Gregory McBowman v. Sony Music Entertainment, Inc.

CourtDistrict Court, S.D. New York
DecidedAugust 19, 2020
Docket1:18-cv-06037
StatusUnknown

This text of Gregory McBowman v. Sony Music Entertainment, Inc. (Gregory McBowman v. Sony Music Entertainment, Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Gregory McBowman v. Sony Music Entertainment, Inc., (S.D.N.Y. 2020).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK

JAMES MTUME,

Plaintiff,

- against - OPINION AND ORDER

18 Civ. 6037(ER) SONY MUSIC ENTERTAIMENT,

Defendant.

Ramos, D.J.: James Mtume (“Mtume”) initiated this copyright action against Sony Music Entertainment (“Sony”). After the Court denied its motion to dismiss, Sony filed an answer asserting certain counterclaims against Mtume. Through its counterclaims, Sony seeks to recover for the purported overpayment of licensing fees that Sony inadvertently paid Mtume. These licensing fees relate to the same works relevant to Mtume’s claims, as well as a number of others. Mtume moves to dismiss all counterclaims. For the reasons set forth below, the motion is GRANTED in part and DENIED in part. I. BACKGROUND In his Amended Complaint, filed on August 13, 2018, Mtume, a musician, alleges claims under the copyright laws of the United States relating to his purported termination of rights conveyed to Sony for three works created pursuant to a 1977 agreement between Mtume and CBS Records, Sony’s predecessor (the 1977 Agreement”). (Doc. 11.) The Amended Complaint also seeks declaratory judgment, an accounting, and recovery for three claims of copyright infringement. (Id.) After the Court denied Sony’s motion to dismiss, Sony filed its Answer to the Amended Complaint. In its Answer, Sony also asserts four counterclaims, for: (1) breach of contract; (2) breach of the implied covenant of good faith and fair dealing; (3) unjust enrichment; and (4) declaratory judgment. Sony’s counterclaims all stem from allegations that “[d]ue to an

inadvertent internal accounting error,” Sony overpaid record royalties to Mtume and/or his designees for works created pursuant to the 1977 Agreement. (Doc. 39 (“Counterclaims”) ¶ 12.) In 1983, Ifland Corporation1 and CBS entered into another agreement (the “1983 Agreement”) that created new recording obligations for Mtume, subject to different royalty rates than those prescribed in the 1977 Agreement, and which terminated Mtume’s recording obligations under the 1977 Agreement. (Id. ¶ 10.) The overpayments at issue in Sony’s counterclaims relate to works created pursuant to the recording obligations in the 1977 Agreement, not the 1983 Agreement. According to Sony, however, Sony inadvertently paid Mtume at the royalty rates prescribed by Paragraph 9 of the 1983 Agreement, rather than the rates called for in Paragraph 6 the 1977 Agreement. (Id.) Separately, Sony also alleges that it

inadvertently paid Mtume “mechanical royalties for digital exploitation of certain musical compositions embodied in the sound recordings created pursuant to the 1977 Agreement at the statutory rate rather than the controlled composition rates specified in Paragraph 23 of the 1977 Agreement.” (Id. ¶ 13.) Sony alleges breaches of both the 1977 Agreement and the 1983 Agreement. Paragraph 6 of the 1977 Agreement specifies certain royalty rates that “Producer will pay to Artist in respect of recordings made hereunder.” (Doc. 56-1 (“1977 Agreement”) ¶ 6.) Paragraph 23 of

