Gervasi v. Warner/Chappell Music, Inc.

CourtDistrict Court, M.D. Tennessee
DecidedFebruary 7, 2020
Docket3:12-cv-00627
StatusUnknown

This text of Gervasi v. Warner/Chappell Music, Inc. (Gervasi v. Warner/Chappell Music, Inc.) is published on Counsel Stack Legal Research, covering District Court, M.D. Tennessee primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Gervasi v. Warner/Chappell Music, Inc., (M.D. Tenn. 2020).

Opinion

UNITED STATES DISTRICT COURT MIDDLE DISTRICT OF TENNESSEE NASHVILLE DIVISION

DEBORAH BUSH GERVASI, ) Individually and on behalf of the ) ESTATE OF RICHARD A. ) WHITING, ) ) Plaintiffs, ) ) v. ) Case No. 3:12-cv-0627 ) Judge Aleta A. Trauger WARNER/CHAPPEL MUSIC, INC. ) A DIVISION OF WARNER MUSIC ) GROUP CORP., ) ) Defendant. )

MEMORANDUM AND ORDER

Deborah Bush Gervasi has filed a Motion for Leave to File Fourth Amended Complaint (Docket No. 145), to which Warner/Chappel Music, Inc. (“WCM”) has filed a Response (Docket No. 146), and Ms. Gervasi has filed a Reply (Docket No. 151). For the reasons set out herein, Ms. Gervasi's Motion for Leave to File Fourth Amended Complaint will be denied. I. BACKGROUND AND PROCEDURAL HISTORY1

Richard A. Whiting was an early 20th-century songwriter, known for such compositions as “Oh the Good Ship Lollipop” and “Hooray for Hollywood.” (Docket No. 100 ¶ 6.) In 1936, Mr. Whiting entered into a music publishing agreement with Warner Bros. Pictures. (Id. ¶ 10.) In 1938, Mr. Whiting died, leaving his intellectual property to his wife, Eleanore, and his daughters, Barbara and Margaret. (Id. ¶ 11.) In 1943, Eleanore Whiting entered into an agreement with Music Publishers Holding Corporation (“MPHC”), whereby she transferred her interest in the

1 The underlying facts of the case are taken primarily from Ms. Gervasi’s Third Amended Complaint. (Docket No. 100.) Except where otherwise noted, the facts are accepted as true for purposes of the Motion to Amend. renewal copyrights of some of Mr. Whiting’s compositions to the company in exchange for 50% of the domestic licensing receipts for the compositions. (Id. ¶¶ 12–13.) Shortly thereafter, the parties amended the agreement to grant Ms. Whiting a share of international licensing at the same rates as those for domestic licensing under Mr. Whiting’s original publishing contracts, including the 1936 agreement. (Id. ¶ 14.) In 1953, the parties amended the agreement again, to

increase Ms. Whiting’s international licensing share to 50%. (Id. ¶ 15.) Eleanore Whiting died in 1981, leaving her rights to Margaret; Margaret died in 2011, leaving her rights to her daughter, Ms. Gervasi. (Id. ¶¶ 7, 29.) Ms. Gervasi lived in Tennessee when this case was initiated and now lives in New York. (Id. ¶ 1.) WCM, which is the successor-in-interest of MPHC and Warner Bros. Pictures, is based in California. (Id. ¶ 2.) In December 2006, Ms. Gervasi, while caring for her ailing mother, reviewed the records of licensing payments that her mother had received from WCM and noticed payment variations that she was unable to explain. (Id. ¶¶ 17–18.) After researching the matter, Ms. Gervasi came to believe that WCM had been underpaying the royalties. WCM, however, took the position that

