Glaser v. Upright Citizens Brigade LLC

CourtDistrict Court, S.D. New York
DecidedMarch 31, 2020
Docket1:18-cv-00971
StatusUnknown

This text of Glaser v. Upright Citizens Brigade LLC (Glaser v. Upright Citizens Brigade LLC) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Glaser v. Upright Citizens Brigade LLC, (S.D.N.Y. 2020).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK

AARON GLASER, Plaintiff, 18-CV-971 (JPO) -v- OPINION AND ORDER UPRIGHT CITIZENS BRIGADE LLC. et al., Defendants.

J. PAUL OETKEN, District Judge: Plaintiff Aaron Glaser, a stand-up comedian, alleges that Defendants — various affiliated comedy theaters and schools based in New York City and Los Angeles, as well as associated individuals — violated Title IX of the Education Amendments Act of 1972 (“Title IX”), 20 U.S.C. § 1681 et seq., as well as state and city law when he was banned from their premises and classes. Defendants move to dismiss Glaser’s operative complaint for failure to state a claim upon which relief can be granted. For the reasons that follow, Defendants’ motion is granted. I. Background A. Factual Background The following facts are drawn from Glaser’s Third Amended Complaint (Dkt. No. 98 (“TAC”)) and are presumed true for the purposes of the instant motion to dismiss. This dispute arises out of Defendants’ banning of Plaintiff Aaron Glaser from their facilities and classes. Defendants are a group of affiliated individuals and corporate entities that provide improvisational and sketch comedy training as well as comedy performances in New York City and Los Angeles, known collectively as the Upright Citizens Brigade or “UCB.”1

1 Specifically, Defendants are: Upright Citizens Brigade LLC; Upright Citizens Brigade Training Center LLC; Upright Citizens Brigade Training Center LA, LLC; UCB Inner Sanctum, (TAC ¶ 13.) UCB “offer[s] affordable, high-quality shows seven nights a week” in its four theaters and runs “one of the largest and most respected improvisation and sketch comedy schools in the country” (the “Training Center”). (Id.) The Training Center is accredited as a non-degree-granting institution by the National

Association of Schools of Theatre. (TAC ¶ 59.) Basic coursework at the Training Center comprises certain “core classes.” (TAC ¶ 62.) Completion of those classes qualifies the attendee for a “diploma,” and, if he or she so chooses, the opportunity to apply for classes in the Training Center’s selective “Advanced Study” program. (TAC ¶¶ 65–67.) As the Training Center’s guide explains, the Training Center is run separately from the theaters. (TAC ¶ 68.) The two are intertwined, however: Training Center students may apply to perform in or write for certain shows and opportunities at the theaters, and present and former students receive preferential or exclusive access to some performance opportunities. (See id. ¶¶ 68–69.) Glaser enrolled in the entry-level class at the Training Center, Improvisation 101, in 2006, when he was a college student. (TAC ¶ 87.) By 2010, he had abandoned college in favor

of pursuing his comedy career and had completed the core classes for both improv and sketch comedy. (See TAC ¶¶ 88, 91.) In that time, Glaser excelled, gaining a coveted position on multiple improv comedy teams that performed at UCB’s New York theaters. (See TAC ¶¶ 93– 98.) He did not remain on those teams or take or apply for any Training Center classes after 2010. During the six years between his last Training Center class and the events giving rise to this lawsuit, Glaser received email solicitations inviting him to apply to various opportunities,

