Gordon v. JKP Enterprises Inc

Court of Appeals for the Fifth Circuit·Decided April 10, 2002·No. 01-20420·Unpublished

Opinion

IN THE UNITED STATES COURT OF APPEALS FOR THE FIFTH CIRCUIT

No. 01-20420

Summary Calendar

SELENA GORDON, also known as Jazmine; STEPHANIE MCDANIEL, also known as Simone; CHRISTINA SEARD, Plaintiffs-Appellees,

versus

JKP ENTERPRISES INC, doing business as Caligula XXI; JERRY K. PAYNE, Individually and in his official capacity,

Defendants-Appellants.

Appeal from the United States District Court for the Southern District of Texas (No. H-99-CV-138)

April 9, 2002

Before DAVIS, BENAVIDES, and STEWART, Circuit Judges. PER CURIAM:* Plaintiffs Selena Gordon (“Gordon”), Stephanie McDaniel (“McDaniel”), and Christina Seard (“Seard”) filed suit against their former employer, Defendants J.K.P. Enterprises, Inc d/b/a Caligula

*

Pursuant to 5TH CIR. R. 47.5, the court has determined that this opinion should not be published and is not precedent except under the limited circumstances set forth in 5TH CIR. R. 47.5.4.

XXI (“Caligula XXI”) and Jerry S. Payne (“Payne”), alleging race discrimination under 42 U.S.C. § 1981 and Title VII of the Civil Rights Act of 1964, 42 U.S.C. § 2000e et seq. After a bench trial, the district court entered judgment in favor of Gorden, McDaniel, and Seard and awarded compensatory damages, injunctive relief, and attorneys’ fees. For the reasons assigned herein, we affirm in part, reverse in part, and remand with instructions.

FACTUAL AND PROCEDURAL BACKGROUND In 1980, Caligula XXI opened as a topless club in Houston, Texas. In the latter half of the 1990s, Payne, the owner of Caligula XXI, implemented several club policies that applied to the topless dancers. A policy was adopted which limited the number of African-American dancers that could work on each shift. A music format policy was also implemented that prohibited dancers from performing to “Rap,” “Hip-Hop,” and “R&B.” Payne testified that the purpose of the policies was to maintain a racially balanced club and to keep the club profitable. The music policy was embodied in a memo dated September 9, 1997 that repeatedly justified the policy on the basis that the club’s goal was to have a racially mixed group of customers.

Gordon, McDaniel, and Seard, who are African-American, were employed as topless dancers at Caligula XXI. Gordon and McDaniel were employed by Caligula XXI from March of 1997 until December of 1997, when they were prevented from working on a particular day. Gordon and McDaniel testified that they were told by Mike Tucker, a club manager, that they were fired because there were too many African-American dancers who wanted to work at the club. They were rehired in December of 1997, but were again terminated in January of 1998. This final termination followed an incident where another manager approached Gordon and McDaniel, while they were sitting with some customers, and asked t hem to leave the club. Gordon and McDaniel testified that when the

manager refused to give them a reason for his demand, McDaniel began to scream and curse at the manager.

Seard was employed by Caligula XXI for three months in either 1994 or 1995, but she was fired after being told that the club was eliminating African-American dancers. She was rehired in 1996, but was again terminated in December of 1998. Seard and Christina Shepard (“Shepard”), a waitress at Caligula XXI from 1995 to October of 1999, testified that upon arriving at work on the day before Seard was terminated, the doorman told Seard that she could not work because there were too many African-American dancers. They also testified that Mitchell White (“White”), the manager at that time, said that there were seven African-American dancers already working that night and he was not accepting any more African-American dancers. Seard became very upset about being told to go home. The next day Mitchell fired her. The district court heard testimony that Mitchell fired Seard because she (1) was too “ethnic” or “pro black,” (2) was behind on her “tip-out,” (3) threw a fit, (4) was too fat, and (5) was African-American.

Shepard testified about several club policies which applied to dancers. According to Shepard, the policy limiting the number o f African-American dancers who could work on each shift was consistently enforced. Shepard testified that, for example, if there were thirty dancers working, only five could be African-American. The manager was required to enforce this policy and he did so by refusing African-American dancers admittance to the club if the maximum number of African- American dancers had been reached. There was no limit on the number of dancers who could dance any particular shift; and no non-African-American dancer was ever turned away. On several occasions, Shepard observed Payne tell the manager that there were too many African-American dancers or too many African-American customers and to not admit any more African-American

dancers and/or customers to the club. Shepard heard Payne state on several occasions that the club was looking “mighty dark,” “out of control,” and “too ethnic,” referring to the number of African- American dancers working. Shepard and Mary Spiller (“Spiller”), another waitress at Caligula XXI, observed African-American applicants submit job applications only to have management throw them in the trash. Spiller heard Payne refer to a black waitress as a “nigger.”

Mark Chavarria (“Chavarria”), a manager at Caligula XXI between 1994 and 1996, worked at the front door and enforced certain club policies. He testified that only five or six African- American dancers could work any particular shift and that as the manager at the front door, it was his job to strictly enforce this policy and not let additional African-American dancers into the club once the limit had been reached. Chavarria testified that there was no restriction on the number of non-African-American dancers. According to Chavarria, Payne told him that the number of African- American dancers was limited because they brought in a “bad element,” that is, African-American men. Chavarria testified that, in Payne’s opinion, African-American men did not spend any money and were associated with drugs and fights. In furtherance of the club’s policy to limit the number of African-American dancers, Chavarria had to terminate a number of African-American dancers because there were too many.

Given this and other evidence, the district court concluded that Gordon, McDaniel, and Seard were terminated because of their race. The district court found the reasons given by Caligula XXI and Payne for their terminations to be pretexts for racial discrimination. Further, the court determined that there could be no defense to the disparity of treatment between African-American dancers and non-African-American dancers, which was blatantly racial. In her conclusions of law, Magistrate Judge Nancy K. Johnson stated as follows: “It is certainly not a defense to discriminate

in such a way because the club historically had a racially balanced clientele which the owner wished to preserve. No employer can lawfully maintain any particular racial makeup in its workplace by discriminating.”

The district court found that Caligula XXI and Payne acted illegally as a matter of law and entered a final judgment in favor of Gordon, McDaniel, and Seard on their claims of race discrimination under both Title VII and § 1981. The district court awarded Gordon, McDaniel, and Seard $5,000 each in compensatory damages for emotional distress and enjoined Caligula XXI and Payne from using such discriminatory employment practices in the future. Further, the district court ruled that Gordon, McDaniel, and Seard were “prevailing parties” which entitled them to recover attorneys’ fees in the amount of $28,837.50 and $5,000 in attorneys’ fees if they prevail on appeal.

DISCUSSION

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