GETTING GRACE FILM, LLC v. HANNOVER HOUSE, INC.

CourtDistrict Court, W.D. Arkansas
DecidedSeptember 4, 2020
Docket5:20-cv-05179
StatusUnknown

This text of GETTING GRACE FILM, LLC v. HANNOVER HOUSE, INC. (GETTING GRACE FILM, LLC v. HANNOVER HOUSE, INC.) is published on Counsel Stack Legal Research, covering District Court, W.D. Arkansas primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
GETTING GRACE FILM, LLC v. HANNOVER HOUSE, INC., (W.D. Ark. 2020).

Opinion

IN THE UNITED STATES DISTRICT COURT FOR THE EASTERN DISTRICT OF PENNSYLVANIA GETTING GRACE FILM, LLC, Plaintiff, CIVIL ACTION V. No. 19-1607 HANNOVER HOUSE, INC., et al., Defendants.

MEMORANDUM SCHMEHL, J. /s/ JLS SEPTEMBER 3, 2020

This matter arises out of disputes over the proceeds from the production and release of a feature film, “Getting Grace.” (ECF No. 1, Ex. 1.) Plaintiff Getting Grace is a Pennsylvania limited liability company organized as “. . . the authorized owner and/or copyright proprietor and licensing source for the original, feature film .. . ‘Getting Grace.’” (ECF No. 1, Ex. 1, 99 1, 9.) On December 18, 2017, Plaintiff entered into a Worldwide Distribution Agreement (“Agreement”) with “. . . [all] Defendants to this lawsuit, whether individually or as a principal, representative, owner and/or agent of [(an)other] Defendant(s).” (d., 4 10.) Pursuant to this Agreement, Defendants Hannover House, Inc. (“Hannover”) and Medallion Releasing, Inc. (“Medallion”) were to represent the film for a nationwide theatrical engagement. (/d., § 12.) The Agreement obligated Hannover and Medallion to enter into a separate contract with Sony Pictures Home Entertainment (“SPHE”) to release the film “. . . to physical home video [devices] for resale, for sales to retailers, online-seller[s], and other appropriate outlets in the United States and Canada, as well as for television and Video-On- Demand.” (/d., § 13.) The Agreement also included terms defining a “preliminary theatrical

release and marketing plan and budget .. .” for the film’s release. Ud., § 14.) As part of this, Plaintiff agreed to provide $50,000 of Publicity and Advertising funds to finance a bus tour and an additional $150,000 for the film’s release to targeted markets. (/d., § 15-16.) Additionally, in the Agreement, Hannover and Medallion agreed to pay Plaintiff a minimum guarantee of $250,000 for the United States and Canadian markets, as well as a $200,000 minimum guarantee for the international market, “following full delivery of the Picture and advance payment by [Plaintiff] to [Hannover and Medallion] of the total . . . aforementioned amounts.” (/d., 17.) These minimum guarantees were to be paid to Plaintiff against its net revenues and were to be paid, at the latest, by December 30, 2018. (/d., { 18.) These components of the parties’ arrangement were also memorialized in two Promissory Notes, appended to the Agreement and executed by Defendant Erik Parkinson. (/d., 4] 19-20.) The first Promissory Note (“P&A Note”) was issued by Hannover and Medallion, as borrowers, to Plaintiff, as creditor, with a principal of $200,000 for the film’s distribution pursuant to the Agreement. (/d., § 21.) Plaintiff paid this amount in full according to the agreed-upon payment schedule. (d., 22-23.) Plaintiff also filed and recorded a“... U.C.C. Security Interest in and to all the revenues to be derived from the distribution...” (/d., § 25.) Under this Note, Plaintiff's Security Interest would survive “. . . until such a time that the principal, applicable interest, and IAF were fully and indefeasibly paid to [Plaintiff].” (d., 926.) As such, Hannover and Medallion were required to instruct all licensors, sub-licensors, customers, purchasers, exhibitors, and distributors of the film to direct all revenue payments to a specifically designated, segregated bank account for Plaintiff's benefit. (/d., § 27.) This Note also provided that Hannover and Medallion would pay all of Plaintiff's “. . . reasonable expenses incurred to enforce or collect any of the obligations under the P&A Note, including, without limitation, reasonable attorney’s

