Gonzalez Canton v. Mad Ruk Entertainment, Inc.

CourtDistrict Court, D. Puerto Rico
DecidedJuly 13, 2023
Docket3:22-cv-01458
StatusUnknown

This text of Gonzalez Canton v. Mad Ruk Entertainment, Inc. (Gonzalez Canton v. Mad Ruk Entertainment, Inc.) is published on Counsel Stack Legal Research, covering District Court, D. Puerto Rico primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Gonzalez Canton v. Mad Ruk Entertainment, Inc., (prd 2023).

Opinion

IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF PUERTO RICO

LUIS GERARD GONZÁLEZ CANTÓN,

Plaintiff, CIVIL NO. 22-1458 (CVR) v.

MAD RUK ENTERTAINMENT, INC.,

Defendant.

OPINION AND ORDER INTRODUCTION This case arises out of a tortious interference claim brought by Plaintiff Luis Gerard González Cantón (“Plaintiff”) against Mad Ruk Entertainment, Inc. (“Defendant”) (Docket No. 1) resulting from issues as to the copyright ownership of a short film entitled “The Wake.” Default was entered against Defendant on December 22, 2022. (Docket No. 9). Before the Court now is Defendant’s Motion to Set Aside Default and to Dismiss (“Motion to Set Aside and Dismiss”) for lack of personal jurisdiction pursuant to Federal Rule of Civil Procedure 12(b)(2) (“Rule 12(b)(2)”) or, in the alternative, pursuant to the forum non conveniens doctrine. (Docket No. 16). For the reasons stated below, Defendant’s Motion to Set Aside and Dismiss is GRANTED. Accordingly, Plaintiff’s Complaint is hereby DISMISSED WITH PREJUDICE. FACTUAL AND PROCEDURAL BACKGROUND Plaintiff, a Puerto Rican citizen, “is a well-known and established director of television commercials, who works all over the world.” (Docket No. 1 at pp. 2-3). Among Page 2 _______________________________

his many works is a short film entitled “The Wake”, registered in the United States Copyright Office on April 7, 2022, with registration number PAu 4-140-761. (Docket No. 1, Exhibit 1 at p. 1). Defendant is an Ontario corporation organized under the laws of Canada, with its principal place of business in Toronto, Ontario, Canada. (Docket No. 1 at p. 3). Defendant was hired by Plaintiff to provide the production services and budget necessary to film “The Wake.” Id. at p. 4. According to Plaintiff, “it was always intended that [Defendant] would act as a service producer of The Wake and that the copyright in The Wake would belong to [Plaintiff].” Id. at p. 5. Defendant allegedly never acquired any right to produce The Wake based on Plaintiff’s screenplay nor acquired any copyright in any of the elements of said short film. Id. According to Plaintiff, “any releases or waivers of rights in favor of [Defendant] were obtained solely to be assigned to [Plaintiff] to ensure that [Plaintiff] had a proper chain of title in all elements of The Wake.” Id. Following a dispute over lack of payment for services rendered by Defendant during the production of The Wake, Defendant filed a breach of contract suit against Plaintiff in the Canadian court system on October 20, 2020, requesting inter alia monetary compensation and asserting intellectual property rights over The Wake, which is currently being litigated. (Docket No. 1 at p. 6, Docket No. 16 at p. 3, and Docket No. 20-1 at pp. 15-22). On April 6, 2022, Plaintiff received notice from Vimeo.com, a video hosting and sharing platform, stating that “the copy of The Wake he posted on the Vimeo website was removed in response to a takedown notice submitted pursuant to the Digital Millenium Copyright Act” by Defendant, claiming copyright infringement. (Docket No. 1 at p. 6). The following day, on April 7, 2022, the director of the Cleveland International Film Festival called Plaintiff to notify him that they would no longer be showing The Wake Page 3 _______________________________

in the festival due to a cease-and-desist letter sent by Defendant, who had claimed copyright infringement. Id. at p. 7. Plaintiff received a similar call from the director of the Blackbird Film Festival on April 12, 2022. Id. He also received a letter from Easy Mondays, a bespoke production company that had offered to develop The Wake into a full-length feature film, informing him that they were not going to move forward with the project due to the copyright dispute. (Docket No. 1 at p. 11). In response to the actions taken by Defendant, Plaintiff filed the complaint before this Court on September 21, 2022, seeking declaratory judgment over copyright ownership of The Wake and damages for defamation and tortious interference. (Docket No. 1). On November 30, 2022, Plaintiff filed a Motion for Default Entry against Defendant, which was granted on December 22, 2022. (Docket Nos. 7 and 8). On March 24, 2023, Defendant appeared for the first time and, without availing itself of the Court’s jurisdiction, presented a Motion to Set Aside and Dismiss, pursuant to Rule 12(b)(2). (Docket No. 16). Defendant moves the court to set aside the entry of default proffering that Plaintiff’s failure to properly serve summons prevented it from learning about the case filed against it until after default was entered and prompted it to now appear before the Court. Id. at p. 2. Defendant also contends that the case should be dismissed for lack of personal jurisdiction or, in the alternative, pursuant to the doctrine of forum non conveniens. Id. at p. 1. On April 24, 2023, Plaintiff opposed the Motion to Set Aside and Dismiss. (Docket No. 20). On May 9, 2023, Defendant filed its reply to Plaintiff’s opposition, (Docket No. 23), and on May 30, 2023, Plaintiff filed its Sur-reply. (Docket No. 26). Page 4 _______________________________

ANALYSIS I. Entry of Default against Defendant. Federal Rule of Civil Procedure 55(a)1 and (c)2 provide the legal grounds for entering or setting aside a default against a party. The decision of whether or not to “set aside an entry of default lies within the sound discretion of the district court.” Coon v. Grenier, 867 F.2d 73, 75 (1st Cir. 1989) (citing United States v. One Urban Lot, Etc., 865 F.2d 427, 429 (1st Cir. 1989)). The guiding standard when making this determination is “good cause”. Fed. R. Civ. P. 55(c). This standard is not rigid in its application, but mutable, and may vary from situation to situation. McKinnon v. Kwong Wah Restaurant, 83 F.3d 498, 503 (1st Cir. 1996) (citing Coon, 867 F.2d at 76). Despite the fact that “[t]here is no mechanical formula for determining whether good cause exists[,] the courts may consider a host of relevant factors.” Indigo America, Inc. v. Big Impressions, LLC, 597 F.3d 1, 3 (1st Cir. 2010) (citing KPS & Assocs. v. Designs by FMC, Inc., 318 F.3d 1, 12 (1st Cir. 2003)). The three main factors to consider are: “(1) whether the default was willful; (2) whether setting it aside would prejudice the adversary; and (3) whether a meritorious defense is presented.” Id. Other factors that may also be considered include, but are not limited to, the following: “(4) the nature of the defendant’s explanation for the default; (5) the good faith of the parties; (6) the amount of money involved; and (7) the timing of the motion to set aside the entry of default.” Id. See also McKinnon, 83 F.3d at 503; Rodríguez Fernández v. Urban Transit Solutions, Inc., 230

1 Federal Rule of Civil Procedure 55(a) states that “[w]hen a party whom a judgment for affirmative relief is sought has failed to plead or otherwise defend, and that failure is shown by affidavit or otherwise, the clerk must enter the party’s default.” Fed. R. Civ. P 55(a). 2 Federal Rule of Civil Procedure 55(c) provides, in pertinent part, that “[t]he court may set aside an entry of default for good cause. . . .” Fed. R. Civ. P. 55(c). Page 5 _______________________________

F.R.D.

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