1 Sony’s Counterclaims do not explain the relationship between Ifland Corporation and Mtume, though it notes that, in 1983, Ifland Corporation was substituted as a party to the 1977 Agreement in place of Mtume. (Id. ⁋ 9.) Sony’s opposition papers suggest that Ifland Corporation is now defunct. (Doc. 55 at 16.) that agreement, which relates to mechanical licenses for musical compositions recorded pursuant to the 1977 Agreement, specifies other rates that “Producer will be required to pay. . ..” (Id. ¶ 23(a).) The 1983 Agreement, too, has a provision relating to the royalties “CBS will pay. . ..” (Doc. 56-2 (“1983 Agreement”) ¶ 9.) Lastly, as relevant to the Court’s consideration of the

instant motion, the 1983 Agreement also includes a paragraph—Paragraph 11—entitled “Royalty Accountings,” describing, among other things, when CBS will compute royalties, when CBS will provide statements regarding those royalties, and, most relevant here, requiring that Mtume repay CBS in the event that “CBS makes any overpayment.” (1983 Agreement ¶ 11.) II. LEGAL STANDARD a. 12(b)(1): Lack of Subject Matter Jurisdiction Federal Rule of Civil Procedure 12(b)(1) requires that an action be dismissed for lack of subject matter jurisdiction when the district court lacks the statutory or constitutional power to adjudicate the case. Fed. R. Civ. P. 12(b)(1). �e party asserting subject matter jurisdiction carries the burden of establishing, by a preponderance of the evidence, that jurisdiction exists.

Morrison v. Nat’l Australia Bank Ltd., 547 F.3d 167, 170 (2d Cir. 2008) (quoting Makarova v. United States, 201 F.3d 110, 113 (2d Cir. 2000)). “On a Rule 12(b)(1) motion challenging the district court’s subject matter jurisdiction, the court may resolve the disputed jurisdictional fact issues by referring to evidence outside of the pleadings, such as affidavits. . ..” Zappia Middle East Constr. Co. v. Emirate of Abu Dhabi, 215 F.3d 247, 253 (2d Cir. 2000); see also Morrison, 547 F.3d at 170 (citing Makarova, 201 F.3d at 113). When evaluating a motion to dismiss for lack of subject matter jurisdiction, the court accepts all material factual allegations in the complaint as true but does not draw inferences from the complaint favorable to the plaintiff. J.S. ex rel. N.S. v. Attica Cent. Sch., 386 F.3d 107, 110 (2d Cir. 2004) (citing Shipping Fin. Servs. Corp. v. Drakos, 140 F.3d 129, 131 (2d Cir. 1998)). b. 12(b)(6): Failure to State a Claim “To survive a motion to dismiss, a complaint must contain sufficient factual matter,

accepted as true, to ‘state a claim to relief that is plausible on its face.’” Ashcroft v. Iqbal, 556 U.S. 662, 678 (2009) (quoting Bell Atl. Corp. v. Twombly, 550 U.S. 544, 570 (2007)). A claim is facially plausible “when the plaintiff pleads factual content that allows the court to draw the reasonable inference that the defendant is liable for the misconduct alleged.” Id. (citing Twombly, 550 U.S. at 556). The plaintiff must allege sufficient facts to show “more than a sheer possibility that a defendant has acted unlawfully.” Id. (citing Twombly, 550 U.S. at 557). However, this “flexible ‘plausibility standard’” is not a heightened pleading standard, In re Elevator Antitrust Litig., 502 F.3d 47, 50 n. 3 (2d Cir. 2007) (citation omitted), and “a complaint . . . does not need detailed factual allegations” to survive a motion to dismiss, Twombly, 550 U.S. at 555.

The question on a motion to dismiss “is not whether a plaintiff will ultimately prevail but whether the claimant is entitled to offer evidence to support the claims.” Sikhs for Justice v. Nath, 893 F. Supp. 2d 598, 615 (S.D.N.Y. 2012) (quoting Villager Pond, Inc. v. Town of Darien, 56 F.3d 375, 378 (2d Cir. 1995)). “[T]he purpose of Federal Rule of Civil Procedure

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Bluebook (online)
Gregory McBowman v. Sony Music Entertainment, Inc., Counsel Stack Legal Research, https://law.counselstack.com/opinion/gregory-mcbowman-v-sony-music-entertainment-inc-nysd-2020.