Goldberg v. Pace University

CourtDistrict Court, S.D. New York
DecidedApril 21, 2021
Docket1:20-cv-03665
StatusUnknown

This text of Goldberg v. Pace University (Goldberg v. Pace University) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Goldberg v. Pace University, (S.D.N.Y. 2021).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK BRETT GOLDBERG, Plaintiff, 20Civ. 3665(PAE) -v- OPINION & ORDER PACE UNIVERSITY, Defendant. PAUL A. ENGELMAYER, District Judge: In spring 2020, confronted with the spread of COVID-19, undergraduate and graduate schools across the country rapidly transitioned to online instruction,to protect students, faculty, and staff. In response, students at many schools have brought suit, generally sounding inbreach of contract, to recover tuition and feespaid for,purportedly,in-person experiences. Although some courts have construed these claims as impermissible claims of educational malpractice,

others have sustained such claims, finding it well-pled that the college or university breached a specific and enforceable contractual promise that learningor other services would be in-person. Plaintiff Brett Goldberg (“Goldberg”) is a performing arts graduate student. He sues Pace University (“Pace”) to recover damages in connection with Pace’s transition to remote learning in March 2020 in light of the pandemic. Goldberg alleges that Pace breached its contract with him by transitioning his last semester to remote learning, postponing the production of his play, and retaining certain fees. He also brings claims for unjust enrichment and promissory estoppel, and a claim under New York General Business Law (“GBL”) §349. Now pending is Pace’s motionfor judgment on the pleadings, under Federal Rule of Civil Procedure 12(c), for failure to state a claim. For the following reasons, the Court grants in part and denies in part Pace’s motion. I. Background A. Factual Background1

1. The Actors Studio Program As of the start of 2020, Goldberg, an aspiring playwright, was enrolled as a full-time third-year student in Pace’s Master of Fine Arts (“MFA”) three-year graduate program at The Actors Studio Drama School (“The Actors Studio”). SAC ¶¶ 17–18. The Actors Studio program anticipatedan in-person education, includingon Pace’s premisesin downtown New York City. Id.¶¶ 19, 27. Pace advertised that students in the program—actors, directors, and playwrights—would train “side-by-side” for three years. Id. ¶ 27; see also id., Ex. 10 at 3 (welcome letter from late Dean James Lipton on Actors Studio website). Itfurther advertised that the program’s “black-box studios for professional training are designed and equipped according to state-of-the-art standards,” and emphasized the benefits of

1 The facts are drawn from the Second Amended Complaint, Dkt. 24 (“SAC”), and attached or referenced exhibitscognizable on this motion. See DiFolco v. MSNBC Cable LLC, 622 F.3d 104, 111 (2d Cir. 2010) (“In considering a motion to dismiss ...a district court may consider the facts alleged in the complaint, documents attached to the complaint as exhibits, and documents incorporated by reference in the complaint.”);L-7 Designs, Inc. v. Old Navy, LLC, 647 F.3d 419, 422 (2d Cir. 2011). Here, the Court has consideredthe full text of the 2019–2020 Graduate School Course Catalog, which the SACincorporates by reference. See Graduate Catalog 2019- 2020, Pace University, https://pace.smartcatalogiq.com/2019-2020/Graduate-Catalog(“Graduate Catalog”); see alsoSAC ¶¶ 29 (linking to portion of Catalog that explains student fees), 50 (relying on Catalog’s description of the Rep Season), 106–07 (relying on terms in Graduate Catalog in breach of contract claim), 122 (referencing “Emergency Closings and Other Changes in Class Schedules” portion ofGraduate Catalog), 129 (same);id., Ex. 8 (excerpt of Graduate Catalog). For the purpose of resolving the motion to dismiss, the Court presumes all well-pled facts to be true and draws all reasonableinferences in favor of the plaintiff. See Koch v. Christie’s Int’l PLC, 699 F.3d 141, 145 (2d Cir. 2012). the program’s New York Citylocation. Id. ¶ 27. Pace promised, “inter alia, networking and mentorship opportunities, and in-person collaboration with other students and professors, including but not limited to, readings and ‘workshopping’ of [Goldberg’s] plays and screenplays.” Id.¶ 19. Pace further promised “faculty and student collaboration spaces.” Id.

In addition to its in-person offerings, Pace offers online programs, which it specifically identifies before the student enrolls and pays. Id. ¶¶ 72–73. Goldberg’s MFA program, however,was not labeled as such. Id. ¶ 74. Pace’s online programs are significantly less expensive than the in-person graduate programin which Goldberg enrolled. Id.¶¶ 25–26 (describing online Masters in Humanities American History Emphasis Program). An important feature of the Actors Studio program is its Repertory Season (“Rep- Season”). It culminates inthe third year of the program,when three groups of participants (actors, directors, and playwrights) work together to create and perform professionally produced plays for industry professionals and the public. See id.¶¶ 37, 116; see also id., Ex. 8 (Actors Studio curriculum information). The playwriting program is “built around the Rep-Season,”

which gives students an opportunity to present their production to the general public. Preparation for the Rep-Season begins “with the first-year playwriting class in which the play for the Rep-Season is chosen.” Id.¶ 32. The Rep-Season production is “workshopped the entire second year in an effort to prepare [students] for the production the following year.” Id. In the third year, the students “hone[]” the production. Id. Pace advertised Rep-Season as a distinguishing aspect of its graduate program. In its marketing materials to aspiring playwrights, Pace stated that student-developed full-length plays wouldbe staged by the program directors and actors. Id.¶ 37. It further advertised Rep-Season as a unique opportunity to “introduce graduating students to the professional world and the public in fully-professional productions of the work they have created during their three years of study.” Id.¶ 4; see alsoid.¶ 36 (“In their final year, all Actors Studio Drama School students present their work to the professional world and the public, in a fully-produced professional Repertory Season at a theater in downtown Manhattan”); id., Ex. 2 (Rep-Season advertisement in Spring 2020 Magazine).

In connection withRep-Season performances, the third-year curriculum includes a year- long course,“Process Lab,” in which student plays are workshopped and rehearsed. Id.¶¶ 32, 101. The Process Lab syllabus indicates that thiscourse wouldmeet inperson. Id.¶ 22; see also id.,Ex. 7(“Process Lab Syllabus”) (Fall and Spring 2019–2020semesters). To this end, its syllabus explainsthat “emails have proven to be counter-productive, [and] all issues regarding the project shall be dealt with in the classroom sessions face-to-face.” Process Lab Syllabusat 3. The syllabus also explains how students are to care for the classroom. See id. at 4. The SAC alleges that Pace, in general, required students to attend in person, and that failure to do so would harmthe student’s grade. See SAC¶ 20. 2. Impact of COVID-19 On or about January 27, 2020, Goldberg began his final Spring term at Pace. The term

was scheduled to conclude on or about May 16, 2020. Id.¶¶78–79. On March 10, 2020, inresponse to the spreadingpandemic, Pace transitioned all classes to online instruction for the remainder of the semester. Id.¶¶80, 82. Consequently, Goldberg’s classes were moved online. Id.¶ 89.

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Goldberg v. Pace University, Counsel Stack Legal Research, https://law.counselstack.com/opinion/goldberg-v-pace-university-nysd-2021.