Hacienda Records, L.P. v. Ruben Ramos, et a

CourtCourt of Appeals for the Fifth Circuit
DecidedJanuary 4, 2018
Docket16-41180
StatusUnpublished

This text of Hacienda Records, L.P. v. Ruben Ramos, et a (Hacienda Records, L.P. v. Ruben Ramos, et a) is published on Counsel Stack Legal Research, covering Court of Appeals for the Fifth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Hacienda Records, L.P. v. Ruben Ramos, et a, (5th Cir. 2018).

Opinion

Case: 16-41180 Document: 00514293959 Page: 1 Date Filed: 01/04/2018

IN THE UNITED STATES COURT OF APPEALS FOR THE FIFTH CIRCUIT

United States Court of Appeals

No. 16-41180 Fifth Circuit

FILED January 4, 2018

HACIENDA RECORDS, L.P., Lyle W. Cayce Clerk Plaintiff - Appellee

HACIENDA RECORDS AND RECORDING STUDIO, INCORPORATED; LATIN AMERICAN ENTERTAINMENT, L.L.C.; RICHARD GARCIA, also known as Rick Garcia; ROLAND GARCIA, SR.,

Counter Defendants - Appellees

v.

RUBEN RAMOS; LETICIA LETTY SALCEDO; ARTURO RENE SERRATA; HUGO CESAR GUERRERO,

Defendants - Appellants

RUBEN GUANAJUATO,

Counter Claimant - Appellant

Appeal from the United States District Court for the Southern District of Texas USDC No. 2:14-CV-19 Case: 16-41180 Document: 00514293959 Page: 2 Date Filed: 01/04/2018

No. 16-41180 Before BARKSDALE, DENNIS, and CLEMENT, Circuit Judges. PER CURIAM:* Primarily at issue is whether Tejano artists Hugo Ruben Guanajuato, Hugo Cesar Guerrero, and Arturo Rene Serrata, were properly dismissed for lack of standing. Also at issue are Hacienda Records’ being awarded both summary judgment against Ruben Ramos’ breach-of-contract claim and prevailing-party status. AFFIRMED. I. Appellants’ claims perpetuate an ongoing copyright-ownership dispute, the subject of numerous previous actions between Tejano recording companies and Tejano artists represented by David Showalter, including, Guanajuato, Guerrero, Ramos, and Serrata. Guzman v. Hacienda Records & Recording Studio, Inc., 808 F.3d 1031 (5th Cir. 2015); Tempest Publ’g, Inc. v. Hacienda Records & Recording Studio, Inc., 141 F. Supp. 3d 712 (S.D. Tex. 2015); Sanchez v. Hacienda Records & Recording Studio, Inc., 42 F. Supp. 3d 845 (S.D. Tex. 2014); Guerrero v. Martinez, 2011 WL 5155831 (S.D. Tex. Oct. 27, 2011); Guajardo v. Freddie Records, Inc., 2014 WL 12605052 (S.D. Tex. Dec. 12, 2014), R. & R. adopted, 2015 WL 12791484 (S.D. Tex. Mar. 11, 2015), order corrected, 2015 WL 12791487 (S.D. Tex. Apr. 27, 2015) (ruling Guanajuato, Guerrero, and Serrata lacked standing due to their irrevocable assignment of rights); Sanchez v. Freddie Records, Inc., 2011 WL 3606808 (S.D. Tex. Aug. 10, 2011). Prior to this ongoing dispute, appellants assigned and transferred various rights to their attorney, Showalter. Guanajuato, Guerrero, and

* Pursuant to 5th Cir. R. 47.5, the court has determined that this opinion should not be published and is not precedent except under the limited circumstances set forth in 5th Cir. R. 47.5.4.