LLC; UCBTLA, LLC; Susan Hale, the Managing Director of the California-based UCB affiliates; Alex Sidtis, the Managing Director of the New York-based UCB affiliates; Patricia O’Neill, the Artistic Director of the New York-based UCB affiliates; and 5419 Sunset Properties, LLC, an entity that leased property to UCB. (TAC ¶¶ 13–29.) but he has not alleged that he applied to or intended to apply to the Training Center’s advanced programming. In 2010, Glaser decided to reorient the focus of his career toward standup comedy, and away from improv and sketch comedy (the subjects of the Training Center’s courses). To that

end, he began re-establishing himself as a standup comedian. (TAC ¶ 99.) Around 2013, Glaser began producing and hosting a monthly standup comedy series entitled “Midnight Stand-Up” at one of UCB’s New York theaters. (TAC ¶ 106.) Glaser was not compensated for his show but received free drinks and free admission to other shows, as well as comped tickets for friends. (TAC ¶ 149.) In 2014, Midnight Stand-Up was selected for inclusion in the Del Close Marathon, an annual festival produced by UCB. (TAC ¶ 111.) In August 2016, Glaser was called into a meeting with Defendants Shannon O’Neill and Alex Sidtis, the New York directors of UCB. (TAC ¶¶ 3, 168.) At the meeting, Glaser was informed that there had been multiple rape allegations made against him. (TAC ¶¶ 169–170.) Sidtis and O’Neill never provided Glaser with the factual underpinnings of the allegations or an

opportunity to respond. (TAC ¶ 171.) They summarily terminated Glaser’s show and banned him from Defendants’ premises in New York and California. (TAC ¶ 175.) Glaser alleges that the allegations are baseless and that the ban and resulting public attention have had devastating effects on his professional and personal life. (See TAC ¶ 201.) B. Procedural History Glaser commenced this action by filing a complaint against Defendants UCB LLC, O’Neill, and Sidtis (“the Initial Defendants”) on February 4, 2018. (Dkt. No. 1.) After the Initial Defendants moved to dismiss Glaser’s claims against them (Dkt. No. 15), Glaser filed the First Amended Complaint, this time asserting claims against the remaining defendants. (Dkt. No. 25 ¶ 1.) On March 28, 2019, this Court dismissed the federal claims in the First Amended Complaint for failure to state a claim upon which relief may be granted and declined to exercise supplemental jurisdiction over the remaining state- and city-law claims, but granted Glaser leave to replead. See Glaser v. Upright Citizens Brigade, LLC, 377 F. Supp. 3d 387 (S.D.N.Y. 2019). On May 2, 2019, Glaser filed his Second Amended Complaint. (Dkt. No. 92.) On May 15,

2019, Glaser filed the now-operative Third Amended Complaint. (Dkt. No. 98.) Before the Court now is Defendants’ motion to dismiss the Third Amended Complaint for failure to state a claim upon which relief can be granted. (Dkt. No. 111.) The motion is fully briefed and ripe for the Court’s consideration. II. Legal Standard To survive a Rule 12(b)(6) motion to dismiss, a complaint “must contain sufficient factual matter, accepted as true, to ‘state a claim to relief that is plausible on its face.’” Ashcroft v. Iqbal, 556 U.S. 662, 678 (2009) (quoting Bell Atl. Corp. v. Twombly, 550 U.S. 544, 570 (2007)). In other words, a plaintiff’s “[f]actual allegations must be enough to raise a right to relief above the speculative level, on the assumption that all the allegations in the complaint are true (even if doubtful in fact).” Twombly, 550 U.S. at 555 (citation and footnote omitted). In

assessing a Rule 12(b)(6) motion, “[c]ourt[s] must . . . ‘draw [ ] all inferences in the plaintiff’s favor.’” Goonan v. Fed. Reserve Bank of N.Y., 916 F. Supp. 2d 470, 478 (S.D.N.Y. 2013) (second alteration in original) (quoting Allaire Corp. v. Okumus, 433 F.3d 248, 250 (2d Cir. 2006)). In addition to “the allegations on the face of the complaint,” courts considering Rule 12(b)(6) motions also “may permissibly consider documents . . . that are attached to the complaint or incorporated in it by reference.” Roth v.

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Glaser v. Upright Citizens Brigade LLC, Counsel Stack Legal Research, https://law.counselstack.com/opinion/glaser-v-upright-citizens-brigade-llc-nysd-2020.