the royalties had been calculated correctly because the relevant compositions were governed by the 1936 agreement, not any subsequent agreements. (Id. ¶¶ 19–27.) On June 20, 2012, Ms. Gervasi, having inherited her mother’s rights, filed her Complaint in this case. (Docket No. 1.) She filed a First Amended Complaint two days later. (Docket No. 4.) The First Amended Complaint’s caption indicated that Ms. Gervasi was suing “individually and on behalf of the estate of Richard A. Whiting.” (Id. at 1.) The Complaint referred to Ms. Gervasi as “the legal representative of the estate of Richard A. Whiting” and asserted that the defendant was “obligated to account to and pay Plaintiff royalties due to the estate of Richard A. Whiting.” (Id. ¶ 36.) On April 11, 2016,2 Ms. Gervasi filed a Motion for Leave to Amend the First Amended Complaint. (Docket No. 61.) Her proposed Second Amended Complaint still purported to be filed by Ms. Gervasi both in her individual capacity and on behalf of Richard A. Whiting’s estate. (Docket No. 61-1 at 1, ¶¶ 28, 49.) On January 30, 2017, after reassignment of this case to the undersigned after the retirement of the senior judge previously assigned, this court granted

Ms. Gervasi leave to amend in part, holding that some of her claims for damages prior to either June 20, 2008 or April 11, 2012, depending on the composition, were time-barred. (Docket No. 70 at 14.) On October 16, 2017, WCM filed a Motion to Dismiss for Lack of Subject-Matter Jurisdiction. (Docket No. 84.) For the first time, WCM noted that, at the time of his death, Richard A. Whiting was, like WCM, a citizen of California for jurisdictional purposes. (Id. at 1.) A federal court can exercise diversity jurisdiction “only if each of the plaintiffs comes from a different State from each of the defendants.” Evanston Ins. Co. v. Hous. Auth. of Somerset, 867 F.3d 653, 656 (6th Cir. 2017) (citations omitted). Pursuant to 28 U.S.C. § 1332(c)(2), “the legal

representative of the estate of a decedent shall be deemed to be a citizen only of the same State as the decedent.” Ms. Gervasi’s inclusion of claims on behalf of the Richard A. White Estate, therefore, destroyed diversity. In Response, Ms. Gervasi argued that, despite her several prior statements to the contrary, she was not the representative of Richard A. Whiting’s estate in any formal sense, but only in the sense that she was suing to vindicate the rights of his heirs: Mr. Whiting’s estate was closed decades ago when his wife and children inherited the copyrights at issue in this case. Ms. Gervasi, who was not even born when her grandfather died, was never the legal representative of his estate and never

2 During the four years between 2012 and 2016, a motion to dismiss was litigated, deadlines were extended, and the trial date was advanced, by agreement, several times.

intended to sue in that capacity, which she obviously could not have done. Her intent in referring to her grandfather’s estate was to identify the source of her copyrights and the fact that she was suing not only individually, as one of her grandfather’s heirs, but also on behalf of her cousin—her grandfather’s other heir and co-owner of the copyrights.

(Docket No. 87 at 1–2.) While WCM’s Motion to Dismiss was pending, Ms. Gervasi filed a Motion for Leave to File Surreply and to File a Third Amended Complaint, in which she sought leave to amend her complaint to clarify that she was not seeking to assert any claims as a formal legal representative of the Whiting estate. Ms. Gervasi also sought to add federal question jurisdiction as a theory of this court’s jurisdiction over the case. (Docket No. 91.) The court’s consideration of Ms. Gervasi’s motion was complicated by the fact that she failed to provide a draft Third Amended Complaint in which she had actually removed all assertions that she could, or at some point did, represent the Richard A. Whiting Estate, despite two attempts to do so. (Docket Nos. 91-4 & 97-1; see Docket No. 98 at 8.) On February 5, 2018, the court granted Ms. Gervasi’s motion in part, denied it in part and denied WCM’s Motion to Dismiss as moot. (Docket No. 98 at 1.) The court rejected Ms. Gervasi’s assertion of federal question jurisdiction but allowed her to amend her Second Amended Complaint to clarify her relationship with the Richard A. Whiting Estate. (Id. at 14, 16.) The court wrote, however: Ms. Gervasi is cautioned . . . that she is close to—if not at—the limit of the leeway she can reasonably be afforded on this issue. She is urged to file a Third Amended Complaint that has been actually, fully excised of any claims, in either the text or the caption, that would rob this court of diversity jurisdiction—even if she fears that doing so might, for example, put her at risk of limiting her dates of recovery.

(Docket No. 98 at 16.) Ms.

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