FLEURIMOND v. New York University

722 F. Supp. 2d 352, 2010 U.S. Dist. LEXIS 82772, 2010 WL 2773089
CourtDistrict Court, E.D. New York
DecidedJuly 14, 2010
Docket09-CV-3739 (ADS)(AKT)
StatusPublished

This text of 722 F. Supp. 2d 352 (FLEURIMOND v. New York University) is published on Counsel Stack Legal Research, covering District Court, E.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
FLEURIMOND v. New York University, 722 F. Supp. 2d 352, 2010 U.S. Dist. LEXIS 82772, 2010 WL 2773089 (E.D.N.Y. 2010).

Opinion

MEMORANDUM OF DECISION AND ORDER

SPATT, District Judge.

Plaintiff Ariel Fleurimond (“Fleurimond”) alleges that she is the sole creator and copyright owner of “Orion”, a caricatured drawing of a cougar. In this action, she claims that New York University (“NYU”) infringed upon her copyright by using and selling various items that bear the Orion design without her consent. NYU has moved to dismiss the complaint under Fed.R.Civ.P. 12(c), contending that Fleurimond has failed to adequately plead ownership of the copyright at issue. For the reasons discussed below, NYU’s motion is denied.

I. BACKGROUND

The copyright at issue, Orion, is a drawn caricature of a cougar. Fleurimond created Orion at NYU’s request in contemplation that the design would be used as the mascot of the NYU athletic department. Fleurimond claims that, prior to filing this action, she registered Orion with the United States Copyright Office. NYU has used Orion, without Fleurimond’s knowledge or consent, on flyers, posters, its website and gymnasium fixtures. NYU has also manufactured and distributed clothing and memorabilia bearing the Orion design.

NYU contends that Fleurimond’s complaint fails to state a claim for copyright *354 infringement because she has not offered factual allegations .that are sufficient to establish her ownership of the Orion copyright. NYU further .argues that even if Fleurimond’s assertion of ownership is sufficient at the pleading stage, evidence outside the complaint reflects that NYU is the owner of the Orion copyright because Fleurimond developed the design while she was an NYU employee, acting within the scope of her employment.

II. DISCUSSION

A. Standard of Review

“The standard for addressing a Rule 12(c) motion for judgment on the pleadings is the same as that for a Rule 12(b)(6) motion to dismiss for failure to state a claim.” Cleveland v. Caplaw Enter., 448 F.3d 518, 521 (2d Cir.2006). It is by now well-established that, whatever the substantive legal context, motions under Rule 12(b)(6) are governed by the pleading standard announced in Bell Atl. Corp. v. Twombly, 550 U.S. 544, 570, 127 S.Ct. 1955, 167 L.Ed.2d 929 (2007). Contrary to Fleurimond’s argument, copyright infringement cases are no exception. See Kuklachev v. Gelfman, No. 08-CV-2214, 2009 WL 804095, at *3 (E.D.N.Y. Mar. 25, 2009) (applying the Twombly standard on a Rule 12(b)(6) motion to dismiss a copyright infringement claim); Fischer v. Talco Trucking, Inc., No. 07-CV-4564, 2008 WL 4415280, at *2 (E.D.N.Y. Sep. 24, 2008) (same).

Under the Twombly standard, a complaint may only be dismissed if it does not contain enough allegations of fact to state a claim for relief that is “plausible on its face.” Twombly, 550 U.S. at 570, 127 S.Ct. 1955. In deciding whether a complaint meets this threshold, the Court is required to accept the material facts alleged in the complaint as true and draw all reasonable inferences in the plaintiffs favor. Ashcroft v. Iqbal, - U.S. -, 129 S.Ct. 1937, 1949-50, 173 L.Ed.2d 868 (2009). However, “although ‘a court must accept as true all of the allegations contained in a complaint,’ that ‘tenet’ ‘is inapplicable to legal conclusions,’ and ‘[tjhreadbare recitals of the elements of a cause of action, supported by mere conclusory statements, do not suffice.’ ” Harris v. Mills, 572 F.3d 66 (2d Cir.2009) (quoting Iqbal, 129 S.Ct. at 1949).

In its analysis, the Court may refer “to documents attached to the complaint as an exhibit or incorporated in it by reference, to matters of which judicial notice may be taken, or to documents either in plaintiffs’ possession or of which plaintiffs had knowledge and relied on in bringing suit.” Brass v. Am. Film Tech., Inc., 987 F.2d 142, 150 (2d Cir.1993) (citation omitted). The Second Circuit has clarified that “a plaintiffs reliance on the terms and effect of a document in drafting the complaint is a necessary prerequisite to the court’s consideration of the document on a dismissal motion; mere notice or possession is not enough.” Chambers v. Time Warner, Inc., 282 F.3d 147,153 (2d Cir.2002).

B. NYU’s Motion

At the pleading stage, a plaintiff asserting a copyright infringement claim must allege: (1) the specific work that forms the subject of her claim; (2) the acts and time that the defendant infringed the copyright; (3) that the copyright at issue has been registered pursuant to the Copyright Act; and (4) that she owns the copyright. Laine v. Pride, No. 09 CV 3057, 2010 WL 199927, at *6 (S.D.N.Y. Jan. 19, 2010) (citing Kelly v. L.L. Cool J, 145 F.R.D. 32, 36 (S.D.N.Y.1992)). Here, NYU challenges only the last element.

In particular, NYU contends that Fleurimond “has alleged no facts as to *355 copyright ownership, but has merely asserted a bare legal conclusion.” Def.’s Mot. to Dismiss at 9 (emphasis in original). NYU is correct that a bare assertion of ownership is the sort of legal conclusion that the Court need not accept on a 12(c) motion. However, NYU overlooks the fact that Fleurimond also alleges that she is the “sole creator” of Orion. Compl. ¶ 6.

The Copyright Act provides that ownership of a copyright “vests initially in the author or authors of a work.” 17 U.S.C. § 201(a). “As a general rule, the author is the party who actually creates the work, that is, the person who translates an idea into a fixed, tangible expression entitled to copyright protection.” Cmty. for Creative Non-Violence v. Reid, 490 U.S. 730, 737, 109 S.Ct. 2166, 104 L.Ed.2d 811 (1989) (emphasis added). Therefore, if the Court accepts as true Fleurimond’s allegation that she is the “sole creator” of Orion, it is at least plausible that she owns the copyright.

Nevertheless, NYU argues that even if Fleurimond’s assertion of ownership is sufficient at the pleading stage, a W-2 form and various emails attached to its motion papers reflect that it owns the Orion copyright because the so-called “made for hire” exception to the general ownership rule applies in this case.

Section 201(b) of the Copyright Act carves out an exception to the general rule that ownership vests with the creator of a work. 17 U.S.C. § 201(b).

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Related

Community for Creative Non-Violence v. Reid
490 U.S. 730 (Supreme Court, 1989)
Bell Atlantic Corp. v. Twombly
550 U.S. 544 (Supreme Court, 2007)
Ashcroft v. Iqbal
556 U.S. 662 (Supreme Court, 2009)
Harris v. Mills
572 F.3d 66 (Second Circuit, 2009)
Chambers v. Time Warner, Inc.
282 F.3d 147 (Second Circuit, 2002)
Kelly v. L.L. Cool J.
145 F.R.D. 32 (S.D. New York, 1992)

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Bluebook (online)
722 F. Supp. 2d 352, 2010 U.S. Dist. LEXIS 82772, 2010 WL 2773089, Counsel Stack Legal Research, https://law.counselstack.com/opinion/fleurimond-v-new-york-university-nyed-2010.