2 Case: 16-41180 Document: 00514293959 Page: 3 Date Filed: 01/04/2018

No. 16-41180 Serrata, did so through two documents: assignments and special powers of attorney. (Ramos did not execute a special power of attorney.) The special powers of attorney used by Guanajuato, Guerrero, and Serrata transferred to Showalter the “exclusive right to enforce any legal rights in respect of the Works and administer any and all rights and revenue received or recovered as a result of the Works, whether as the result of litigation or otherwise”. Some of the disputes between the parties center on the effect of these assignments and special powers of attorney. This action was initiated by Showalter’s January 2014 demand letter to Hacienda, requesting records and documents related to works of Ramos and Serrata, and demanding Hacienda cease-and-desist for any unlicensed exploitation of their works. In response, Hacienda sought a declaratory judgment to resolve its ownership of various copyrights. Counterclaims for copyright violations and breach of contract followed, and additional parties were joined as defendants, cross-defendants, and counter-claimants, including, Guanajuato and Guerrero. Following multiple voluntary dismissals, the counter-claimants pursued: (1) Guanajuato’s claim for copyright infringement and violation of the Digital Millennium Copyright Act (DMCA); (2) Guerrero, Ramos, and Serrata’s claims for breach of contract, breach of the duty of good faith and fair dealing, and attorney’s fees under Texas law; (3) Guerrero and Serrata’s claims for breach of fiduciary duty; and (4) appellants’ request for a declaratory judgment that they are entitled to records of all revenues from the exploitation of their works. Hacienda maintains Guanajuato, Guerrero, and Serrata (standing appellants) lack standing, based on their earlier assignment of their rights to pursue claims related to their works. Because standing was disputed in a separate action pending between the parties (Guajardo), the court in this

3 Case: 16-41180 Document: 00514293959 Page: 4 Date Filed: 01/04/2018

No. 16-41180 action took judicial notice of related documents offered as evidence in that parallel action, Guajardo, 2015 WL 12791487, at *1. But, the court in this action concluded collateral estoppel did not apply because the final judgment in Guajardo had not been entered when, in this action, the court dismissed the standing appellants. Nonetheless, for that dismissal, the court agreed with the “reasoning and conclusions” of the Guajardo court’s ruling on standing. As noted, Ramos did not enter into a special power of attorney assigning Showalter the right to pursue claims related to the works, and, as also noted, asserted, inter alia: state-law claims for breach of contract, and breach of the duty of good faith and fair dealing. Considering the merits of Ramos’ claims, the court, in awarding summary judgment to Hacienda, found evidence of a 1985 contract between Hacienda and Ramos, providing: Ramos would record and deliver two albums per year for four years; Hacienda would hold “sole and exclusive rights to all master sound records and derivatives made thereunder”; and it was to pay Ramos $1,000 prior to the first album, and further compensate him based on album-sale profits. In opposition to Hacienda’s summary-judgment motion, a 9 January 2015 declaration from Ramos stated he had not received payment under this 1985 contract. The court, however, declined to consider the declaration, based on Ramos’ contradictory deposition testimony on 13 January, only four days after his declaration. In doing so, the court relied on sham-affidavit jurisprudence to conclude: “Because Ramos [] provided no valid explanation for his inability on January 13, 2015, to remember facts he swore to in his Declaration four days before, and these contradictory statements cannot be reconciled”, he failed to present any summary-judgment evidence for a breach of the 1985 contract.

4 Case: 16-41180 Document: 00514293959 Page: 5 Date Filed: 01/04/2018

No. 16-41180 Consequently, summary judgment was awarded Hacienda against Ramos. And, the court ruled Hacienda was the “prevailing part[y]”, entitling it to attorney’s fees and costs. II. Appellants claim the court erred by: dismissing the standing appellants; awarding summary judgment to Hacienda against Ramos; and according prevailing-party status to Hacienda. Each claim fails. A. Regarding whether the court erred in dismissing the three standing appellants under Federal Rule of Civil Procedure 12(c) because of their assignments and special powers of attorney in favor of their attorney, Showalter, those appellants do not challenge the proposition that an assignor loses the ability to pursue an action after transferring the “exclusive” right to do so. Instead, they assert copyright principles, see Prather v. Neva Paperbacks, Inc., 410 F.2d 698 (5th Cir. 1969), prevent application of the plain meaning of their earlier-quoted transfer of the “exclusive right to enforce any legal rights in respect of the Works”.

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