Grishman v. Clark

CourtDistrict Court, D. Massachusetts
DecidedMay 31, 2023
Docket1:22-cv-10171
StatusUnknown

This text of Grishman v. Clark (Grishman v. Clark) is published on Counsel Stack Legal Research, covering District Court, D. Massachusetts primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Grishman v. Clark, (D. Mass. 2023).

Opinion

UNITED STATES DISTRICT COURT DISTRICT OF MASSACHUSETTS

CIVIL ACTION NO. 22-11009-RGS

DAVID GRISHMAN, REDROCK LITERARY, LLC, and PINK SAND PRESS, LLC

v.

MARCI CLARK

MEMORANDUM AND ORDER ON CROSS-MOTIONS FOR SUMMARY JUDGMENT

May 31, 2023

STEARNS, D.J. David Grishman, literary agency RedRock Literary, LLC (RedRock), and publishing company Pink Sand Press, LLC (Pink Sand), brought this lawsuit against a client author, defendant Marci Clark. Plaintiffs seek to hold Clark liable for the alleged breach of her Literary Agency and Representation Agreement (LAA) with RedRock and her Publishing Agreement (PA) with Pink Sand. Clark counterclaimed, alleging that Grishman and RedRock breached the fiduciary duty they owed to her as her agents. Clark also claims that Pink Sand breached the PA by failing to reimburse her for auditing costs and by withholding royalty payments.1 Plaintiffs now move for summary

1 This summary omits several claims and counterclaims that were dismissed by the court and voluntarily dismissed by the parties. See judgment on their breach of the LAA claim and on all of Clark’s counterclaims. Clark cross-moves for summary judgment on the same

claims, as well as on plaintiffs’ breach of the PA and breach of the implied covenant of good faith and fair dealing claims.2 BACKGROUND Clark is an author of romance novels and other genres targeted to a

female readership. Prior to signing with RedRock, Clark had successfully published with other publishing houses. On December 3, 2018, Clark entered the LAA with RedRock and engaged Grishman, RedRock’s founder

and president, as her literary agent. Acting in that capacity, Grishman contacted Jeanne De Vita, who is also a friend of Clark, to ask whether she knew of any publishers who would be interested in Clark’s work. De Vita suggested Pink Sand, a newly-formed publishing house for which she worked

as a developmental editor. On December 9, 2018, De Vita sent Grishman a proposed PA for Pink Sand’s acquisition of the rights to Clark’s titles.

8/4/2022 Order [Dkt # 33]; Stipulation of Dismissal of Select Claims [Dkt # 66]. Additionally, Clark originally brought a third-party complaint against Steven Grishman, but he has since been dismissed as a party.

2 Clark moves for “partial” summary judgment. But the court cannot identify the partial relief Clark requests, with Clark having moved for summary judgment on all claims and counterclaims and not having limited her motion to certain issues of any claim. Unbeknownst to Clark at the time, Grishman’s father, Steven Grishman, is the CEO and owner of Pink Sand.3

Under the PA, Clark committed to produce six novels in her The Women of the Hearts series (Hearts series). When she signed the PA, Clark had already drafted the first three books in the Hearts series. The PA specified deadlines for Clark by which she was to submit the three draft

novels for substantive developmental editing. She was also given deadlines for books four through six in the Hearts series. Clark also agreed to produce a fiction series entitled A Life Without Water (Life Without series) under the

PA. The PA laid out the editing sequence between Clark and Pink Sand. Clark was to deliver a copy of each manuscript by the agreed-upon deadline. Pink Sand would then determine whether the manuscript was “acceptable

. . . in content and form.” PA [Dkt # 1-3] ¶ 2(a). If Pink Sand found a manuscript deficient, it would provide Clark with a written request for changes and revisions. Clark would then have thirty days to submit a revised manuscript. See id. Once Pink Sand accepted a manuscript, it would have a

3 To avoid confusion between David Grishman and Steven Grishman, the court will refer to David as “Grishman” and Steven as “Steven Grishman.” twelve-month window in which to publish the book. Royalties were to be paid on a quarterly basis to Clark based on a percentage of her book sales.

The proposed PA set Clark’s royalty rate at 15%. Clark told De Vita that “the 15% [was] a bit of a gut punch” even though she “kn[e]w it’s an industry standard.” Clark/De Vita Messages [Dkt # 62-2] at 10. Clark also asked De Vita whether the contract term would be three or five years in duration, to

which De Vita responded that she had told Grishman no more than five years. Id. De Vita also told Clark that if there were any terms of the PA that she was unhappy with, she should “push back” accordingly. Id.

During the negotiations, Grishman asked Pink Sand whether the contract term was flexible and whether Pink Sand would be amenable to a term of seven or eight years. On December 17, 2018, De Vita gave Grishman a term sheet for Clark, proposing a ten-year contract. Neither Clark nor

Grishman pushed back on the term length. Grishman also requested either an increased royalty rate or a bonus structure for Clark, the latter of which Clark accepted. On January 23, 2019, Clark entered the PA with Pink Sand. She shortly

thereafter learned that Steven Grishman was David Grishman’s father. Clark stated that she was concerned about Grishman’s potential conflict of interest, but she did not terminate the agency or the contract. After the PA was signed, Grishman began to work directly for Pink Sand. Clark and Grishman amended the LAA so that his compensation under the LAA would be reduced

to 0% to account for the shift. Pink Sand began promoting Clark’s work, ultimately spending some $1.4 million on the marketing and promotion of her titles. Accounting Sheet [Dkt # 58-15]. Clark’s social media following and readership grew

significantly as a result. See Clark Dep. [Dkt # 58-1] at 48-50. After contracting with Pink Sand, Clark earned over $48,000 annually in royalties in 2020 and 2021, a significant increase from the less than $500 in annual

royalties she had earned from 2016 to 2018. Clark Compensation Graph [Dkt # 58-4] at 5-6. In October of 2019, Clark submitted the manuscript for the fourth book in the Hearts series, entitled Secret Hearts. Pink Sand’s editors, including

De Vita, found the manuscript unacceptable and requested substantial revisions. After receiving a revised version in January of 2020, De Vita told Grishman that the manuscript remained unacceptable. According to plaintiffs, in February of 2020, Grishman, his father, De Vita, and Clark

participated in a phone call in which Clark stated that she was no longer interested in authoring the Hearts series and agreed to have De Vita ghostwrite the remaining three books, including Secret Hearts. Clark states that she only agreed to cede the series to De Vita because Grishman advised her that the PA allowed Pink Sand to implement the ghostwriting

arrangement without her consent. In March of 2020, Clark told Pink Sand that she objected to the use of a ghostwriter. To accommodate her objection, Pink Sand agreed with Clark to execute an amendment to the PA extending the deadlines for the

remaining two books in the Hearts series. The amendment also stipulated that Clark would create a new series, the Chammont Point series, for Pink Sand to publish.

In February of 2021, Pink Sand and Clark executed a second amendment to the PA after she completed the Life Without series. The new amendment set deadlines for the second and third installments of the Chammont Point series. The third installment of that series, The Breaking

Point, was due on August 18, 2021. Clark also agreed to deliver new concepts for Pink Sand’s future publication by May 15, 2021. On May 17, 2021, Clark submitted a concept for a three-book romance series called Treehouse Club. Pink Sand’s editors found the proposed series

deficient in several respects. Clark withdrew the Treehouse Club concept on June 7, 2021, and did not propose a substitute.

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