Graff v. Leslie Hindman Auctioneers, Inc.

CourtDistrict Court, N.D. Illinois
DecidedAugust 9, 2019
Docket1:17-cv-06748
StatusUnknown

This text of Graff v. Leslie Hindman Auctioneers, Inc. (Graff v. Leslie Hindman Auctioneers, Inc.) is published on Counsel Stack Legal Research, covering District Court, N.D. Illinois primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Graff v. Leslie Hindman Auctioneers, Inc., (N.D. Ill. 2019).

Opinion

UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF ILLINOIS EASTERN DIVISION

STANLEY V. GRAFF, ) ) Plaintiff, ) ) No. 17 C 6748 v. ) ) Judge Sara L. Ellis LESLIE HINDMAN AUCTIONEERS, INC., ) THE OWINGS GALLERY, INC., ) NATHANIEL O. OWINGS, RAY HARVEY, ) ZAPLIN-LAMPERT GALLERY, INC., ) and JIM PARKS, ) ) Defendants. )

OPINION AND ORDER Plaintiff Stanley V. Graff brings this suit to recover paintings that his wife pawned to Biltmore Loan and Jewelry Scottsdale LLC (“Biltmore”), and of which Biltmore then sold two at auction after Graff’s wife defaulted on her loan.1 In his third amended complaint, Graff brings claims against Leslie Hindman Auctioneers, Inc. (“Leslie Hindman”), and The Owings Gallery, Inc., Nathaniel O. Owings, Ray Harvey, Zaplin-Lampert Gallery, Inc., and Jim Parks (collectively, the “Owings Defendants”). He alleges claims for conversion, unjust enrichment, replevin, detinue, promissory estoppel, promissory fraud, and civil conspiracy. The Court previously dismissed Graff’s claims against Leslie Hindman and the Owings Defendants, concluding that Graff had not sufficiently pleaded that the paintings are his separate property and that Texas law only allows him to seek recovery from his wife, and not third parties, for the disposition of community property. Doc. 86 at 11–13. The Court then allowed Graff to file a third amended complaint, finding that it included sufficient allegations to potentially overcome

1 The Court previously determined it did not have personal jurisdiction over Biltmore, see Doc. 86 at 5– 10, and transferred Graff’s claims against Biltmore to the District of Arizona pursuant to 28 U.S.C. § 1404, see Doc. 97 at 3–5. the community property presumption with respect to two of the paintings. Doc. 97 at 3. Leslie Hindman and the Owings Defendants again move to dismiss the claims against them in the third amended complaint pursuant to Federal Rule of Civil Procedure 12(b)(6).2 The Court finds it appropriate to allow all but Graff’s unjust enrichment and promissory fraud claims to proceed,

with Leslie Hindman and the Owings Defendants’ arguments better suited to decision after the parties have engaged in discovery. BACKGROUND3 Graff, who lives in Dallas, Texas, owned three pieces of Western American art. First, on May 18, 2002, he purchased Taos Indians and the Sangre de Cristos, an oil painting by Oscar Edmund Berninghaus (the “Berninghaus painting”) using his own funds. On May 13, 2006, he purchased Snow Capped Mountains, also referred to as Meadow with Cattle, an oil painting by William Victor Higgins (the “Higgins painting”). He purchased the Higgins painting with funds from a liquidating distribution from ABRES, Ltd., in which he had acquired an equity interest in 2001. On July 29, 2009, he purchased By the Light of the Moon, an oil painting by Frank B.

Hoffman (the “Hoffman painting”). Graff was the sole owner of these paintings, which remained his separate property since their purchase. Autumn V. Kraus, a certified public accountant, traced the Berninghaus and Higgins paintings to Graff’s separate property. On September 28, 2003, Graff married Deborah Graff. In January 2013, Deborah filed for divorce in Dallas, Texas. The Dallas County Family District Court has a standing order

2 After Leslie Hindman filed its motion to dismiss, Graff agreed to voluntarily dismiss its claim for conversion of the Hoffman painting against Leslie Hindman (Count IX) with prejudice. Doc. 108.

3 The facts in the background section are taken from Graff’s third amended complaint and the exhibits attached thereto and are presumed true for the purpose of resolving Leslie Hindman and the Owings Defendants’ motions to dismiss. See Virnich v. Vorwald, 664 F.3d 206, 212 (7th Cir. 2011); Local 15, Int’l Bhd. of Elec. Workers, AFL-CIO v. Exelon Corp., 495 F.3d 779, 782 (7th Cir. 2007). The Court may also take judicial notice of matters of public record. Gen. Elec. Capital Corp. v. Lease Resolution Corp., 128 F.3d 1074, 1080–81 (7th Cir. 1997). applicable to all divorce proceedings, which provides that, during the pendency of the suit, both parties to the proceeding are to refrain from “[s]elling, transferring, assigning, mortgaging, encumbering, or in any other manner alienating any of the property of either party, whether personal property or real property, and whether separate or community, except as specifically

authorized by this order.” Doc. 106-1 at 2. But during the pendency of the divorce proceeding, Deborah took the Berninghaus, Higgins, and Hoffman paintings from the Graffs’ marital home in Dallas without Graff’s permission and pawned them to Biltmore. She thereafter defaulted on her loan. Once Deborah defaulted, Biltmore contracted with Leslie Hindman, located in Chicago, Illinois, to sell the three paintings at auction. Biltmore sent the three paintings to Chicago, and Leslie Hindman received them around September 25, 2015. At the Leslie Hindman-organized auction, Biltmore sold the Berninghaus painting to an individual living in Dallas, Texas. Biltmore also sold the Higgins painting to the Owings Defendants. Owings organized this group to purchase the Higgins painting at the auction. The Hoffman painting did not sell at the auction

and currently remains in Biltmore’s possession. Shortly after the auction, in November 2015, Graff learned for the first time that Deborah had removed the Higgins painting from their home and that the Owings Defendants had it in their possession. He learned of this by searching Leslie Hindman’s sale records after he found out that Leslie Hindman had auctioned off the Berninghaus painting. Graff then called Harvey for advice and help locating a lawyer to aid in returning his three paintings. Graff did not know that Harvey belonged to the group that had purchased the Higgins painting, but Harvey realized this when speaking to Graff. Harvey informed Graff of this the next day. He told Graff that he could not help Graff and that he had spoken to Owings, who told Harvey that the Owings Defendants had title to the Higgins painting, which would be sold. Graff then contacted Owings, telling him that the Higgins painting had been wrongly taken from him and that he wanted it back. Owings indicated that he still had the Higgins painting, he would not sell it, and he would contact Leslie Hindman about it. But despite this conversation, the Owings Defendants sold the

Higgins painting. The sale has since been reversed, and the Owings Gallery has possession of the Higgins painting. See Doc. 48. Graff has regained possession of the Berninghaus painting. He has demanded the return of the Higgins painting from the Owings Defendants and the Hoffman painting from Biltmore. The Owings Defendants have refused to return the Higgins painting to Graff. In connection with the divorce proceedings between Graff and Deborah, the divorce court in Dallas County, Texas characterized all three paintings as Graff’s separate property. LEGAL STANDARD A motion to dismiss under Rule 12(b)(6) challenges the sufficiency of the complaint, not its merits. Fed. R. Civ. P. 12(b)(6); Gibson v. City of Chicago, 910 F.2d 1510, 1520 (7th Cir.

1990).

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