FRED STEWART AS PERSONAL REPRESENTATIVE OF THE ESTATE OF MIKE MEYER A/K/A MIKE DISFARMER v. ARKANSAS MUSEUM OF FINE ARTS FOUNDATION

CourtDistrict Court, E.D. Arkansas
DecidedOctober 16, 2025
Docket4:24-cv-00905
StatusUnknown

This text of FRED STEWART AS PERSONAL REPRESENTATIVE OF THE ESTATE OF MIKE MEYER A/K/A MIKE DISFARMER v. ARKANSAS MUSEUM OF FINE ARTS FOUNDATION (FRED STEWART AS PERSONAL REPRESENTATIVE OF THE ESTATE OF MIKE MEYER A/K/A MIKE DISFARMER v. ARKANSAS MUSEUM OF FINE ARTS FOUNDATION) is published on Counsel Stack Legal Research, covering District Court, E.D. Arkansas primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
FRED STEWART AS PERSONAL REPRESENTATIVE OF THE ESTATE OF MIKE MEYER A/K/A MIKE DISFARMER v. ARKANSAS MUSEUM OF FINE ARTS FOUNDATION, (E.D. Ark. 2025).

Opinion

IN THE UNITED STATES DISTRICT COURT EASTERN DISTRICT OF ARKANSAS CENTRAL DIVISION

FRED STEWART AS PERSONAL REPRESENTATIVE OF THE ESTATE OF MIKE MEYER A/K/A MIKE DISFARMER PLAINTIFF

V. 4:24CV00905 JM

ARKANSAS MUSEUM OF FINE ARTS FOUNDATION DEFENDANT

ORDER Mike Meyer Disfarmer (“Disfarmer”) was a photographer in Heber Springs, Arkansas. Disfarmer was virtually unknown during his lifetime but, after his death, his photographs became critically acclaimed for accurately depicting mid-western life in America. Disfarmer died intestate on September 28, 1959. At the time of his death, he owned thousands of black and white photographs that he created (the “Photographs”) and the negatives of the Photographs which were permanently captured on negative and positive glass plates (the “Negatives”) (collectively the “Disfarmer Works”). According to the Amended Complaint (the “Complaint”), Disfarmer never sold any of the Negatives. (Comp., Dkt. No. 17 at ¶3). A probate proceeding was filed by Disfarmer’s brother in Cleburne County, Arkansas, for Disfarmer on October 6, 1959, seeking appointment of U.S. Hensley as Administrator. (Ex. 2 to Comp., Dkt. No. 17-1 at p. 4-7). Letters of Administration appointing Hensley were issued on the same day authorizing Hensley to take possession of Disfarmer’s property. (Ex. 3 to Comp., Dkt. No. 17-1 at p. 8-10). Hensley filed a Petition with the Court on March 31, 1960, reciting the assets of the Estate which were cash and their sources. (Ex. 4 to Comp., Dkt. No. 17-1 at p. 11- 14). It also listed the claims against the Estate. There was no mention of photographs, negatives or glass plates or any personal property which Hensley had sold. U.S. Hensley died on September 22, 1960 and his son, B.W. Hensley, was appointed successor administrator. An accounting was filed on September 20, 1961 and an Order approving the accounting was entered on December 19, 1961, closing the Estate. (Ex. 5 to Comp., Dkt. No.

17-1 at p. 16-20). According to the affidavit of Peter Miller (“Miller”) which is attached as Exhibit 6 to the Complaint, Miller purchased the Negatives from Joe Albright. (Comp., Dkt. No. 17 at ¶12; Ex. 6 to Comp., Dkt. No. 17-1 at p. 21-24). Miller states that Albright claimed to have purchased the Negatives from U.S. Hensley in December of 1959 for five (5) dollars. (Ex. 6 to Comp., Dkt. No. 17-1 at p. 21-24). Miller states that he transferred possession of the Negatives to The Group, Inc. in 1976 and The Group transferred possession and ownership to the Defendant Arkansas Museum of Fine Arts Foundation by gift in 1977. Id. The Complaint, however, states that Hensley “never sold, transferred or assigned any of the Photographs or the Negatives to Albright

