Graystone Ballroom, Inc. v. Baggott

29 N.W.2d 256, 319 Mich. 87, 1947 Mich. LEXIS 306
CourtMichigan Supreme Court
DecidedOctober 13, 1947
DocketDocket No. 3, Calendar No. 43,207.
StatusPublished
Cited by4 cases

This text of 29 N.W.2d 256 (Graystone Ballroom, Inc. v. Baggott) is published on Counsel Stack Legal Research, covering Michigan Supreme Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Graystone Ballroom, Inc. v. Baggott, 29 N.W.2d 256, 319 Mich. 87, 1947 Mich. LEXIS 306 (Mich. 1947).

Opinion

Dethmers, J.

Defendant John Baggott was one of several musicians in an orchestra which played in plaintiff’s ballroom from September, 1938, to May, 1939. Later he became unemployed and filed a claim for unemployment compensation. The Mich-, igan unemployment compensation commission referee held that he had been in plaintiff's employment, was entitled to compensation and that plaintiff was liable for tax contributions on wages paid him under the provisions of the Michigan unemployment compensation act in effect during the above mentioned period (Act No. 1, Pub. Acts 1936 [Ex. Sess.], as amended by Act No. 347, Pub. Acts 1937 [Comp. Laws Supp. 1937, § 8485-41 et seq:, Stat. Ann. 1938 Cum. Supp. § 17.501, et seq.]). Plaintiff appealed to the appeal board of the unemployment compensation commission, which affirmed the referee’s holding. The Wayne circuit court reviewed the record under the statutory writ, of certiorari in accordance with section 38 of the act and entered judgment affirming the decision of the appeal board. Plaintiff has taken a general appeal from the decision of the circuit court. '•

The' question presented is whether defendant, John Baggott, while playing as a member of the orchestra in plaintiff’s ballroom was in plaintiff’s employ.

*90 In 1938 one Walter Shuster, a musician, suggested to plaintiff an idea for a special type of orchestra and plaintiff, in turn, suggested that he organize such an orchestra to play in plaintiff’s ballroom. Shuster got together 10 other musicians, including defendant Baggott, organized an orchestra, rehearsed and developed it to play in accord with his ideas. On September 23, 1938, he and plaintiff entered into a written contract, by the terms of which Shuster agreed to furnish 11 musicians, as their agent, to plaintiff for a lump sum of $488.75 per week for a period of eight weeks, subject to cancellation on two weeks’ notice. , The contract provided that the musicians were to be members of the American Federation of Musicians and that the rules of that union were made a- part of the contract. Those rules designate one in the position of Shuster as the “contractor” and permit members of the union to accept employment only from such contractor and never from one in the position of plaintiff. The rules also provide that such “contractor” shall be liable to the members of the orchestra for payment of their wages. Under this contract Shuster and the other 10 members of the orchestra, including defendant Baggott, provided dance music in-plaintiff’s ballroom.

It is plaintiff’s contention that Shuster was an independent contractor and that the other members of the orchestra were his employees and not the employees of plaintiff. Defendants contend that Shuster and all-the members of the orchestra were employees of plaintiff within the meaning of the unemployment compensation act.

Plaintiff urges the common-law -principles determinative of the distinction between an employee and an independent contractor as controlling here, quoting from 14 R. C. L. p. 67, the following:

*91 “An independent contractor is one who exercises independent employment contracts doing a piece of work according to his own method and without being subject to the control of his employer except as to the results of his work. ’ ’

In support of its contention that Shuster was an independent contractor, plaintiff points to the fact that the union rules incorporated into the contract 'refer to one in Shuster’s position as a “contractor” and make him liable to the musicians for their wages, which he, in fact, did pay to them; and plaintiff stresses evidence supporting its claim that Shuster hired and- fired members of the orchestra without plaintiff’s lot or hindrance, that he controlled instrumentation, style of playing and type of music played, that the orchestra was contracted for as a unit and furnished its own music and instruments, et cetera. Plaintiff contends that it exercised none of the control over the orchestra members which characterizes the master and servant relationship. The defendants, in turn, point to evidence supporting their contention that plaintiff did exercise control over members of the orchestra such as hiring directors from time to time to direct the orchestra, requiring Shuster to fire one member of the orchestra, thereby reducing its number from 11 to 10, insisting that one of the musicians should not be featured, requesting the orchestra to play certain types of music, fixing the time and length of intermissions, imposing house rules on orchestra members, featuring a singer with. the orchestra, supplying part of the equipment such as chairs and music racks and taking a blanket music license covering rights on music selections played by the or-, chestra. Defendants also contend that the lump sum paid weekly by plaintiff to Shuster represented the total of union scale for all the members of the *92 orchestra and that said total sum was reduced by the amount of union scale for one man when plaintiff required Shuster to discharge one of the members of the orchestra, and that Shuster divided the money received by him from plaintiff among the members'of the orchestra according to union scale for each, leaving for himself only the amount prescribed for him as musician and “contractor” by union scale. In these respects defendants contend, correctly we think, that this case is distinguishable on the facts from the case of Palmer v. Unemployment Compensation Commission, 310 Mich. 702 (158 A. L. R. 909), in which we held that the management of the ballroom did not exercise such control as to give rise to the employer and employee relationship.

At this point we direct attention to the language of Mr. Justice North, speaking for the Court, in O’Brian v. Michigan Unemployment Compensation Commission, 309 Mich. 18, as follows:

“Decision must be made in the light of the Michigan unemployment compensation act, which furnishes its own test, rather than by common-law principles which normally determine the distinction between an employee and an independent contractor. Acme Messenger Service Co. v. Unemployment Compensation Commission, 306 Mich. 704. As to what constitutes ‘employment’ within the act the following provisions control: -

“‘(1) Subject to the other provisions of this section “employment” means service, including service in interstate commerce, performed for remuneration or under any contract of hire, written or oral, express or implied. * * *

“ ‘(6) Services performed by an individual for remuneration shall be deemed'to be employment subject to this act unless and until it is shown to the satisfaction of the commission that:

*93 “ ‘(a) Such individual has been and will continue to be free from' control or direction over the performance of such services, both under his contract of service and in fact; and

“ ‘(b) Such service is either outside the usual course of the business for which such service is performed, or that such service is performed outside of all the places of business of the enterprise for which such service is performed; and .

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Bluebook (online)
29 N.W.2d 256, 319 Mich. 87, 1947 Mich. LEXIS 306, Counsel Stack Legal Research, https://law.counselstack.com/opinion/graystone-ballroom-inc-v-baggott-mich-1947.