Fox Film Corp. v. Federal Trade Commission

296 F. 353, 1924 U.S. App. LEXIS 3339
CourtCourt of Appeals for the Second Circuit
DecidedJanuary 7, 1924
DocketNo. 121
StatusPublished
Cited by24 cases

This text of 296 F. 353 (Fox Film Corp. v. Federal Trade Commission) is published on Counsel Stack Legal Research, covering Court of Appeals for the Second Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Fox Film Corp. v. Federal Trade Commission, 296 F. 353, 1924 U.S. App. LEXIS 3339 (2d Cir. 1924).

Opinion

MANTON, Circuit Judge.

Under the authority of the act of September 26, 1914 (38 Stat. 717 [Comp. Stat. § 8836a]), the respondent filed a complaint against the petitioned:, alleging that it was engaged in the production of photoplays, and leased and sold its products to the owners and operators of moving picture theaters throughout the United States, granting the right to exhibit said photoplays to the public. It is admitted that the petitioner, in leasing and selling to the exhibitors, maintains agencies at various cities in the several states of the United States. It makes positive photoplays produced by it and packs the same in such manner as to be adapted for use in motion picture projecting machines. These are called films, and the photoplays are known in the trade as releases. It ships to its agencies in several states from New York City. The petitioner is therefore engaged in interstate commerce. Binderup v. Pathé Exchange (Supreme Court, Nov. 19, 1923) 44 Sup. Ct. 96, 68 L. Ed. 114.

The parties stipulated the facts and they had been embodied in the findings of the Commission. It is stipulated that, when a picture has been run and generally exploited in the United States or in a considerable portion of it, and it is again offered for exhibition at a later period, it is commonly known as a reissue or revival; that according to the accepted practice, usage, and custom of this industry, unless the original title of the picture is retained, or the picture is so described in the contract between the producer and the exhibitor and in the advertising matter as a reissue or revival of a photoplay previously' released, it is understood by the exhibitor and the public that the photoplay to be furnished or screened is or will be a new picture; that is to say, a continuity not previously exhibited or exploited throughout any considerable portion of the United States. On December 18, 1916, the petitioner released a motion picture which was entitled “The Eove Thief,” and on May 28, 1917, it released a motion picture which was entitled “The Silent Eie,” and on September 17, 1917, it released a motion picture entitled “The Yankee Way.” These pictures were extensively exploited and exhibited throughout the United States. They were known at the time as feature pictures, being ordinary five-reel pictures designed for the principal part of an ordinary motion picture theater program. It is stipulated that in the course of the season of 1919-1920 the petitioner reissued the old pic[355]*355ture of “The Tove Thief” as “The She Tiger,” reissued the old picture of “The Silent Tie” and entitled it “Camille of the Yukon,” and reissued the old picture of “The Yankee Way” and entitled it “Sink or Swim.” It furnished each of these three pictures so retitled 'to exhibitors in various states of the United States in connection with leases providing for the petitioner’s so-called program series of pictures. All other pictures furnished under such program contracts to exhibitors were new pictures.

The petitioner furnished exhibitors with bill posters and other matter for use in advertising the photoplays to the public. In no way did the petitioner disclose that the pictures- so furnished, or any of them, were reissues. The advertising matters furnished exhibitors by petitioner in connection with the picture “Sink or Swim” conspicuously displayed the legend “William Fox presents George Walsh in ‘Sink or Swim,’ ” and in connection with “The She Tiger” it conspicuously displayed the legend “The She Tiger from the famous novel ‘The Tove Thief’ by N. P. Niessen.” The advertising furnished exhibitors in connection with the picture “Camille of the Yukon” displayed the legend “Based on Tarry Evans’ Alaskan novel ‘The Silent Tie.’ ” Various exhibitors, who received these three photoplays from the pe•titioner, used this advertising matter to advertise the exhibition of the pictures without further disclosing to the public 0that they were old pictures. It was, in effect, stipulated that, without further information froni the petitioner or its agents that any or either of the pictures were reissues, the exhibitors believed them new pictures and advertised them for exhibition with the bills and posters supplied by the petitioner, and in some instances they received complaints from patrons of their theaters who claimed to have been misled into believing them new pictures. In effect, it was stipulated that, in communities where pictures were received and advertised, patrons attended the exhibition under the belief that they were new pictures.

The petitioner concedes that it is engaged in competition with other persons, partnerships, and corporations similarly engaged. Through its agency, it enters into leases, and contracts with exhibitors, agreeing to furnish the exhibitors over a fixed period its current releases, and grants the right to exhibitors to exhibit the same to the public for a stated -number of performances. The president of the petitioner, in effect, testified that it has never been the general practice or policy of the petitioner to exploit, sell, or lease old pictures under new names, or to reissue pictures under any names other than those of their original reléase; that the practice or policy of reissuing of old pictures under new names is obnoxious to him and to the motion picture industry, “and indefensible from any ethical or business standpoint; that of the multitude of motion pictures or photoplays produced by respondent he knows of no instance, except those involved in this proceeding, in which respondent has reissued any old pictures under new names; that with respect to the above pictures there was no attempt to mislead' the exhibitors or the public that said pictures were not reissues.” The order to cease and desist provides:

“That the respondent Fox Film Corporation, its agents, servants, and employees, cease and desist fiom directly or indirectly advertising, selling or [356]*356leasing, or offering to sell or lease, reissued motion picture photoplays under titles other than those under which such photoplays were originally issiied and exhibited, unless the former titles of such photoplays and the fact that they theretofore have been exhibited under such former titles be clearly, definitely, distinctly, and unmistakably stated and set forth, both in the photoplay itself and in any and all advertising matter used in connection therewith, in letters and type equal in size and prominence to those used in displaying the new titles.”

While the findings of the Commission embraced but three pictures where the Unfair methods were practiced, that is sufficient to support the order to desist. It is now well recognized that the act refers specifically to unfair methods of competition. This does not mean the general practice of the offender must be unfair in competition. General practice may involve many methods, each conceived and to be applied for its particular desired result. One act that constitutes an unfair practice may of itself be offensive to the áct. Congress had in mind, in this legislation, the prevention of acts which amount to unfair methods of competition, whatever their inception.1 Federal Trade Comm. v. Gratz, 253 U. S. 421, 40 Sup. Ct. 572; 64 L. Ed. 993. To meet this, the Anti-Trust Law was supplemented. To violate the Sherman Act (Comp. St. § 8820 et seq.), it is necessary to find that the practice has grown to such proportions and strength that the business and practice is obnoxious as a trust or monopoly and restrains trade.

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Bluebook (online)
296 F. 353, 1924 U.S. App. LEXIS 3339, Counsel Stack Legal Research, https://law.counselstack.com/opinion/fox-film-corp-v-federal-trade-commission-ca2-1924.