fees and expenses...” (/d., § 28.) The second Promissory Note (“Minimum Guarantee Note”) established a minimum guarantee of $450,000, promised by Hannover and Medallion to Plaintiff in exchange for the rights to distribute the film. (U/d., J 29-30.) As with the first Note, Plaintiff filed and recorded a U.C.C. Security Interest in and to all revenues to be derived from the film’s distributions. (/d., § 32.) This Security Interest was to survive until such a time that the principal and applicable interest under the Minimum Guarantee Note were paid in full to Plaintiff. (/d., 933.) As such, and as with the first Note, Hannover and Medallion were required to instruct all licensors, sub-licensors, customers, purchasers, exhibitors, and distributors of the film to direct all revenue payments to a specifically designated, segregated bank account for Plaintiff's benefit. (d., 9 34.) A similar provision regarding enforcement expenses was also included. (/d., 35.) Both the P&A Note and the Minimum Guarantee Note provide that “. . . failure of [Hannover and Medallion] to pay on the note when due, plus a ten (10) day cure period, entitled [Plaintiff] to provide written notice .. . of the total unpaid principal, accrued interest, and IAF immediately due and payable.” (/d., {¥ 36, 38.) Additionally, both notes provide that Hannover and Medallion’s failure to pay would entitle Plaintiff to a consent judgment against them. (/d., 37, 39.) In the aggregate, the P&A Note and the Minimum Guarantee Note had principal amounts of $650,000 and were both subject to 7% interest per annum. (/d., 441.) The P&A Note further required payment of a $16,000 IAF fee. (/d., § 42.) On or around October 29, 2018, Daniel Roebuck personally paid, on behalf of Plaintiff to Signature Media, approximately $11,628.50 for the film’s DVD replication costs. (/d., 943.) He also paid shipment costs to Walmart on behalf of Hannover. (/d.) Hannover, via an email from Erik Parkinson, agreed to fully reimburse Roebuck from the proceeds of a “. . . Michael Kahn

stock venture within approximately one week.” (/d., § 44.) The same day, Roebuck confirmed to Parkinson and co-defendant D. Frederick Shefte that he expected payment in full by November 13, 2018, or thereafter with interest. (/d., § 45.) Parkinson responded the following day, stating “Tujnderstood and agreed . . . we are closing the corp. finance portion to cover thisnow...” (d., 446.) Plaintiff later loaned this money to Roebuck, and Plaintiff now contends that this amount is now due directly to Plaintiff and not Roebuck. (/d., § 47.) On November 29, 2018, Plaintiff, by and through representatives and/or agents, participated in a conference call with Defendants Parkinson and Shefte, who “. . . were acting individually and/or as principals, representatives, and/or agents of [Hannover and Medallion].” § 48.) During this call, Parkinson stated that “. . . he was going [to] get the ‘rest of the theatrical collected’ from the [film] so that he could use that [money] to ‘retire a portion of the P&A funding.’” (d., J 49.) Both Promissory Notes matured on December 30, 2018. (d., 950.) Having not received payments due under both the Agreement and the Promissory Notes, Plaintiff's counsel filed a Notice of Default on January 11, 2019. (Ud.,951.) Later, on January 25, 2019, Plaintiff's counsel also filed U.C.C. liens against Hannover and Medallion in accordance with the Agreement and both Promissory Notes. (/d., 4 52.) Stemming from these allegations of nonpayment under the Agreement and Promissory Notes, Plaintiff has now brought the following claims before the Court: I. Breach of Contract (against all defendants); II. Unjust Enrichment (against all defendants); IL. Violation of the Pennsylvania Securities Act of 1972 (against all defendants); IV. Fraud and Misrepresentation (against all defendants); V. Piercing the Corporate Veil (against defendants Parkinson, Shefte, Sims, and Sargent');

Former defendant Bobby Sargent was dismissed from this matter, without prejudice, by stipulation. (See ECF No.

VI. Declaratory Judgment pursuant to Pennsylvania Rule of Civil Procedure 1602. (ECF No. 1, Ex.

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GETTING GRACE FILM, LLC v. HANNOVER HOUSE, INC., Counsel Stack Legal Research, https://law.counselstack.com/opinion/getting-grace-film-llc-v-hannover-house-inc-arwd-2020.