Goodfarb v. Freedman

76 A.D.2d 565, 431 N.Y.S.2d 573, 1980 N.Y. App. Div. LEXIS 12171
CourtAppellate Division of the Supreme Court of the State of New York
DecidedSeptember 2, 1980
StatusPublished
Cited by12 cases

This text of 76 A.D.2d 565 (Goodfarb v. Freedman) is published on Counsel Stack Legal Research, covering Appellate Division of the Supreme Court of the State of New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Goodfarb v. Freedman, 76 A.D.2d 565, 431 N.Y.S.2d 573, 1980 N.Y. App. Div. LEXIS 12171 (N.Y. Ct. App. 1980).

Opinion

OPINION OF THE COURT

Lazer, J. P.

The parties to this action are neighboring property owners in a small residential community in the Village of Ardsley known as "Twenty-One Acres.” The plots in Twenty-One Acres all exceed one acre in area and were developed by the individual owners during the years 1948 through 1952. In order to maintain the natural, wooded nature of the obviously affluent community, the owners entered into a series of restrictive covenants. One such covenant provided that "[t]here shall not be erected upon this plot more than one private residence for occupancy of one family, and garage for not more than two cars appurtenant thereto. With the exception that part of said private residence may be used for the [567]*567practice of a duly licensed profession.” [Sic.] Another restriction required front and side yard setbacks of 50 and 25 feet, respectively. The current defendants, Lionel and Celia Freedman, and plaintiffs Janet Ullman and Alan B. and Eva Tulipán were among the original plot owners. In 1972 the plaintiffs Norman R. and Rowena Goodfarb purchased the property adjoining that of the Freedmans and became quite friendly with them.

In August and September of 1975, the Freedmans applied to Ardsley Zoning Board of Appeals for a variance to build a photographic studio on their lot which already contained a substantial residential dwelling and a detached two-car garage. Lionel Freedman, who is a commercial photographer, accompanied his application to the board of appeals with a letter stating that he hoped "to be able to build a studio structure attached to [the] garage * * * for the purpose of practicing my profession of photographic illustration.” The application sought a relaxation of the front yard setback requirements of the Ardsley zoning ordinance but made no mention of the yard requirements contained in the Twenty-One Acres restrictive covenants. Because of the commercial implications involved, the board of appeals required the Freed-mans to send a second notice of hearing to neighboring property owners. The notices referred to a variance of the front yard setback for the construction of a "studio.”

None of the plaintiffs attended the public meetings nor examined the plans on file with the board of appeals. The Goodfarbs were told by Mr. Freedman that the studio mentioned in the notices would be small—about the size of a bedroom or two-car garage—and that it would not be a commercial building but solely a place in which he would engage in his hobbies. Ultimately, the board of appeals granted the variance on condition that no products be sold from the studio.

After excavation began in the spring of 1976, Dr. Montague Ullman, husband of plaintiff Janet Ullman, telephoned the Freedmans to question them and complain about the excavation. Mr. Freedman informed Ullman that he was in possession of a waiver of the front yard setback from the Twenty-One Acres titleholders, signed in 1952, permitting the construction. When Ullman said he could not remember such a waiver and asked to see it, Freedman responded that he would get back to him. The Freedmans did not attend a meeting of [568]*568the neighbors which was then called but Mr. Goodfarb explained to the assemblage that his good friend Lionel Freedman was only planning to build a small studio for his hobbies. Goodfarb also agreed to ask Freedman to let him see the waiver. When he did, he was shown a paper dated March 15, 1952, signed by all but one of the original titleholders of Twenty-One Acres, waiving the 50-foot setback requirement for "the purpose of building a carport, and necessary retaining walls, and/or studio.” The last three words were on the last line before the place for signatures on the waiver form. Goodfarb then told his neighbors what he had seen.

Following excavation, the foundation was poured and the rear retaining wall was put up. The remaining walls were constructed by Mr. Freedman and a high school helper working primarily weekends in the summer of 1976 and 1977. In August, 1977, when the size of the new structure in the Freedmans’ front yard area put the lie to the words "a small studio”—the building is 40 by 32 feet in dimension with a front wall 40 feet in width and 28 feet in height facing the street—the neighbors confronted the defendants, obtained no satisfaction and, relying on the original restrictive covenants, subsequently commenced this action.

In their amended complaint, plaintiffs demanded judgment enjoining the defendants from erecting any structure on or conducting any business from the premises and for various amounts of damages in favor of the three sets of plaintiffs. The defendants answered with denials and asserted the defense of laches, claiming that plaintiffs had delayed bringing any action for two years. When the suit was instituted on October 24, 1977, the studio structure had not achieved completion, but plaintiffs sought no preliminary injunction and the Freedmans now contend that they expended additional sums on construction during the pendency of the trial. At the commencement of trial on March 23, 1979, the building was still unfinished.

During the trial, at which the defendants denied many of the allegations against them and raised the issue of plaintiffs’ delay in bringing the action, two of the original owners in the community (who had since moved elsewhere) testified that the words "and/or studio” had not been part of the waiver when they signed it in 1952. Special Term found that the comma after the word "walls” "was written over a period which had been there under the comma” and that the words "and/or [569]*569studio” were not part of the original waiver, which referred only to a carport. On the issue of laches, the court noted that the waiver had been shown to the Goodfarbs who related its existence to the Ullmans and that it deterred them from "pursuing their objection” further. The court also found that Mr. Freedman’s assurances to the Goodfarbs that the studio would be a small one led the latter to convey this information to the other residents and was "undoubtedly another factor in misleading the plaintiffs in their delay of bringing the action to enforce [their] rights”.

Special Term declared that the Freedmans’ representations to the zoning board of appeals and the expenditure of $26,000 made it difficult to accept Lionel Freedman’s testimony that he had abandoned his commercial intentions and desired to use the studio solely for his hobby. In its oral decision, the court stated that it found from "personal observation that this studio building, which it has been testified is from twenty-eight to thirty feet above the floor level, but actually in appearance is higher than that because the Court’s observation of the land shows that the steep bank between where the building is and the road is probably another six or eight feet, so that this building stands up like a big vacant barn on the horizon of the very low, secluded houses, and, certainly is, in the Court’s opinion, a very definite eyesore to an exclusive neighborhood. The Court realizes that the eyesore may be somewhat ameliorated after brick is put upon the concrete blocks and maybe a few architectural improvements are put upon the surface, but it will still stand up there like a sore thumb, completely out of character, and the Court believes that the danger of having something like this in an exclusive neighborhood, something which can so easily be translated into a building for commercial purposes, is entirely against the restrictive covenant”.

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Cite This Page — Counsel Stack

Bluebook (online)
76 A.D.2d 565, 431 N.Y.S.2d 573, 1980 N.Y. App. Div. LEXIS 12171, Counsel Stack Legal Research, https://law.counselstack.com/opinion/goodfarb-v-freedman-nyappdiv-1980.