or to any other person or entity through any form of conveyance. . ..” (Comp., Dkt. No. 17 at ¶13). On January 29, 2021, Plaintiff Fred Stewart filed a Petition to Reopen the Estate and appoint a special administrator (the “Petition to Reopen the Estate”) in Cleburne County Circuit Court. (Ex. 7 to Comp., Dkt. No. 17-1 at p. 25-28). An Order granting the Petition to Reopen the Estate was entered of record on May 24, 2022. Id. On May 14, 2024, an application to register each of the Disfarmer Photographs listed in Exhibit 8 to the Amended Complaint as unpublished works was filed with the U.S. Copyright Office. (Ex. 1 to Comp., Dkt. No. 17-1 at p. 1-3). The Copyright Office refused to issue a registration. Plaintiff filed this suit against the Foundation for declaratory judgment. Copyright infringement under the Copyright Act, vicarious copyright infringement under the Act, contributory infringement under the Act, violation of the Digital Millennium Copyright Act (“DMCA”), deceptive trade practices under the Arkansas Uniform Deceptive Trade Practices Act (“ADTPA”), unjust enrichment and conversion under Arkansas law.

Pending before the Court is the Foundation’s motion to dismiss the Complaint based upon the statute of limitations and preemption. Plaintiff has responded. The motion is ripe for consideration. I. Standard for Motion to Dismiss To survive a Rule 12(b)(6) motion to dismiss, the complaint “must contain sufficient factual matter, accepted as true, to ‘state a claim to relief that is plausible on its face.’” Ashcroft v. Iqbal, 556 U.S. 662, 678 (2009) (quoting Bell Atlantic Corp. v. Twombly, 550 U.S. 544, 570 (2007). Although “specific facts are not necessary,” the plaintiff must allege facts sufficient to “give fair notice of what the ... claim is and the grounds upon which it rests.” Erickson v. Pardus,

551 U.S. 89, 93 (2007) (quoting Twombly, 550 U.S. 544, 555 (2007)). A plaintiff's obligation to provide the “grounds” of his “entitlement to relief” requires more than labels and conclusions, and a formulaic recitation of the elements of a cause of action will not do.” Twombly, 550 U.S. at 555. A complaint “must contain either direct or inferential allegations respecting all the material elements necessary to sustain recovery under some viable legal theory.” Id. at 562. This standard “simply calls for enough fact[s] to raise a reasonable expectation that discovery will reveal evidence of [the claim or element].” Id. at 556. The issue is not whether the plaintiff will ultimately prevail, but whether the plaintiff is entitled to present evidence in support of his claim.” Id. The purpose of a motion to dismiss under Rule 12(b)(6) of the Federal Rules of Civil Procedure is to test the legal sufficiency of the complaint. When considering a Rule 12(b)(6) motion, the Court must assume the factual allegations of the complaint to be true and construe them in favor of the plaintiff. Neitzke v. Williams, 490 U.S. 319, 326–27 (1989). The Court is not bound to accept as true a legal conclusion couched as a factual allegation. Twombly, 550 U.S. at

555. II. Analysis A. Statute of Limitations for Copyright Claims The Foundation claims that Counts I-V should be dismissed because they are barred by the statute of limitations. The statute of limitations for copyright ownership is three years from the date that the claim for ownership accrues. See 17 U.S.C. § 507(b). The Foundation contends that the Estate’s claim accrued when a “reasonably diligent plaintiff would have been put on inquiry as to the existence of a right,” and in this case, the Estate was on notice of its claim of ownership as of January 28, 2021 at the latest. On January 28, 2021, the Petition to Reopen the Estate was filed which recited the Estate’s alleged copyright claim to the Negatives.1

The Foundation’s recitation of the law is correct. “A copyright claim must be commenced within three years after the claim accrued.” 17 U.S.C. § 507(b). “An ownership claim accrues only once, when a reasonably diligent plaintiff would have been put on inquiry as to the existence of a right. . ..” Kwan v. Schlein, 634 F.3d 224, 228 (2d Cir. 2011). “Where ownership is

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FRED STEWART AS PERSONAL REPRESENTATIVE OF THE ESTATE OF MIKE MEYER A/K/A MIKE DISFARMER v. ARKANSAS MUSEUM OF FINE ARTS FOUNDATION, Counsel Stack Legal Research, https://law.counselstack.com/opinion/fred-stewart-as-personal-representative-of-the-estate-of-mike-meyer-aka-ared-2025.