Gaylord Entertainment Co. v. Gilmore Entertainment Group, LLC.

187 F. Supp. 2d 926, 2001 WL 1754464
CourtDistrict Court, M.D. Tennessee
DecidedOctober 8, 2002
Docket3:99CV0629
StatusPublished
Cited by11 cases

This text of 187 F. Supp. 2d 926 (Gaylord Entertainment Co. v. Gilmore Entertainment Group, LLC.) is published on Counsel Stack Legal Research, covering District Court, M.D. Tennessee primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Gaylord Entertainment Co. v. Gilmore Entertainment Group, LLC., 187 F. Supp. 2d 926, 2001 WL 1754464 (M.D. Tenn. 2002).

Opinion

MEMORANDUM

HAYNES, District Judge.

Plaintiff, Gaylord Entertainment Company (“Gaylord”), a Delaware corporation, with its principal place of business in Nashville, Tennessee, filed this action under the Federal Trademark Act of 1946 (“Lanham Act”), 15 U.S.C. § 1051 et seq., as amended, against the defendants: Calvin Gilmore Productions, Inc., a Delaware corporation with its principal place of business in Myrtle Beach, South Carolina 1 and Gilmore Entertainment Group, LLC. (“GEG”), a South Carolina corporation with its principal place of business in Myrtle Beach, South Carolina. Gaylord also asserts supplemental state law claims under Tennessee trademark dilution statute law and similar laws of other states.

Gaylord is the owner of the Grand Ole Opry, that also is referred to as the “Opry” both in the trade and by the public. Gaylord owns a wide range of federal and state trademark registrations for marks incorporating the formative “Opry,” most notably including the “Grand Ole Opry” and “Opryland.”

GEG conducts a music and variety show in Myrtle Beach, South Carolina under the name and mark “The Carolina Opry.” GEG advertises its show as “the Opry,” and uses the toll-free number 1-800-THE-OPRY to solicit ticket sales. GEG also promotes its show using domain names incorporating the term “Opry.”

Gaylord alleges, in essence, that GEG’s adoption and promotion of “The Carolina Opry” name and mark for its musical revue, and its use of the term “Opry” in connection with advertising and the solicitation of ticket sales for “The Carolina Opry,” violates Gaylord’s trademarks. Gaylord also alleges that GEG’s activities in advertising and promoting their musical show constitute unfair competition because they are likely to cause confusion in the market as to a possible relationship or affiliation between “The Carolina Opry” and the “Grand Ole Opry.” In addition, Gaylord alleges that the use and promotion of the mark “Carolina Opry” will dilute the distinctiveness of Gaylord’s family of Opry marks. Gaylord specifically asserts the federal claims for trademark infringement, unfair competition, and trademark dilution under the Lanham Act, 15 U.S.C. § 1051 et seq., as amended. In addition, Gaylord also asserts claims for violations of various state laws on trademark dilution, trademark infringement, and common law trademark infringement.

Gaylord seeks a permanent injunction against GEG. Gaylord also seeks an accounting for all profits received from infringement, unfair competition, dilution or other improper activity, and damages for injury that it has sustained. Finally, Gay-lord seeks an order for the impoundment of all infringing materials or goods using any unauthorized colorable imitation of the Opry marks. (Docket No. 8, first amended complaint).

Before the Court is the GEG’s motion for summary judgment (Docket Entry No. 60) for which oral arguments were held (Docket No. 123).

The gravamen of GEG’s motion is that the term “Opry” is generic. GEG asserts that if “Opry” is a generic term, then it is not entitled to any federal, state, or com *931 mon law protection. GEG argues that Gaylord cannot claim exclusive right to the use of the term “Opry” and that GEG’s use of such term in the promotion of “The Carolina Opry” cannot give rise to trademark infringement, trademark dilution, or unfair competition claims. Second, GEG also contends that in light of a prior adverse court decision, Gaylord is collaterally estopped from litigating the generic nature and meaning of the term “Opry.” Thus, GEG argues that it is entitled to judgment as a matter of law on all of Gaylord’s causes of action.

In response, Gaylord argues that material factual disputes exist on all claims such that summary judgment is inappropriate. Specifically, Gaylord argues that the term “Opry” is not generic, and that collateral estoppel does not preclude them from disputing the generic status of the term “Opry.” In addition, Gaylord argues that even if the term “Opry” were found to be generic, Gaylord could still prevail on its unfair competition or trademark infringement claims. (Docket Entry No. 123, oral argument).

A. Review of the Record 2

Gaylord’s predecessors 3 founded the Grand Ole Opry in 1927. Initially, the Grand Ole Opry, a musical revue featuring country music and dramatic, comedy, and variety performers, was performed live before a studio audience in Nashville, Tennessee. By 1943, NBC Radio was broadcasting the Grand Ole Opry to 125 stations nationwide. In 1955, the Grand Ole Opry made its television debut with NBC and ABC airing the shows nationwide. The Grand Ole Opry has continued to grow in popularity and notoriety over the past several decades. In 1983, the Grand Ole Opry began making weekly nationwide broadcasts on The Nashville Network (TNN), including a half-hour pre-show entitled Opry Backstage. Over its history, the Grand Ole Opry has showcased and periodically inducted as new members many of the greatest twentieth-century country music performers. These performers, as well as news sources, music aficionados and the public consistently refer to the Grand Ole Opry as the “Opry.” (Docket Entry No. 1, ¶ 13-15, 20-21, at 5-7; see also Docket Entry No. 113, defendant’s response to plaintiffs statements of material facts, ¶ 3-4, at 2).

Gaylord registered the “Grand Ole Opry” as a trademark on July 11, 1950. 4 Since that date, Gaylord has registered and currently owns at least 39 marks that contain the formative “Opry,” most notably including the marks “Grand Ole Opry,” “Opryland USA,” “Opryland Hotel,” “Op-ryland,” “1-800-SEE-OPRY,” . “1-800- *932 WSM-OPRY.” (Docket Entry No. 1, ¶24-35, at 8-14). In addition to the federally registered trademarks, Gaylord also owns State of Tennessee registrations for several marks that incorporate the formative “Opry.” See id. ¶ 14, at 6. Gaylord has continuously and extensively used the Opry marks since founding the Grand Ole Opry in 1927. Gaylord also registered the mark “Opry” on January 12, 1982. 5 It has spent substantial time and money advertising the Opry marks. According to Gay-lord, “billions of dollars worth of goods and services have been sold by Gaylord and its predecessors under the Opry marks.” (Docket Entry No. 1, ¶ 37, at 15).

In 1986, GEG’s predecessors 6 started The Carolina Opry in Myrtle Beach, South Carolina. At that time, the founders of The Carolina Opry were aware of the existence of the Grand Ole Opry music show. (Docket Entry No. 58, Answer ¶ 40). GEG is the present operator of The Carolina Opry, which like the Grand Ole Opry, is a music and variety show. (Docket Entry No. 82, undisputed facts ¶ 1, at 1). It has been in continuous operation from 1986 to the present. (Docket Entry No. 58, Counterclaim ¶ 3).

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Bluebook (online)
187 F. Supp. 2d 926, 2001 WL 1754464, Counsel Stack Legal Research, https://law.counselstack.com/opinion/gaylord-entertainment-co-v-gilmore-entertainment-group-llc-tnmd-2002.