to Christie‟s in court[.]” Although Respondent stated in the letter that his intent was “pacific[,]” he also expressed the intent to secure “Christie‟s

unconditional surrender” and asserted that there was no way that Christie‟s could “„spend‟ [him] out of this case.”

On March 21, 1997, Respondent filed a 225-page Verified Complaint against Christie‟s in the United States District Court for the District of Columbia, alleging “Continuing Fraudulent Misrepresentation and Concealment of Material Facts”; “Continuing Negligent Misrepresentation and Concealment of Material Facts”; “Unfair Trade Practices”; “Breach of the Oral Consignment Agreement and Implied Duty of Good Faith and Fair Dealing”; “Negligence and Reckless Conduct”; and “Intentional Infliction of Emotional Distress” (“IIED”), and seeking compensatory and punitive damages totaling more than $7 million.

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