Guy B. Bailey, Jr., Lois M. Bailey, Bernard B. Neuman, and Miriam Neuman v. Commissioner of Internal Revenue

993 F.2d 288, 71 A.F.T.R.2d (RIA) 1597, 1993 U.S. App. LEXIS 8629
CourtCourt of Appeals for the Second Circuit
DecidedApril 20, 1993
Docket136, Docket 92-4056
StatusPublished
Cited by5 cases

This text of 993 F.2d 288 (Guy B. Bailey, Jr., Lois M. Bailey, Bernard B. Neuman, and Miriam Neuman v. Commissioner of Internal Revenue) is published on Counsel Stack Legal Research, covering Court of Appeals for the Second Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Guy B. Bailey, Jr., Lois M. Bailey, Bernard B. Neuman, and Miriam Neuman v. Commissioner of Internal Revenue, 993 F.2d 288, 71 A.F.T.R.2d (RIA) 1597, 1993 U.S. App. LEXIS 8629 (2d Cir. 1993).

Opinion

KEARSE, Circuit Judge:

Petitioners Guy B. Bailey, Jr., Lois M. Bailey, Bernard B. Neuman, and Miriam Neuman (collectively “taxpayers”) appeal from final decisions of the United States Tax Court, Irene F. Scott, Judge, finding deficiencies in their income taxes for certain years during the period 1973-1976. The tax court, following a remand from this Court on taxpayers’ prior appeal, Bailey v. Commissioner, 912 F.2d 44 (2d Cir.1990) (“Bailey I”), ruled that nonrecourse notes used to purchase certain motion picture rights should be disregarded for income tax purposes and hence that related deductions should be disallowed. On this appeal, taxpayers challenge the tax court’s findings as to the fair market value of their contract rights and as to their lack of incentive to pay off the notes out of personal assets. For the reasons below, we affirm.

I. BACKGROUND

Most of the events leading to this dispute are uncontested and are described in detail in Bailey I, familiarity with which is assumed. They will be only briefly summarized here.

A. The Events

Guy B. Bailey, Jr., and Bernard B. Neuman were limited partners in Vista Company (“Vista”) and Persky-Bright Associates (“Persky-Bright”), respectively, two partnerships that invested in feature-length commercial films (collectively the “Partnerships”). Persky-Bright and Vista purchased rights to certain unreleased films belonging to Columbia Pictures Corp. (“Columbia”) and simultaneously licensed the films’ distribution rights back to Columbia. Persky-Bright invested in one film, Summer Wishes, Winter Dreams; Vista invested in four films: Shampoo, Breakout, Funny Lady, and Bite the Bullet.

*290 The investment in Summer Wishes, Winter Dreams, which was similar to the other transactions at issue, was accomplished by purchase and distribution agreements simultaneously executed in October 1973, and amended in June 1974. The amended purchase agreement granted Persky-Bright all “right, title and interest” in the film in exchange for $2 million, which was 133% of the amount that Columbia warranted as the minimum production cost of the film; the completed production cost of the film was actually $1,939,822. The purchase was to be accomplished by three cash payments extending over a one-year period totalling $150,000, plus a nonrecourse promissory note for $1,850,000, secured by a lien on the film and its proceeds. In addition, by September 1974 Persky-Bright was to prepay $225,000 in interest. The promissory note was payable 10 years from the date of the agreement and bore interest at a rate of 12% for the first year, and 10% for each subsequent year. If the principal and interest were not fully paid upon maturity, Columbia was entitled to foreclose on the film and terminate Persky-Bright’s interest.

The amended distribution agreement granted Columbia the exclusive right to distribute the film for 10 years and an option to extend that term in perpetuity by paying an advance of the greater of $15,000 or the “fair market value” of the extension, based on the average price paid by Columbia for similar extensions. Columbia was to receive a percentage of the film’s gross receipts as its distribution fee. In addition, Columbia was entitled to recover certain of its costs from the film’s gross receipts. Persky-Bright was to receive 25% of the film’s net proceeds; Columbia was to receive the remaining 75% as payment on the promissory note. After the note’s principal and accrued interest were fully paid, Persky-Bright was to receive 100% of the film’s net proceeds.

Vista invested in four Columbia films in similar transactions for stated prices ranging from 125% to 131% of the films’ warranted production costs. The completed production costs and the nonrecourse promissory notes with respect to these films were as follows:

Cost Nonrecourse Note
Shampoo $5.4 million $ 5,776,581
Breakout $5,875 million $ 5,961,188
Funny Lady $9.5 million $10,654,836
Bite the Bullet $5.4 million $ 5,176,769

The notes on these films were not cross-collateralized; thus, the earnings of a particular film were not to be applied by Columbia as payment of the notes on the other films.

At the time of trial, Vista had paid its note on Shampoo in full and hence was receiving 100% of the current profits from that film. However, the other four films had failed to earn enough to pay off their notes. Taxpayers contend that the shortfall was caused by a failure on the part of Columbia to account properly for profits; they are engaged in litigation with Columbia over its accounting, and they claim that the earnings of the other four films, upon a proper accounting, will not only pay the notes in full but also produce substantial profits for the Partnerships.

In computing their income taxes for the pertinent years, taxpayers reported their shares of the Partnerships’ income and losses, which included deductions for depreciation of the films and for interest paid on the nonrecourse notes. The Internal Revenue Service disallowed these deductions and assessed tax deficiencies for the years 1973-1976. Taxpayers challenged that determination in the tax court.

B. The Prior Proceedings

In its initial decision, the tax court, Irene F. Scott, Judge, adopting the opinion of Special Trial Judge John J. Pajak, ruled, inter alia, that taxpayers were not entitled to depreciation deductions on the films themselves because the Partnerships had not acquired ownership of the films, but that taxpayers could take depreciation deductions on their *291 contract rights to receive portions of the films’ proceeds. See 90 T.C. 558, 614, 1988 WL 26418 (1988). However, stating that “when debt principal is payable solely out of exploitation proceeds, nonrecourse loans are contingent obligations and are not treated as true debt,” id. at 616, the court held that the nonrecourse notes at issue here did not represent genuine debt. Consequently, it ruled that the value of the notes should be excluded from the depreciable bases of taxpayers’ contract rights and that taxpayers’ interest payments on the notes were not deductible.

In Bailey I, we affirmed the rulings that the Partnerships were not the owners of the films and that taxpayers therefore were not entitled to depreciation deductions on the films themselves. See 912 F.2d at 47-48. We also affirmed the ruling that taxpayers were entitled to such deductions on their contract rights in the films, see id. at 48, but we noted that the tax court had made no finding as to the value of those rights, see id. at 49.

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993 F.2d 288, 71 A.F.T.R.2d (RIA) 1597, 1993 U.S. App. LEXIS 8629, Counsel Stack Legal Research, https://law.counselstack.com/opinion/guy-b-bailey-jr-lois-m-bailey-bernard-b-neuman-and-miriam-neuman-v-ca2-1993.