Gribin v. HAMMER GALLERIES, a DIV. OF HAMMER HOLDINGS

793 F. Supp. 233, 1992 U.S. Dist. LEXIS 14629, 1992 WL 126372
CourtDistrict Court, C.D. California
DecidedMay 7, 1992
Docket92-0411 RG (Sx)
StatusPublished
Cited by5 cases

This text of 793 F. Supp. 233 (Gribin v. HAMMER GALLERIES, a DIV. OF HAMMER HOLDINGS) is published on Counsel Stack Legal Research, covering District Court, C.D. California primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Gribin v. HAMMER GALLERIES, a DIV. OF HAMMER HOLDINGS, 793 F. Supp. 233, 1992 U.S. Dist. LEXIS 14629, 1992 WL 126372 (C.D. Cal. 1992).

Opinion

ORDER ON DEFENDANTS’ MOTION TO DISMISS OR, ALTERNATIVELY, TO CHANGE VENUE

GADBOIS, District Judge.

This action came on for hearing before the Court, Honorable Richard A. Gadbois, Jr., presiding, on April 20, 1992. Having considered the moving and opposition papers, arguments of counsel and all other matters presented, the Court hereby rules as follows.

Background

The Plaintiff is an art collector who sold a painting by Marie Laurencin entitled “Three Young Ladies” to Defendant Brass-ner for $450,000 in June, 1990. (Unbeknownst to Plaintiff, Defendant Hammer *234 Galleries was Brassner’s “partner” in the purchase and put up half of the purchase price — apparently because the two Defendants planned on re-selling the painting to a Japanese buyer.) The sale was consummated through Ansley Graham, either— this is disputed by the parties — by Graham contacting Brassner and offering to sell him the painting or by Brassner contacting Graham and offering to buy the painting. According to the Complaint, Graham was a former private art broker and mutual friend of both Plaintiff and Brassner and did not receive any commission for the sale. Pursuant to the purchase agreement, the painting was accompanied by a certificate of authenticity of Paul Petrides — who is “the. leading expert on Marie Laurencin art,” according to Plaintiff.

It seems, however, that Defendants’ Japanese buyer wanted the painting examined by Daniel Marchessau — who, Plaintiff claims, is a more recently established expert on Laurencin art, but, according to Defendants, is “the leading expert on Marie Laurencin.” Apparently, Marchessau examined the painting and refused to include it in his Catalogue Raisonne of the works of Marie Laurencin, which, according to Defendants, is “tantamount to ... a determination that the painting is less than authentic” and thus makes it “unsaleable [with] virtually no market value.”

Subject matter jurisdiction is based on diversity, pursuant to 28 U.S.C. § 1332(a)(1) (Supp.1991).

Analysis

A. MOTION TO DISMISS.

1. Standards for Hearing Declaratory Action.

The Declaratory Judgment Act [28 U.S.C. § 2201(a)] provides:

In a ease of actual controversy within its jurisdiction ... any court of the United States ... may declare the rights and other legal relations of any interested party seeking such declaration, whether or not further relief is or could be sought.

“[I]t is now well settled by a multitude of cases that the granting of a declaratory judgment rests in the sound discretion of the trial court exercised in the public interest.” 10A C. Wright, A. Miller, & M. Kane, Federal Practice and Procedure § 2759, at 645 (2d ed. 1983 & Supp.1991) (hereinafter Wright & Miller).

Declaratory relief will ordinarily be granted when it will “serve a useful purpose in clarifying the legal relations in issue or terminate and afford relief from the uncertainty, insecurity, and controversy giving rise to the proceeding.” Tierney v. Sckweiker, 718 F.2d 449, 457 (D.C.Cir.1983); see Maryland Cas. Co. v. Rosen, 445 F.2d 1012 (2d Cir.1971); Wright & Miller § 2758, at 630.

On the other hand, a district court ordinarily should not entertain a declaratory action “where another suit is pending in state court presenting the same issues, not governed by federal law, between the same parties.” Continental Cas. Co. v. Robsac Indus., 947 F.2d 1367, 1370 (9th Cir.1991) (quoting Brillhart v. Excess Ins. Co., 316 U.S. 491, 495, 62 S.Ct. 1173, 1176, 86 L.Ed. 1620 (1942)). 1

2. Race to the Courthouse.

Presently, there is no parallel action pending in any court. However, Defendants contend that Plaintiff beat them to the courthouse door and they would have filed/will file this action in the Southern District of New York. 2

Defendants cite a plethora of cases from other circuits to buttress the notion that the Declaratory Judgment Act should not be used to “deprive the plaintiff of his traditional choice of forum and timing, ... provokfing] a disorderly race to the court *235 house.” Hanes Corp. v. Millard, 531 F.2d 585, 593 (D.C.Cir.1976).

In response, Plaintiff argues that most of the cases cited by Defendants are ones in which a parallel action had been filed. Defendants reject this distinction as irrelevant, contending that they have clearly announced their intention to file suit as soon as this action is dismissed or transferred, but have not done so yet in the interests of economy.

While some earlier courts applied a chronological test — whereby the first suit commenced is allowed to proceed — this Court believes “the discretion of the federal court cannot turn on so mechanical rule”; rather:

The real question for the court is not which action was commenced first but which will most fully serve the needs and convenience of the parties and provide a comprehensive solution of the general conflict.

Wright & Miller § 2758, at 637-38.

3. Anticipation of Defense.

The Declaratory Judgment Act was not intended to enable a party to obtain a change of tribunal from a state to federal court, and it is not the function of the federal declaratory action merely to anticipate a defense that otherwise could be presented in a state action.

Wright & Miller § 2758, at 631-632.

In their Reply, Defendants elaborate on the circumstances giving rise to Plaintiff’s filing of this action. Defendants allege that they waited over a year after learning of the dubiousness of the painting’s authenticity to file suit — during which time, they investigated the authenticity and repeatedly spoke with Plaintiff who “insinuated that if it were determined that the painting were not a Laurencin original, he would refund the purchase price.” Then, when Marchessau finally and unequivocally refused to authenticate it, Defendants claim, they “formally ... demanded rescission,” upon which Plaintiff “cunningly moved instantly to bring this lawsuit” while Defendants were still awaiting his response to their rescission demand. 3

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Bluebook (online)
793 F. Supp. 233, 1992 U.S. Dist. LEXIS 14629, 1992 WL 126372, Counsel Stack Legal Research, https://law.counselstack.com/opinion/gribin-v-hammer-galleries-a-div-of-hammer-holdings-cacd-1992.